前言
暗涌，是水面之下的水面。
艺术家的创作脉络，是从柔软细腻的态度和对细致入微生活的观察，直至一股强大的力量不断崩发，这股力量不论源于自我与环境，源自愈发强大的女性力量，还是源自如困兽般强大的野心也好，创造力都如潮水般不可抵抗地扑面而来。
因此，此次展览我将艺术家的作品归纳出三个分区，分别是《浮光掠影》、《暗潮涌动》和《静水深渊》。
那些留存在艺术家记忆中的，在学院训练中建立秩序的时期，如浮光掠过水面。
而当笔触开始挣脱规则的绳索，当兽性和野心从潜意识中浮现，水面之下的暗流才真正开始苏醒。每一次撕咬都是对边界的质疑，每一次涌动都是对表达的重新定义。
最终，所有的潮水都将归于最深处的寂静，艺术家不再向外寻求答案。她回到了自己的身体、记忆与存在，以内在的角度去凝视那片看似平静却无底的水域。
在静水之下，或许才是真正的自己。
弗洛伊德在《自我与本我》中提出，本我遵循快乐原则，无视时间逻辑与现实检验。这是一场聚焦“本我”中不可控的表达欲望与生命力的行动，在一朝一夕之间暗流涌动，在失控与自然力规则的协同下，是对探索真实自我的本能趋势。“暗涌”正是对这一理论的艺术化转译：艺术家在创作中不预设形象，而是让材料、色彩与痕迹在反复覆盖与裸露中自行对话——每一次涂抹都是压抑与释放的拉锯。
这场展览关注的，不再是水面之上的浪花，而是潜藏在水面之下的，那种在日复一日的沉寂中持续翻涌，在失控与规则的交界处，寻找出口的原始驱动力。
那么，当观众站在作品前，是否也能感受到自己内心深处那股从未停止的暗流？
直击展览
《房中天使》
生命有限，艺术长远。
艺术自诞生起，便始终在表象与永恒之间架起桥梁。世间万物皆有花期，一朵花的盛放不过数日，一份心绪的流转不过片刻，但当它们被定格在画布上、缝进布料里、塑进泥土中，便拥有了穿越时间的力量。正如那些流传百年的古典花卉静物，至今仍在向我们诉说着关于生命、关于消逝、关于美的永恒命题。
Life is finite, art is eternal.
Since its birth, art has always served as a bridge between appearance and eternity. Everything in the world has its blooming season. A flower blooms for but a few days, the ebb and flow of a mood lasts but a fleeting moment, yet when frozen on canvas, stitched into fabric, or molded into clay, they gain the power to transcend time. Just as those classical floral still lifes that have endured for centuries still speak to us of the eternal themes of life, transience and beauty.
王小波曾说：“我从童年继承下来的东西只有一件，就是对平庸生活的狂怒，一种不甘没落的决心。” 这句话，道尽了杨懿十年创作的精神底色。
她不愿让生活淹没在日复一日的琐碎里，于是拿起画笔，将那些稍纵即逝的感动、那些汹涌于心的热爱、那些对自然与生命的敬畏，都一笔一画地刻进画布。这不是对现实的逃离，而是以艺术为刃，划破日常看似的平静的表层，看见生活底下温柔而汹涌的暗涌。
Wang Xiaobo once wrote:
"One thing I have inherited from childhood is a rage against mediocre life, and an unyielding resolve not to sink into oblivion."
These words perfectly capture the spiritual underpinning of Yang Yi’s decade-long artistic journey.
Unwilling to be drowned out by the trivialities of daily routine, she picked up her brush. She etched fleeting moments of emotion, surging inner passions, and reverence for nature and life stroke by stroke onto the canvas. This is no escape from reality; rather, it is wielding art as a blade to cut through the deceptive calm of everyday life, revealing the gentle yet powerful undercurrent hidden beneath the surface.
这次名为“暗涌”的个展，对杨懿而言有着特别的意义。这不是她某一个阶段创作的集中呈现，而是一场横跨十年的成长记录。
你可以清晰地看见一条完整的生长轨迹，从2016年最初拿起画笔的青涩探索，到2026年日渐成熟的个人表达，近十年的作品悉数亮相。从学院派的严谨训练，到逐渐找到属于自己的艺术语言，再到如今将生活与热爱全然融入画布，每一笔都刻着时间的印记。
This solo exhibition named "Undercurrent" holds a special significance for Yang Yi. This is not a concentrated presentation of her creations at a certain stage, but a record of her growth spanning a decade.
You can clearly see a complete growth trajectory, from the initial naive exploration of picking up a paintbrush in 2016 to the increasingly mature personal expression in 2026. All the works of the past decade have been presented. From the rigorous training of the academic school to gradually finding one's own artistic language, and now fully integrating life and passion into the canvas, every stroke bears the mark of time.
本次特别展出了她的学院派作品，严谨的造型、精准的光影，是她多年基本功练习的最好证明。
This exhibition specially showcases her acadmic best evidence od her years of rigorous training.
而早在2016年的早期创作中，她偏爱自然、钟情于微小事物的审美偏向就已显露无疑。
As early as in her early works in 2016, her preference for the natural world and her fondness for minute details in her aesthetic choices were already clearly evident.
十年来，她始终围绕“生命与自然”这一核心主题不断深耕。近些年，她开始大胆尝试融合多种综合材料，在画布上探索生命形态的更多可能性。
这种对生命趣味性的敏锐捕捉，在她2023年的小幅作品中体现得尤为淋漓尽致，寥寥几笔，便将日常里那些稍纵即逝的灵动瞬间定格。
Over the past ten years, she has continuously delved deeply into the core theme of "life and nature". In recent years, she has begun to boldly experiment by integrating various composite materials and exploring more possibilities of life forms on the canvas.
This keen perception of the fun and interest in life is particularly vividly demonstrated in her small-scale works from 2023. With just a few strokes, she captures the fleeting and lively moments in daily life.
花与日常：藏在烟火里的诗意
Flowers and Daily Life: The Poetry Hidden in the Flames
在杨懿的笔下，花从来不是简单的静物。
她用近乎偏执的细腻勾勒每一片花瓣的弧度，每一根花蕊的颤动，让静止的画面有了呼吸的温度。白色花瓣在光影里投下柔和的轮廓，深浅交错的明暗，让花朵仿佛下一秒就要从画布中探出头来。这份对细节的极致追求，源自她扎实的学院派功底。
In Yang Yi's works, flowers are never mere static objects.
She meticulously depicted the curvature of each petal and the trembling of each stamen with an almost obsessive precision, giving the static scene a sense of warmth akin to breathing. The white petals cast soft outlines in the light and shadow, with the interweaving of light and dark tones making the flowers seem as if they would pop out of the canvas at any moment. This extreme pursuit of details stems from her solid academic training.
她的郁金香系列，藏着生命最动人的三种姿态。
Her tulip series conceals the three most touching postures of life.
《相拥》里，两枝正红郁金香花头相抵、枝干相依，没有多余的修饰，只有最纯粹的炽热与羁绊。深绿的叶片层层叠叠作底，万绿丛中两点红，强烈的色彩对比却丝毫不显张扬，反而让这份依偎的温柔格外醒目，比单枝花的孤高多了一份沉甸甸的暖意。
In "Embracing", the heads of two bright red tulips touch each other and their branches lean on each other. There is no superfluous embellishment, only the purest passion and bond. The deep green leaves layer upon layer serve as the base, with two red dots among the lush greenery. The strong color contrast is not at all flamboyant; instead, it makes this gentle embrace stand out conspicuously, adding a touch of weighty warmth to the solitary height of a single flower..
《舞》则是全然的灵动与自由。大片沉郁的暗绿之上，数十朵橙红郁金香顺着风的方向倾斜舒展，细长的花茎弯出柔软的弧度，仿佛下一秒就能听见叶片摩挲的声响。“风吹过，花起舞”，整幅画都带着流动的生命力，较大尺寸的画幅让这份肆意的美好扑面而来。
还有那幅《灼红》，是郁金香系列里最有力量感的一笔。她用堆叠的颜料塑造出厚重的肌理，边缘带着手工凿刻般的粗糙质感，浓烈的正红像一团燃烧的火焰，在深绿的簇拥下孤绝地盛放。
在展厅里，它与大幅的《舞》遥遥相对，一大一小，一动一静，恰好构成了生命最完整的两面。
"Dance" is entirely dynamic and free. Above the vast expanse of gloomy dark green, dozens of orange-red tulips tilt and spread out in the direction of the wind. Their slender stems curve into soft arcs, as if the sound of leaves rustling could be heard in the next second. "The wind blows, and the flowers dance." The entire painting exudes a flowing vitality. The large size of the canvas brings this unrestrained beauty right to your face.
And that "Burning Red" is the most powerful stroke in the tulip series. She uses stacked pigments to create a thick texture, with the edges having a rough feel as if they were hand-chiseled. The intense bright red is like a burning flame, blooming alone against the backdrop of deep green.
兽与自然：藏在生灵里的温情与敬畏
Beasts and Nature: The Affection and Reverence Hidden in Living Creatures
除了花，杨懿的创作里还有一个贯穿始终的核心——自然生灵。从身边朝夕相伴的猫咪，到海洋里相依的海狮，再到她心中构建的幻想生物，她用画笔记录着生命最本真的模样，也诉说着万物共生的温柔。
她把最多的柔软留给了自家的猫咪。那些日常里一闪而过的瞬间，在她的笔下变成了永恒的美好。
《同款曲线》里藏着她独有的趣味观察：猫咪蹲坐时腿部弯出的柔和弧度，与前方一颗樱桃的轮廓惊人地重合。这种不经意的视觉巧合，让她相信世间所有美好的事物，都带着同一种温柔的光晕。《小猫橙色的梦》定格了猫咪午后午睡的慵懒时刻，蓬松的毛发浸在暖光里，连呼吸都仿佛变得缓慢。在《一隅》中则藏着一个不被打扰的小世界。
Apart from flowers, there is another core element that runs through Yang Yi's creations throughout - natural creatures. From the cats that accompany her day and night to the sea lions that cling to her in the ocean, and then to the fantasy creatures she has built in her heart, she has recorded the most genuine appearance of life with her paintbrush and also told the tenderness of the coexistence of all things.
She reserved the most tenderness for her own cat. Those fleeting moments in daily life have turned into eternal beauty under her pen.In "The Same Curve", there lies her unique observation of details: the gentle arc formed by the cat's legs when it is crouching, surprisingly coincides with the outline of a cherry in front.This casual visual coincidence made her believe that all the beautiful things in the world carry the same gentle glow. "Orange Dream of the Little Cat" captures the lazy moment of a cat's afternoon nap. Its fluffy fur is bathed in warm light, and even its breathing seems to slow down. And in "A Corner" lies a small world that remains undisturbed.
《同款曲线》2026 24x30cm 布面丙烯
作为一名资深的兽装爱好者，她在这个充满想象力的圈子里沉浸多年。国内兽圈文化走过二十余年，从小众圈层逐渐走进公众视野，而对杨懿来说，“幻想生物”从来不是简单的爱好，更是她与自然对话的另一种方式。她将这份热爱延伸到雕塑创作中，构建出一只综合了多种动物特征的幻想生物《守护神》。她有意模糊它的物种边界，不去定义它是什么，而是着重表现身体的线条与质感，强调纯净与自然的本真。那些柔软的毛发，灵动的眼神，充满了原始而蓬勃的生命力。
在这些生灵作品里，她想表达的从来不是单向的观察，而是平等的共情。人类从来不是自然的主宰，而是与万物共生的一员。无论是身边的猫咪，海洋里的海狮，还是幻想中的守护神，都是自然的馈赠。它们是她对生命温情的致敬，也是对自然最虔诚的敬畏。
As a seasoned enthusiast of animal costumes, she has been immersed in this imaginative circle for many years. The domestic animal circle culture has gone through more than two decades, gradually moving from a niche circle into the public eye. For Yang Yi, "fantasizing about creatures" has never been a simple hobby; rather, it is another way for her to communicate with nature. She extended this passion to her sculpture creation, constructing a fantasy creature called "Guardian Deity" that integrates the features of multiple animals. She deliberately blurs its species boundaries, not defining what it is, but focusing on highlighting the lines and texture of its body, emphasizing the authenticity of purity and nature. Those soft hairs and lively eyes are brimming with primitive and vigorous vitality.
In these works of living beings, what she wants to express is never one-way observation, but equal empathy. Human beings have never been the masters of nature; rather, they are coexisting with all living things. Whether it's the cat by your side, the sea lion in the ocean, or the guardian deity in your imagination, they are all gifts from nature. They are her tender tribute to life and also her most devout reverence for nature.
暗涌：无声却汹涌的热爱
Undercurrent: Silent yet Surging Passion
这次展览取名“暗涌”，恰如其分地概括了杨懿十年的创作状态。
她的画少有激烈的情绪宣泄和夸张的视觉轰炸，却有着一种沉静的力量。就像海面之下无声涌动的暗流，看似平静，实则蕴藏着巨大的能量。那是她对艺术的执着，对生活的热爱，对自然的敬畏，一点一滴，汇聚成笔下的万千世界。
This exhibition is titled "Undercurrents", which precisely captures the ten-year creative state of Yang Yi.
Her paintings rarely feature intense emotional outpourings or exaggerated visual bombardments, but they possess a serene power. Just like the silent currents beneath the sea surface, seemingly calm yet harboring tremendous energy. That is her dedication to art, her love for life, and her reverence for nature. Every detail, accumulated over time, forms the myriad worlds depicted in her paintings.
十年来，她的创作始终保持着一份难得的真诚。不迎合，不做作，直面自己的内心，也直面生活本身。她不执着于宏大的叙事，而是将目光投向身边那些被忽略的美好：一朵花的绽放，一棵树的姿态，一片云的舒展，一只猫的睡姿。这些看似微小的主题，恰恰是我们日常生活中最珍贵、最能触动人心的部分。她用画笔将这些瞬间放大，让我们在快节奏的生活里，慢下来，感受生命本身的美好与力量。
For the past ten years, her creations have always maintained a rare sincerity. Don't pander, don't be pretentious. Face your inner self and life itself. She is not obsessed with grand narratives but turns her gaze to the overlooked beauties around her: the blooming of a flower, the posture of a tree, the unfolding of a cloud, and the sleeping position of a cat. These seemingly minor themes are precisely the most precious and touching parts of our daily lives. With her brush, she magnifies these moments, allowing us to slow down in the fast-paced life and feel the beauty and power of life itself.
当你走进这个展览，不妨放慢脚步，静下心来。你会在花蕊的颤动里看见生命的美好，在幻想生物的眼眸里看见自然的力量，在那些温柔的色彩与质感里，看见暗涌之下，那颗永远热爱、永远生长的心。
When you enter this exhibition, please slow down and calm down. You will see the beauty of life in the trembling of the flower stamens, the power of nature in the eyes of the fantasy creatures, and the hidden beneath the waves, that heart that always loves and always grows.
杨懿YangYi
2001年生于四川广安，2023年毕业于中央美术学院第二工作室，获学士学位。现工作生活于广东。
杨懿的艺术实践始终以生命与自然的共生关系为内核，在微观感知与宏观哲思之间寻找平衡点。动物与植物是她画面中最常出现的主角，它们既是她观察世界的窗口，也是她表达情感的载体。
她不仅捕捉这些生命形态外在的灵动与趣味，更致力于挖掘其内在的深层精神特质，以及生命与生命之间、生命与自然之间，那种冥冥之中的微妙关系。
通过对这些微小事物的细腻刻画，她将生命本质的思考，转化为可被感知的视觉语言，让观众在熟悉的日常图景中，触摸到生命本身厚重而丰富的情感维度。
YangYi
Born in Guang 'an, Sichuan Province in 2001, he graduated from the Second Studio of the Oil Painting Department of the Central Academy of Fine Arts in 2023, obtaining a bachelor's degree. Currently working and living in Guangdong.
Yang Yi's artistic practice has always been centered on the symbiotic relationship between life and nature, seeking a balance between micro-perception and macro-philosophical thinking. Animals and plants are the most frequently appearing protagonists in her paintings. They are not only the Windows through which she observes the world but also the carriers through which she expresses her emotions.
She not only captures the external vitality and charm of these life forms, but also devotes herself to exploring their deep-rooted spiritual qualities, as well as the subtle and mysterious connections between lives and between life and nature.
Through the meticulous depiction of these minute things, she transforms her thoughts on the essence of life into perceptible visual language, allowing the audience to touch the profound and rich emotional dimensions of life itself in the familiar daily scenes.
展览详情
—展览门票—
免费
—展览地址—
珠海市香洲区沿河东路165号一栋一层
有谱艺术空间
—展览时间—
2026年4月30日至5月25日
—营业时间—
周一至周日10：00-18：00
本次展出作品均可收藏，可扫描上方二维码添加工作人员微信，
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主办单位
主办方 | Organizer
关于有谱
有谱艺术空间
当理想与现实碰撞
当色彩与想象交织
一场关于“可能性”的集体演绎
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Utopia Art Space
撰稿 校对：杨懿
排版：杨楠
