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展览现场|周璋:何处是我家

作者：本站编辑      2026-05-18 10:08:28     0
展览现场|周璋:何处是我家
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尿尿先生 Mr. Pee, 2026
何处是我家
Where is my home
艺术家
周璋
Zhou Zhang
2026.05.09 - 2026.06.27
家，漂泊，游客，身份的游离，一直是周璋作品近几年在自身不断的居住变迁中创作的方向。他在法国的留学生活，他暂时定居景德镇的现实选择，他漂泊其中又“身入”与“适应”其中，这让他对周遭真实与临时媒介的感知以及语言的选择，最终完成于他以身介入的观察与敏感中。
在这个“适应”的过程中，他总是能用最轻，最单纯的语言来表达他在漂泊与游离中的无奈、沉重与自我消解。此次展览将展出他根据画廊空间全新创作的雕塑以及声音装置作品，还有他于2019-2020年创作的曾入围法国真实电影节第一扇窗单元的录像作品“口哨”。三件/组作品共同构成他来自法国与景德镇的漂泊叙事，在北京回荡......
MOUMOU will soon present artist Zhou Zhang's latest solo exhibition, Where Is My Home?. Home, wandering, tourists and the displacement of identity have been the themes of Zhou Zhang's work in recent years, reflecting his constant changes in residence. His studies in France, his temporary settlement in Jingdezhen, his wandering and "immersion" within it all, have led to his perception of the surrounding reality and temporary mediums, as well as his choice of language, ultimately culminating in his immersive observation and sensitivity.
In this process of "adaptation," he always manages to use the lightest and simplest language to express his helplessness, heaviness, and self-dissolution amidst wandering and displacement. This exhibition will feature his newly created sculptures and sound installations for the gallery space, as well as his video work "Whistle," created in 2019-2020 and shortlisted for the First Window section of the French Cinema de la République. These three works/groups together constitute his narrative of wandering from France to Jingdezhen, resonating in Beijing...

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01
尿尿先生, 2026
Mr. Pee
在法国生活时，寻找厕所是一件非常复杂的事，法国的公共厕所少的可怜，很多人会选择花 2 欧元在咖啡店购买一杯咖啡然后在店里上厕所，更多人会寻找一个角落，一面墙来解决。我意识到当我们（男性）在墙角完成尿尿时，墙面和地面垂直的结构为尿液提供了一个可以成为雕塑的物理属性，即垂直。于是我拍摄自己的尿痕，并把它的形状提取出来使用镜面不锈钢重新制作出可以独立竖立起来的一个关于尿痕的雕塑，这是一种一个人与城市一起完成的行为，一种“不可选择”的形状在城市与人之间被“制造”出来，像是一种特别的“纪念碑”。
这次在某某空间MOUMOU，我将这组雕塑的尺寸重新安排了一下，既小的，正常的，大的，想深化概念。
在北京这个场域展示，自然而然会让观看的人代入到“北漂”的感受里，这三种尺寸下，面对这组雕塑的感受也是不同的，远远的观看（小的），面对面的观看（正常的），仰视的观看（大的）。我想每个人看到这组“纪念碑”都会代入到自己的位置和处境。
When living in France, finding a restroom can be quite a challenge. Public restrooms are pitifully scarce, so many people choose to spend 2 euros on a cup of coffee at a café just to use the restroom there, while even more people look for a corner or a wall to relieve themselves. I realized that when we (men) urinate in a corner, the perpendicular structure of the wall and floor gives the urine a physical property that could be considered sculptural: verticality. So I photographed my own urine marks, extracted their shapes, and used mirror-finished stainless steel to recreate them as sculptures that can stand independently. This is an act completed jointly by the individual and the city—a "non-choiced" form "manufactured" between the city and the person, akin to a unique "monument".
For this exhibition at MOUMOU, I have rearranged the dimensions of this series of sculptures—small, standard, and large—to further explore the concept.
Exhibiting this work in Beijing naturally invites viewers to identify with the experience of "Beijing drifters". The experience of encountering this series varies across the three scales: viewing from a distance (small), face-to-face (standard), and looking up (large). I believe that everyone who sees this series of "monuments" will relate it to their own position and circumstances.

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尿尿先生 Mr. Pee, 2026
镜面不锈钢, Mirror finish stainless steel

左 Left：18 x 45 x 68 cm

中 Center：60 x 78 x 178 cm

右 Right：65 x 67 x 110 cm

展览现场 Exhibition view

展览现场 Exhibition view

02
旋转, 2026
Rotation
回国后应差阳错来的景德镇，这座曾经被称为中产天堂的 “乌托邦”，可现实中每个在这的人，不管是本地还是“景漂”都面临生存问题。在这里几乎一大半人都做着和陶瓷有关的事情。而我作为一个不怎么涉及陶瓷的局外人常常游离他们身边感受着他们之间的关系。我发现这里所有和陶瓷相关的工作其实都和旋转有关，从拉坯、修坯，压坯等等都需要在旋转中来完成。而旋转又和中心点有关，只有找到中心点才可以持续的旋转下去。这不就是我们每个人的生活吗？在循环往复的生活里去寻找一个中心点，让自己的生活得以旋转起来。想起万晓利的那首《陀螺》。
而最打动我的是在旋转中产生的声音，这是真正来自生活和劳作的声音，是属于这里的人的声音。所以我想让泥土、陶瓷在一圈又一圈的旋转中自己发出声音。
After returning to China, I ended up in Jingdezhen by chance. This city, once hailed as a "utopia" for the middle class. However, in reality, everyone here, whether local or "Jingdezhen drifters", is facing the problem of survival. Here, nearly half the population works in the ceramics industry. As an outsider with little connection to ceramics, I often find myself drifting among them, observing the dynamics of their relationships. I've dicovered that all ceramic-related work here is, in fact, connected to rotation—whether it's throwing, trimming,or pressing clay, every step must be completed while rotating. And rotation is tied to a center point; only by finding that center can the rotation continue. Isn't this exactly what our lives are like? In the endless cycle of daily life, we seek a center point to keep our lives spinning. It reminds me of Wan Xiaoli's song "The Spinning Top".

But what moved me most was the sound produced by the rotation—a sound truly born of life and labor, a sound belonging to the people here. So I want the clay and the ceramics to make their own sounds as they rotate round and round.

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展览现场 Exhibition view
展览现场 Exhibition view
展览现场 Exhibition view
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旋转 Rotation, 2026
景德镇高白泥 Jingdezhen super white kaolin
中温电窑烧制 Fired in a medium-temperature electric kiln
直径 19cm Diameter 19 cm
03
口哨, 2019-2020
Whistle
前方是哪里？ 
我们是谁？ 
我们要去哪呢？
加西亚·马尔克斯说：“世界太新，很多东西还没有名字，必须伸手指头去指。”这是我来法国后做的第一个满意的作品，在这个全新的国家里我迷失了一段时间，我需要学习新的语言，新的生活方式，新的一切。
我丧失了一部分语言能力，面对前方，我感到困惑，我指着那里，嘴里含糊不清。我像一个婴儿一般发出声音（口哨）去描绘这个世界。“那里，那里，那里”。或许也带着几分自嘲。录像中我右手手持 DV 拍摄左手手指跟着城市轮廓的外形，并伴随着根据外形的高低起伏发出的口哨声。
这是一个关于自我身份与城市的作品，手指与城市轮廓的不触碰却因为“口哨”声有了非接触式的触碰，这是一种感官触觉，一种身体与城市距离的撕裂和渴望融合。
( 作品入围法国真实电影节第一扇窗单元 )
Where is ahead? 
Who are we? 
Where are we going?
García Márquez once said, "The world is so new that many things have no names yet; we must point at them with our fingers". This is the first piece of work I've been satisfied with since coming to France. I felt lost for a while in this entirely new country; I had to learn a new language, a new way of life—everything was new. 
I lost some of my ability to express myself; facing the future, I felt confused. I pointed in that direction, my words coming out slurred. Like an infant, I used sounds—whistles—to describe this world. "There, there, ther". Perhaps there was a touch of self-mockery in it as well. In the video, my right hand holds the DV camera while my left hand traces the contours of the city, accompanied by whistles that rise and fall with the city's undulating shape.
This is a work about self-identity and the city. Though my finger never touches the city's outline, the "whistling" creates a non-contact touch—a sensory tactile experience, a tearing apart of the distance between body and city, and a yearning for fusion.
(This video has been selected for the "First Window" section of the French Documentary Film Festival)

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展览现场 Exhibition view

口哨 Whistle, 2019-2020
录像，彩色，有声 Video, Color, Sound
8m19s 
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口哨 Whistle, 片段 Clip
关于艺术家
周璋
Zhou Zhang
周璋生于1992年安徽，2016年本科毕业于湖北美术学院影像媒体专业，2023年硕士毕业于法国布尔日国立高等艺术学院（ENSA Bourges）艺术方向并获同期唯一评委团嘉奖（félicitation)，作品涉及录像，行为，装置，绘画，感兴趣于“游客”身份。
周璋的实践始于对电影语言与既得影像的探索，也展现出对媒介自反性的思考。他常常将摄像机对准身边环境，聚焦日常生活中被忽视的角落，并用电影化的方式将其重新呈现。移居法国留学成为周璋创作理念的转折点，这一经历重塑了他的心境。起初难以适应的异乡经验促使他反思身份，最终将自身定位为游客，并在作品中持续探讨游客与寄居之间的结构性张力。他的作品语言极简、抽象、冷调，带疏离感，把卑微、尴尬、私密的日常瞬间升华为普遍的生存寓言。
Zhou Zhang was born in Anhui in 1992. He earned his bachelor’s degree in Visual Media from Hubei Institute of Fine Arts in 2016 and his master’s degree in Fine Arts from the National Higher School of Art in Bourges (ENSA Bourges), France, in 2023, where he was the only student in his cohort to receive a special commendation (félicitation) from the jury. His work involves video, performance, installation, and painting, and he is particularly interested in the concept of “tourist” identity.
Zhou Zhang’s practice began with an exploration of cinematic language and existing imagery, while also reflecting on the medium’s self-referential nature. He often turns his camera toward his immediate surroundings, focusing on overlooked corners of daily life and re-presenting them through a cinematic lens. Moving to France to study marked a turning point in Zhou Zhang’s creative philosophy, this experience reshaped his mindset. Initially struggling to adapt to life in a foreign land, he was prompted to reflect on his identity, ultimately positioning himself as a tourist and continuously exploring the structural tension between tourism and residency in his work. His artistic language is minimalist, abstract, and cool-toned, evoking a sense of alienation, as he elevates humble, awkward, and intimate moments of daily life into universal allegories of existence.

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个展
2026  何处是我家, 某某空间MOUMOU, 北京
2025  巴黎，我恨你, C5CNM, 北京
2024  寄居, MAYAO, 香港
群展
2025  ART021, 上海
2025  抛锚歌单, 中间美术馆, 北京
2025  The Fantastic Belt, Sandwich Gallery, 布加勒斯特, 罗马尼亚
2024  周璋的一个馆, C5CNM, 北京
2024  江夏的蚊子能飞到汉口吗？, 无糖画廊, 武汉
2023  墨丘利的尾巴, 武汉美术馆（琴台馆）, 武汉
2023  步行指南, 长征独立项目 李佳策展, 北京
2022  敞开的门, 家聿美术馆, 武汉, 湖北
2022  录像作品《口哨》入围第44届法国真实电影节第一扇窗单元, 蓬皮杜, 巴黎, 法国
2022  TRANSDUCTION, Le château d’eau, 布尔日, 法国
2022  观城, 美联武福路1号, 武汉
2021   冰与火 双面景观, 武汉
2020  肝胆相照-实验影像展, 后牛房实验场, 澳门
2017   后来你风生水起—首届“俊安实验艺术”全国实验艺术专业优秀毕业作品展, 北京, 中国
2017  “Do something”西安崔振宽美术馆, 西安
2016  作品《第八集》入选巴黎东京宫“VIA Art Channel中国艺术家视频艺术专场”并在巴黎东京宫展出, 巴黎, 法国
2016  作品《第八集》入围西安金拴马桩奖, 并获得石拴马桩奖, 西安
2016  湖北美术学院优秀毕业作品, 武汉, 中国2016毕业作品入选“千里之行”八大美院优秀作品联展, 武汉
Solo Exhibitions
2026  Where Is My Home, MOUMOU, Beijing
2025  Paris, I Hate You, C5CNM, Beijing
2024  Sojourn, MAYAO, Hong Kong
Group Exhibitions
2025  ART021, Shanghai
2025  Break Down playlist, Inside-Out Arts Museum, Beijing
2025  The Fantastic Belt, Sandwich Gallery, Bucharest, Romania
2024  Zhou Zhang's One Gallery, C5CNM, Beijing
2024  Can Mosquitoes from Jiangxia Fly to Hankou?, Wutang Gallery, Wuhan
2023  Mercury's Tail, Wuhan Art Museum (Qintai Branch), Wuhan
2023  Walking Guide, Long March Independent Project, curated by Li Jia, Beijing
2022  Open Door, Jiayu Art Museum, Wuhan, Hubei
2022  Video work "Whistle" shortlisted for the "First Window" section at the 44th Festival du Réel, Centre Pompidou, Paris, France
2022  TRANSDUCTION, Le château d’eau, Bourges, France
2022  Viewing the City, No. 1 Wufu Road, Meilian, Wuhan
2021  Ice and Fire: Dual Landscapes, Wuhan
2020  Heart to Heart: Experimental Video Exhibition, Hou Niufang Experimental Space, Macau
2017  You Rose to Prominence—The First "Jun'an Experimental Art" National Exhibition of Outstanding Graduation Works in Experimental Art, Beijing, China
2017  Do Something, Cui Zhenkuan Art Museum, Xi'an
2016  The work "Episode 8" was selected for the "VIA Art Channel: Chinese Artists Video Art Special" at the Palais de Tokyo and exhibited there, Paris, France
2016  The work "Episode 8" was shortlisted for the Xi'an Golden Horse-Tying Post Award and received the Stone Horse-Tying Post Award, Xi'an
2016  Outstanding Graduation Works, Hubei Institute of Fine Arts, Wuhan, China
2016  Graduation works selected for the "A Journey of a Thousand Li" Joint Exhibition of Outstanding Works from the Eight Major Art Academies, Wuhan

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