间接策略/Oblique Strategies
展期：2023年12月04日-2023年12月15日
开放时间: 每周一至周五 11:00-16:00
(请于小程序预约观展，感谢您的配合）
“廿號”Space荣幸宣布举办视觉艺术家黄喆君与新⻄兰/澳大利亚抽象艺术家克雷格·伊斯顿的双个展“间接策略/Oblique Strategies”。此次展览将展出两位艺术家的代表作品，也是他们与廿號的首次合作，展期将持续至2023年12月15日。黄喆君,《光纱——橘》2020树脂、丙烯、夜光颜料，由艺术家提供本次双个展呈现了两位艺术家各自在艺术创作中的“间接策略”，他们都视抽象绘画为一种不断发展的语言,在创作过程中他们并不遵循简单的叙述途径而是一直在寻求新的融合路线，从而使艺术成为我们日常生活的重要组成部分。With each taking their own Oblique Strategies this double solo presents two artists celebrating abstract painting as an ever-evolving language, ultimately seeking new lines of convergence for art as an essential component in our everyday lives.Craig Easton克雷格·伊斯顿，In Towards A Hypothetical Neo-Constructivism 2020,Bank Shanghai 展览现场 ，由艺术家提供Craig Easton克雷格·伊斯顿，Stone Garden / Damaged Red，2020，由艺术家提供在艺术家使用英语术语“Oblique”作为本次展览的标题时，他暗示了横向思维和抽象策略的倍增力是对艺术作品中大量出现的直线叙事的挑战。在这两位艺术家研究这些想法和可能性时，他们以自己独特的视角直接的为观众提供了新的概念与审美乐趣。
On using the English term Oblique they suggest the multiplying powers of lateral thought and abstract strategies as a challenge to straight-line narratives too often expected from art. In working through such ideas and possibilities, most importantly, these two unique artists offer us new perspectives on conceptual and aesthetic pleasures. And there is nothing oblique about that.
黄喆君, 《城市门——紫》，2022，树脂、丙烯、油画颜料、画板，由艺术家提供
黄喆君, 《⼯业⽔墨——紫》，2023丙烯、亚克⼒盒⼦，由艺术家提供上海艺术家黄哲君的作品通过使用非传统的材料和工艺来捕捉和传达变化，她不断地在硬朗、半透明、静止、运动、绝对虚空和荧光之间移动，从后工业景观中挖掘新的美和光的境界。Capturing and signaling change through use of non-traditional materials and processes, Shanghai artist Huang Zhejun’s works constantly move between solidity, translucency, stillness and motion, absolute void and phosphorescent brightness to mine new realms of beauty and light from our post-industrial landscapes. Craig Easton克雷格·伊斯顿，Stone Classic， 2018， 丙烯亚麻布，170 x 122 cm，由艺术家提供而对于克雷格·伊斯顿（新西兰/澳大利亚）来说，既定主题和符号的抽象语言是通过不断的绘画实践从而不断转变的。在他的作品中我们可以看到微妙的变化、增强的物质性、模糊的几何图形、文字与文本的变形运用。本次展览的两位艺术家拥有着相同的“镜面策略”——观众可以在他们的作品中看到反射与光的运用，这为他们作品又增添了不同的空间感。
For Craig Easton (NZ/AUST) an abstraction of established motifs and signs undergoes continual transformations via a restless painting practice using subtle surface shifts, heightened materiality, ambiguous referential geometries and text forms alongside installation and mirroring strategies common to both artists.
黄喆君,艺术家工作室，由艺术家提供
艺术家黄喆君与克雷格·伊斯顿使用独属于他们的抽象的语言不断创作。他们的作品采用了极简主义的美学间接的表达了空间的复杂层次。虽然两位艺术家在不同文化与背景中生活创作，但是观众还是可以从他们的作品中发现许多蕴含着哲学诗意的共同点。
Artists Huang Zhejun and Craig Easton use their own abstract language to create their work. Both of their works adopt minimalist aesthetics to indirectly express the complex layers of space. Although the two artists live and grow up in different cultures backgrounds, the audience can still find many philosophical and poetic similarities in their works.
欢迎前来观展！WELCOME TO VISIT！
黄喆君是一名于改革开放时期在上海成长起来的90后。混合的工业材料和城市灯光塑造了她的视觉经验。她的作品常用反光表面、硬边、荧光炸眼，结合工业材料和传统绘画技术捕捉当代自然和非自然的景观。预设的西方形式语言以流动的媒材绘制，留下了其自然且有机的形态，同时展现了其怪异的人工感——就如中国古代墨水也成为了后工业世界的产物。
近年作品曾展出于K11美术馆、喜玛拉雅美术馆、珀斯⾳乐厅、宁波美术馆、春美术馆、红⻔画廊、
皇家墨尔本理⼯⼤学等艺术机构；曾担任新⻄兰丹尼丁市政府《什么事都可能发⽣》艺术项⽬于上
海豫园展览顾问；曾策展《建筑的抽象》于上⾳歌剧院、《未来⾥• ⾸届张江汇智艺术节》于汇智
国际商业中⼼，等项⽬；作品被收藏于上海⾳乐学院、⽅⼤设计等机构
HUANG
ZHEJUN is a visual artist from Shanghai working
predominantly in abstract painting and mixed media. Her works typically draw on
minimalist aesthetics in combination with the ebb and flow of ink-like plastics
and fluorescents to produce paintings and objects that negotiate a line between
the ancient and the post-industrial. Her works have been recently shown in K11 Art
Museum, Himalayas Museum, Perth Concert Hall, Ningbo Art Museum, Chun Art
Museum, Red Gate Gallery, RMIT University and other major art organizations.
She served as Shanghai consultant of Anything could Happen with Dunedin Council
Art Project in Shanghai Yu Garden. She curated Abstract Constructs in Shangyin
Opera House, Lane of Future• The 1st Zhangjiang Huizhi Art Festival in Huizhi Life
Center, and other projects. Her works have been collected by Shanghai
Conservatory of Music, Tontsen Architecture Design and other organizations.新⻄兰/澳大利亚抽象艺术家克雷格·伊斯顿，继他几乎三十年来在⻄方极简主义、观念艺术、建构 主义和波普艺术世界的拓展。深受对中国文人园林沉浸式结构和诗意⻓期研究的影响，克雷格·伊斯 顿的艺术拥抱了不断地变化，尝试不同的媒介、形式和观看结构。他的作品因其精致优雅的形式而 颇受批评家和收藏家的赞赏，在移动的观看经验时，会发现其意想不到的复杂层次。自1996年以来，他已举办了36场个展，目前他在中国和澳大利亚撰写和教授艺术，作品曾由剑桥学者出版社、北京新视觉艺术杂志、墨尔本 LUMA、建山博物馆、中国摄影师出版社、洛迦诺卢斯卡博物馔、澳大利亚Eyeline等出版。伊斯顿的艺术作品收藏于澳大利亚维多利亚国家画廊、澳大利亚联邦法院、本迪戈艺术画廊和博物 馆、上音歌剧院、新⻄兰艺术之家信托、RMIT收藏、拉特罗布大学艺术收藏、华东师范大学、贾斯汀艺术之家博物馆、⻄⻔子、Artbank等。CRAIG EASTON is a New
Zealand born abstract artist who works between New Zealand, Australia and
China. His art moves across media and techniques including painting,
photography, video, object making and architectural installation to investigate
new ways for abstraction to impact on our experience of lived space. A regular
contributor to institutional, commercial and collaborative projects his works
have appeared at Bank/MAB Society, Object Gallery, Chi K11, Shenyang; Putuo
Cultural Centre, Wen He You Art Museum Changsha, Bendigo Art Gallery, RMIT Gallery Melbourne;
Margaret Lawrence Gallery VCA Melbourne; Justin Art House Museum, Melbourne;
New York Studio School Gallery, NYC; SACI Florence, La Trobe Art Institute
Bendigo, Geelong Gallery, Foundation Art Museum, Suzhou, Chun
Art Museum, Shanghai etc. Easton’s art features in major collections
including the NGV National Gallery Victoria Australia; Federal Court of
Australia, Bendigo Art Gallery and Museum, The Arts House Trust NZ.
