分 裂
Division
于皓丞
Y-Hatcher
2023.9.23 - 10.07
ZXX
15 RMB
北京市东城区北新桥头条67号
No. 67, Beixinqiao Toutiao
Dongcheng District
Beijing
《分裂》不仅揭示了我们所生活时代的复杂性，也呈现了人类如何在多重身份、文化和信仰中寻找自我的过程。于皓丞鼓励观众跨越界限、深入反思，从而回归到人类本质，探寻与世界深层意识的沟通方式。
In this exhibition, we witness the manifold facets of "division." Yet, it doesn't merely rest upon describing an issue; it is also a quest for answers. How, after all, do we transcend division to genuinely reconnect with nature, the cosmos, others, and ourselves? Only by truly confronting and accepting division can we discover the unity and harmony beyond it, thus unveiling the potential to reconnect ourselves with the world.
ZXX
作品介绍 ART WORKS
Y-Hatcher 's oeuvre exemplifies his acute perception of the intricate tapestry of the contemporary milieu. Within the ambit of his artistic discourse, the nexus among information technology, the natural realm, and humanity transcends simplistic relational dynamics, offering a nuanced deconstruction of modern societal paradigms.
In the genesis of "Abyss", he embarked on a profound introspection of the human locus within the digital epoch. This is not merely a contemplation of technological ascendency, but also a foray into the preservation of human essence and cognitive agility amidst the omnipresent digital metamorphosis. The diptych LED displays function not solely as conduits of information but emerge as an artistic provocation, interrogating humanity's anchorage in the information maelstrom. They beckon the beholder to deliberate: within this digitized realm, do we command the symphony of information or are we mere conduits in its transmission?
谁的眼睛？Whose eyes？
"Whose eyes?" further elucidates the ramifications of technology on sociocultural fabrications and the individuation process. Through this magnum opus, Y-Hatcher endeavors to underscore that technology, while heralded as an instrument of progress, might simultaneously epitomize hegemonic constructs, potentially obfuscating authentic interpersonal engagements and the depth of human introspection.
Y-Hatcher's portrayal of the relationship between humanity and nature possesses a profound depth of life. "Be thalassic regressive undertow" is not merely about origins; it resonates more as a poetic ode, celebrating the eternal bond between humans and the sea. In the "Diamonds" series and "The Narration of Silent Driftwood", one witnesses a deep reverence for nature, coupled with contemplations on time, life, and the inexhaustible wonders of the natural realm.
分裂非隔断，而是连接的起点。每一次的质疑，每一次的思考，都如同浓雾中的灯塔，引导我走向未知的彼岸，但难免于碎片中迷失。我享受漂浮其中的自在，但也试图在这片海洋中寻找一个稳定的锚地，每一处已知仍存在无数的未知。这是一个永恒之旅，分裂则是我沿途的必经地，如同日夜之交的行者，走在明暗之间，寻找着平衡。
"我渴望如同曙光般的启示，使我从无尽的分裂觉醒。坚信着期望的裂变终会出现。 "
Division is not an end, but rather the genesis of connection. Each interrogation, each pondering, acts as a lighthouse within a dense mist, guiding me towards uncharted shores, albeit often getting lost amidst the fragments. I revel in the liberation of drifting within, yet concurrently seek a stable anchorage in this vast expanse. Every known aspect conceals myriad unknowns. It's an eternal odyssey, with fragmentation being a pivotal waypoint. Like a traveler at the cusp of day and night, I tread the liminal space between light and shadow, in search of equilibrium.
艺术家 ARTIST
于皓丞
Y-Hatcher
于皓丞 (Y-Hatcher) , 生于1998年，辽宁沈阳人， 2017-2021年就读于清华大学美术学院信息艺术系摄影专业，获学士学位，现居北京。他的创作从人类、社会再到与自然、宇宙，所涉及的话题颇为广泛。作品曾在北京、厦门、杭州、郑州、丽水、伦敦、米兰、雅典等地展出。
于皓丞的创作不受任何媒介限制，他使用装置、影像、摄影、雕塑、声音等，带领观众在感知中跳跃，进行深度反思与自我寻找。主张回归到人类本质去探索人与世界深层意识的思考和沟通方式。
Yu Haocheng（Y-Hatcher）, from Shenyang, Liaoning Province, was born in 1998, studied at the Academy of Arts & Design of Tsinghua University from 2017 to 2021, majoring in Photography within the Department of Information Art. He earned his bachelor's degree and now resides in Beijing. His artistic explorations range widely, touching upon topics from humanity and society to nature and the cosmos. His works have been exhibited in places such as Beijing, Xiamen, Hangzhou, Zhengzhou, Lishui, London, Milan, Athens.
Unbound by any medium, Y-Hatcher employs installations, videos, photography, sculpture, and sound, guiding viewers through the Leap of Sensory Experience, inviting profound introspection and self-discovery. He advocates for a return to the essence of humanity, delving into the deep-seated ways of thinking and communication between people and the world.
展览经历 PAST EXHIBITIONS：
2020年 北京 清华大学美术学院 “非器” 艺术展
2021年 丽水 万象摄影坊 “2021丽水摄影节”
2022年 杭州 仓美术馆 野生青年艺术节 •杭州站
2022年 厦门 三影堂摄影艺术中心 “无界”艺术展
2022年 厦门 鼓浪屿美院 “岛屿重回计划”
2022年 雅典 第18届雅典数字艺术节（ADAF）中国单元
“Looking Back to the Present”
2022年 北京 木木美术馆 野生青年艺术节 •北京站
2022年 北京 凹凸当代艺术空间 BXQ2022实验影像周
2022年 伦敦 MP Birla Millenium Gallery “超临界态”艺术展
2023年 米兰 HOAA “Encounter” 艺术展
凹凸当代艺术空间 Aotu Space
