惟典空间正在展出“万象IV”，展览呈现艺术家高新潼、任诒春、徐雅涵的最新作品。展期将持续至2026年6月30日。
"Everything Under the Sun IV" is currently on view at WD Art Space is currently presenting "Everything Under the Sun IV", featuring the latest works by artists Gao Xintong, Ren Yichun,and Xu Yahan. The exhibition will open until June 30, 2026.
展览现场
Intallation View
展览现场，万象IV，惟典空间，2026
Installation view, Everything Under the Sun IV, WD Art Space, 2026
高新潼 Gao Xintong
高新潼（生于1998年，中国辽宁）是一位新锐的当代艺术家，以其将意大利未来主义与东方传统艺术动态融合的油画作品而著称。他于意大利卡拉拉国立美术学院获得BFA和MFA学位，毕业后旅居意大利。高新潼的作品探讨了运动与静止之间的平衡，深受道家哲学的影响。
高新潼的近期个展包括：自画像，Andrea Festa Fine Art，罗马，意大利，2025；双人展：一个简单的故事，Andrea Festa Fine Art，罗马，意大利，2025；流焰，伯年艺术空间，北京，中国，2024；速度的低语，LATITUDE Gallery，纽约，美国，2024；抽象回声，HOFA Gallery，伦敦，英国，2024；超越可见，HOFA Gallery (Crysalis)，伦敦，英国，2023；从复杂到简单，Votrě Gallery，马萨-卡拉拉，意大利，2021。他的群展项目包括：Sala Nova: I Need Silence，Andrea Festa Fine Art，罗马，意大利，2026；CHAPTER V，Andrea Festa Fine Art，罗马，意大利，2026；Birth of the Between，LATITUDE Gallery，纽约，美国，2025；Limits of Language，Le Mont Art Space，台湾，中国，2025；I Did It My Way，ISM ART SPACE，深圳，中国，2025；Worlds Beyonds World，Museo Archeologico Versiliese Bruno Antonucci，彼得拉桑塔，意大利，2024；MAGNIFICA，AAIE Contemporary Art Center，罗马，意大利，2024。他的作品被Artsy纳入“Curators' Pick（策展人精选）”和“How to Collect Emerging Art（如何收藏新锐艺术品）”栏目中。此外，高新潼还被Artsy策展人选中，投放在纽约全美公共交通系统（U.S. Transit System）各处广告公共屏幕上轮流展现。
Gao Xintong (b. 1998, Liaoning, China) is an emerging contemporary artist known for his oil paintings that fuse Italian Futurism with the dynamic traditions of Eastern art. He received his BFA and MFA from the Accademia di Belle Arti di Carrara, Italy, and has been living and working in Italy after graduation. Gao’s work explores the balance between movement and stillness, deeply influenced by Daoist philosophy.
Gao Xintong’s recent solo exhibitions include: “Autoritratto”, Andrea Festa Fine Art, Rome, Italy, 2025; “Duo Show ‘A Simple Story’”, Andrea Festa Fine Art, Rome, Italy, 2025; “Blazing Flow”, BONIAN SPACE, Beijing, China, 2024; “Whispers of Velocity”, LATITUDE Gallery, New York, USA, 2024; “Abstract Echoes”, HOFA Gallery (Crysalis), London, UK, 2024; “Beyond Visible”, HOFA Gallery (Crysalis), London, UK, 2023; “From Complex to Simple”, Votrě Gallery, Massa-Carrara, Italy, 2021. His group exhibitions include: “Sala Nova: I Need Silence”, Andrea Festa Fine Art, Rome, Italy, 2026; “CHAPTER V”, Andrea Festa Fine Art, Rome, Italy, 2026; “Birth of the Between”, LATITUDE Gallery, New York, USA, 2025; “Limits of Language”, Le Mont Art Space, Taiwan, China, 2025; “I Did It My Way”, ISM ART SPACE, Shenzhen, China, 2025; “Worlds Beyonds World”, Museo Archeologico Versiliese “Bruno Antonucci”, Pietrasanta, Italy, 2024; “MAGNIFICA”, AAIE Contemporary Art Center, Rome, Italy, 2024. His work has been featured in Artsy’s “Curators’ Pick” and “How to Collect Emerging Art” sections. Additionally, Gao Xintong was selected by Artsy curators for a public art campaign displayed on rotating screens across the U.S. Transit System in New York.
任诒春 Ren Yichun
任诒春，出生于1994年。2017年毕业于⻄安美术学院油画系，获学士学位；2020年毕业于中国美术学院油画系，获硕士学位。现工作生活于北京。她的绘画围绕着花卉、静物和空间展开，但并非将其作为画面的主体。艺术家用自己的眼睛重新构建了物的内部、物与物、物与外部之间的关系，让关系成为了画面中真正的主体。一切被还原到了物的本身，他们都平等和民主地沐浴在来自画笔的清冷光线之下，这是一种新的物的导向，是一种对于现象学之主体性的扩展，也是一种来自艺术家的谦卑。艺术家在对于空间关系梳理与研究的同时，也一并消解了连接着空间秩序的有序时间，并将外在的强度内化为一种安静的力量。
她的近期个展包括: 我是谁的果实，站台中国当代艺术机构，北京（2025）；相遇和凝视，站台中国当代艺术机构，北京（2024）；氤氲，Tong Gallery，无锡（2022）；花的姿态，shifter，北京 (2022)。群展包括：时间的形状：20周年特展, 站台中国当代艺术机构，北京（2025）；重构视域, 石家庄市美术馆, 石家庄（2025）；各自结构——绘画的若有与似无，虹美术馆，苏州（2024）；时间悬置，逸空间，南京（2024）；Kong-Fu：Form and Meaning（形与意），元美术馆，北京（2023）；捕捉，站台中国当代艺术机构，北京（2023）；冬季失眠症，索卡画廊，北京（2022）；一隅三生，伯年艺术空间，北京(2022)。任诒春的作品被和美术馆（顺德），子岸当代美术馆（北京）等机构收藏。
Ren Yichun was born in 1994. He graduated from the Department of Oil Painting at the Xi'an Academy of Fine Arts in 2017 with a Bachelor's degree, and from the Department of Oil Painting at the China Academy of Art in 2020 with a Master's degree. She now lives and works in Beijing. Ren reconstructs the internal dynamics of objects, the relationships between objects, and their connections to the external world through her own eyes, making relationships the true subjects of her paintings. It is no longer the subject that dictates the theme of painting; rather, it is the relations that encompass the entire picture, reducing everything to the things themselves. They are all bathed democratically in the cool light from the brush, constituting a new object-oriented approach, an extension of phenomenology's subjectivity, and a humility from the artist. While the artist is engaged in the analysis and study of spatial relationships, she also dissolves the ordered time connecting spatial order and internalizes external strength into a quiet force.
Her recent solo exhibitions include: "Whose Fruit Am I", Platform China Contemporary Art Institution, Beijing (2025); "Encounter and Gaze", Platform China Contemporary Art Institution, Beijing (2024); "Misty", Tong Gallery, Wuxi (2022); "The Posture of Flowers", shifter, Beijing (2022). Group exhibitions include: "The Shape of Time: 20th Anniversary Special Exhibition", Platform China Contemporary Art Institution, Beijing (2025); "Reconstructing Vision", Shijiazhuang Art Museum, Shijiazhuang (2025); "Respective Structures: The Ambiguity of Painting", Rainbow Art Museum, Suzhou (2024); "Suspended Time", Escape Space, Nanjing (2024); "Kong-Fu: Form and Meaning", Yuan Art Museum, Beijing (2023); "Capturing", Platform China Contemporary Art Institution, Beijing (2023); "Winter Insomnia", Soka Art, Beijing (2022); "One Corner, Three Lives", BONIAN Space, Beijing (2022). Ren Yichun's works are collected by He Art Museum (Shunde), Zi'an Contemporary Art Museum (Beijing), among other institutions.
徐雅涵 Xu Yahan
徐雅涵，1993年出生于中国秦皇岛，目前生活和工作于中国沈阳。2016年，本科毕业于鲁迅美术学院综合绘画系，2020年，硕士毕业于鲁迅美术学院油画系。曾获得2024年第五届凤凰艺术新星奖。徐雅涵的创作以“对绝对自由的向往与不可抵达的困境”为精神内核展开，是自然表象下的人类精神寓言，探讨人类文明与自然力量的辩证关系。她以超验的精神维度构建了一个既向往绝对自由又深陷矛盾的场域，自然物象覆盖侵蚀人类的痕迹，其本质是借自然载体来隐喻人类的文化、情感与认知。徐雅涵通过作品在追问，当人类试图剥离社会负累时，是否真正抵达了自由，答案也许藏于那些被帘幕分割的时空、逆向生长的太阳，以及水火碰撞的张力之中。
徐雅涵的展览经历包括个展：悬浮的云城，伯年艺术空间，北京，中国，2025；往来于陆地的一切孔隙，伯年艺术空间，北京，中国，2023；未知，发酵艺术中心，沈阳，中国，2020。群展：同行：当代绘画的语法切片，Guardian Art x 江苏画店艺术中心，南京，中国，2025；光之国度，索卡艺术，北京，中国，2025；各自结构——绘画的若有似无，虹·美术馆，苏州，中国，2024；预演——90后艺术家的30个样本，春美术馆，上海，中国，2024；HumanScapes，BLANKgallery，上海，中国，2024；重塑的风景，玉兰堂，上海，中国，2024；青年艺术100年度展，北京，中国，2024；第三空间，仚東堂，北京，中国，2024；风华正茂，荣宝斋，北京，中国，2024；新绘画的新面孔——后浪拼图，玉兰堂，北京，中国，2023；冬青的礼物——女性艺术家联展，玉兰堂，上海，中国，2023；簇生——山与秋季群展，ISLE Gallery，上海，中国，2023；未来 × 现场，ZERO艺术中心，北京，中国，2022；北风，玑木画院，沈阳，中国，2020；剧场·世变与回响——北方艺术家邀请展，LAFA艺术空间，沈阳，中国，2019；十年·十人，川美罗中立美术馆，重庆，中国，2019；Free Talk多媒介绘画作品展，鲁迅美术学院美术馆，沈阳，中国，2019；Free Talk多媒介绘画作品展，鲁迅美术学院美术馆，沈阳，中国，2019；Inter Youth 东方来信国际青年绘画展，中国美术学院美术馆，杭州，中国，2019；没展，上海喜玛拉雅美术馆，上海，中国，2018；约翰莫尔绘画奖作品展，上海民生现代美术馆，上海，中国，2018；抽象纪元，1905艺术空间，沈阳，中国，2018；青衿计划，正观美术馆，北京，中国，2018。艺术博览会：西岸艺术与设计博览会，伯年艺术空间，上海，中国，2025；艺术深圳，Hi艺术，深圳，中国，2024；ART021 上海廿一当代艺术博览会，伯年艺术空间，上海，中国，2024；北京当代艺术博览会，伯年艺术空间，北京，中国，2024；香港Art Central艺术博览会，伯年艺术空间，香港，中国，2024。
Xu Yahan (b.1993, Qinhuangdao, China) is based in Shenyang, China. In 2016, she received a Bachelor of Comprehensive Painting degree from the Luxun Academy of Fine Arts, Shenyang, China. In 2020, she earned a Master of Fine Arts degree from the Luxun Academy of Fine Arts, Shenyang, China. In 2024, she won the 5th Phoenix New Star. Fleurs XU’s practice is anchored in the spiritual core of "the longing for absolute freedom and the predicament of its unattainability". Framed as an allegory of the human spirit beneath the facade of nature, her work explores the dialectical relationship between human civilization and the forces of the natural world. Through a transcendent spiritual dimension, Xu constructs a realm that both yearns for absolute freedom and is ensnared in contradiction. Natural physical forms bear the traces of human influence—both imprinted and eroded. At its essence, she employs nature as a vehicle to metaphorize human culture, emotion, and cognition. In her art, Xu poses a pivotal question: When humanity seeks to shed the burdens of society, does it truly attain freedom? The answer, perhaps, lies hidden in the fragmented spacetime divided by hanging curtains, the sun that grows in reverse, and the dynamic tension between water and fire.
Xu's exhibition experience includes solo exhibitions: “The Clouded Heights”, BONIAN SPACE, Beijing, China, 2025; “I Pass Through the Pores of the Lands”, BONIAN SPACE, Beijing, China, 2023; “Unknown Future”, JiMu, Shenyang, China, 2020. Group Exhibitions: “The Realm of Light”, SOKA ART, Beijing, China, 2024; “RESPECTIVE STRUCTURES: The Presence and Absence of Paintings”, Iris Art Museum, Suzhou, China, 2024; “Rehearsal: Works by 30 Post-90s Artists”, CHUN ART MUSEUM, Shanghai, China, 2024; “HumanScapes”, BLANK gallery, Shanghai, China, 2024; “Reshaped Landscapes”, Line Gallery, Shanghai, China, 2024; “Art Nova 100 Annual Exhibition”, Guardian Art Center, Beijing, China, 2024; “The Third Space”, Santo Hall, Beijing, China, 2024; “The First Rongbaozhai Youth art Nomination Exhibition”, Beijing, China, 2024; “New Faces of New Painting”, Line gallery, Beijing, China, 2023; “The Gift of Holly-Group Exhibition of Female Artists”, Line gallery, Shanghai, China, 2023; “Fascicyled—— ISLE Gallery Autumn Group Exhibition”, ISLE Gallery, Shanghai, China, 2023; “Future × Live”, ZERO Art Center, Beijing, China, 2022; “Northern Wind”, Jumu Art Institute, Shenyang, China, 2020; “Theater, world change and echo”, LAFA art space, Shenyang, China, 2019; “Ten years·Ten people”, Luo Zhongli Art Museum, Chongqing, China, 2019; “Free Talk”, Art Museum of LAFA, Shenyang, China, 2019; “Inter Youth”, Art Museum of China Academy of Fine Arts, Hangzhou, China, 2019; “No Exhibition”, Shanghai Himalayan Art Museum, Shanghai, China, 2018; “John Moore Painting Prize”, Minsheng Art Museum, Shanghai, China, 2018; “Abstract Era”, 1905 Art Space, Shenyang, China, 2018; “Azure Gown Project”, Right View Art Museum, Beijing, China.
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