艺术家崔昱（PinkCY）的展览《柔壳》已于2026年4月05日在亚托邦（AUU）引号空间圆满落幕。此次展出以“柔壳”为隐喻，探讨了介于自我与世界之间的柔软界面——一种可感知、可塑造、活着的介质，既隔离又联结。
The exhibition Membrane by artist PinkCY concluded on April 05, 2026, at Quotation Space, Art Utopia Union (AUU). Centered on the metaphor of the “soft shell,” the exhibition explored the pliable interface between self and world—a perceptible, malleable, living medium that both isolates and connects.
展出作品 Work on view
我们生活在层层包裹之中，《柔壳》关注的是那种“软”的界面：当生长被结构支撑，当结构学会呼吸，当呼吸形成回路——壳不再是隔绝的边界，而成为一种活着的介质。它柔软，因为需要感知；它成为壳，因为必须守护。
We live wrapped in layers. Membrane turns its attention to the “soft” interface: when growth is supported by structure, when structure learns to breathe, when breath forms a circuit—the shell is no longer a barrier of isolation, but a living medium. It is soft, because it needs to feel; it becomes a shell, because it must protect.
展出作品 Work on view
参展作品中，“柔壳”以多重形态出现：有时是记忆的容器，将易碎的情绪裹覆成形；有时是感知的滤网，将外界的喧嚣转译为内在的震动；有时是尚未完成的系统，在封闭中悄然迭代，等待破开的时刻。这些形态共同构成一种语法，叙述着保护与开放、脆弱与韧性之间持续进行的协商。
In the exhibited works, the “membrane” appears in multiple forms: sometimes as a vessel of memory, shaping fragile emotions into form; sometimes as a filter of perception, translating external noise into inner vibrations; sometimes as an unfinished system, quietly iterating in closure while awaiting the moment of rupture. Together, these forms constitute a syntax that narrates the ongoing negotiation between protection and openness, vulnerability and resilience.
展出作品 Workss on view
“柔”，在这里是一种深刻的能动性——它不意味着软弱，而是吸收、转化与再组织的能力。柔壳是缓冲层，化解冲击而不反弹；是孵化腔，允许时间以不同的密度流淌；也是交互界面，让不可见的情感有了轮廓与温度。
“Softness” here is a profound agency—not weakness, but the capacity to absorb, transform, and reorganize. The membrane is a buffer zone that absorbs impact without rebounding; an incubation chamber that allows time to flow at different densities; and an interface that gives contour and warmth to invisible emotions.
展出作品 Works on view
本次展览邀请观众进行一场触觉性的观看：接近那些看似熟悉却难以名状的形态，在膜、孔、脉与雾之间停留。你会觉察到，某些边界并不坚硬，它们随着你的注视微微起伏；某些结构并不封闭，它们正以缓慢的节奏吞吐着光与空气。
This exhibition invites viewers to engage in a tactile form of seeing: to approach forms that seem familiar yet elusive, to linger among membranes, pores, veins, and mist. You may notice that some boundaries are not rigid—they pulse gently with your gaze; some structures are not closed—they inhale and exhale light and air in slow rhythms.
展出作品 Work on view
《柔壳》最终呈现的，并非某种确定的未来形态，而是一种生命在技术环境中的存续智慧——如何在包裹中不窒息，在连接中不溶解；如何让壳成为可调节的皮肤，而非禁锢的墙。在这里，柔壳不是答案，而是一面微微震颤的镜子：照见我们每个人与外界之间，那一层正在不断被感知、被塑造、被温柔重置的边界。
Ultimately, Membrane presents not a definitive future form, but a wisdom of survival for life within technological environments—how to remain un-suffocated within wrapping, how to remain undissolved in connection; how to make the shell a regulable skin rather than a wall of confinement. Here, the membrane is not an answer, but a slightly trembling mirror: reflecting the boundary between each of us and the outside world—a boundary that is constantly being perceived, shaped, and gently reset.
艺术家 Artist / 崔昱 PinkCY
崔昱（PinkCY），1997年生。本、硕毕业于中央美术学院艺术与科技专业，现于同济大学设计创意学院攻读博士学位。创作持续探讨自然、身体与材料之间的内在关联，媒介涉及装置、影像、绘画等多元形式。作品曾在中华艺术宫、今日美术馆、海派美术馆、798CUBE、米兰设计周、香港汉雅轩等国内外40+艺术机构展出。
PinkCY (b. 1997) lives and works in Shanghai. She received her Bachelor's and Master's degrees from the Art and Technology program at the Central Academy of Fine Arts, and is currently a doctoral candidate at the College of Design and Innovation, Tongji University. Her work consistently explores the intrinsic relationships between nature, the body, and materials, employing diverse media including installation, video, and painting. Her works have been exhibited at over 40 art institutions internationally, including the China Art Museum, Today Art Museum, Haipai Art Museum, 798CUBE, Milan Design Week, and Hanart TZ Gallery in Hong Kong.
策展人 Curator / 李政钟 Li Zhengzhong
90后青年策展人、艺术家、青年艺术家平台“伙聚”创始人、上海青年美术家协会理事、上海美术家协会会员、艺术与科技组委会委员。他曾多次组织并参与国内大型艺术展览，在策展中推动“青年艺术多维群聚”以及“艺术与科技跨界融合”等多种命题，引发社会高度讨论。希望通过艺术推动新‘制’生产力，以及中国当代青年艺术国际话语权。
Post-90s curator, artist, founder of the youth artist platform “HuoJu,” director of the Shanghai Young Artists Association, member of the Shanghai Artists Association, and committee member of the Art and Technology Organizing Committee. He has organized and participated in many large-scale art exhibitions in China, promoting various propositions such as “multi-dimensional youth art clusters” and “cross-disciplinary integration of art and technology” in his curatorial work, sparking high social discussion. He hopes to promote new “systems” of productivity through art and enhance the international discourse of contemporary Chinese youth art.
