照见，以智慧观照，洞见实相。
七位艺术家铺陈出记忆与遗忘、对抗与顺势、生与死、绝望与希望之间的隐迹，用敏感、短暂、不确定的蓝色，让存在被看见。
To see with wisdom, and perceive things as they are.
Seven artists unfold the hidden traces between memory and oblivion, resistance and acceptance, life and death, despair and hope. With a blue that is sensitive, fleeting, and uncertain, they let existence be truly seen.
均质之偏 Deviations in Homogeneity
本作品通过玻璃媒介与蓝晒工艺的耦合，探讨光线如何在物质干预下实现从波动能量向静止图像的转化。绝对的透明意味着光线在媒介中无阻碍穿透，无法形成有效的感光印记。图像的生成实际上取决于玻璃内部的非均质结构。物质内部的微观肌理与异质成分通过对光线的折射、滞留与扰动，改变了光子的空间分布与抵达强度，从而构成了图像显现的物理前提。
在实际工艺中，将具有特定厚度与内部结构的深蓝玻璃置于感光底纸上进行紫外线曝光。即便玻璃视觉上呈封闭状态，光线仍能经由肉眼难辨的微隙进行渗透。底纸最终呈现的微观细节，记录了物质内部的参差分布。
痕迹，永远源于那些偏离了绝对均质的角落。在光与物质的交汇中，物质内部的参差与异质，才让记忆有了附着与显影的可能。
陆怡钧，艺术家与视觉设计师。本科毕业于华东师范大学，硕士毕业于悉尼大学。热衷于在冒险与多元的生命体验中探索自我与世界的边界。其创作由“心流”驱动，顺应直觉构建色彩与形态，捕捉万物本真之美—在脆弱中寻见坚韧，于流动中凝练隽永。
小红书：陆怡钧 Jun.Glass
Artist's Statement
This work utilizes the coupling of glass media and the cyanotype process to explore the transformation of light from wave energy into static imagery via material intervention.
Absolute transparency allows light to pass unhindered, preventing any photosensitive imprint. Consequently, image formation relies on the internal heterogeneity of the glass. Micro-textures and structural variations within the material refract, delay, and disrupt the light, altering the spatial distribution and intensity of photons to create the necessary conditions for an image to emerge.
Technically, deep blue glass is layered over sensitized paper and exposed to UV radiation. Although the glass appears opaque, light permeates through invisible micro-fissures and structural deviations. The resulting microscopic details provide a precise record of the material's internal inconsistencies.
All of this reveals one thing: traces always originate from the corners that deviate from absolute homogeneity. In the convergence of light and matter, the variations and heterogeneity within the material are what make it possible for memory to attach and develop.
Yijun Lu, Artist and Visual Designer. Bachelor’s degree from East China Normal University and Master’s degree from the University of Sydney. Driven by a passion for adventure and diverse life experiences, she explores the boundaries of self and the world. My creative process follows the state of "flow," allowing forms and colors to emerge intuitively. My work is a tribute to the inherent beauty of all things, where fragility coexists with resilience, and fluidity merges with eternity.
rednote: 陆怡钧Jun.Glass
分层 Stratification
艺术家陈述
记忆是被层叠的，不是为了永远存留，而是为了让过去得以被重新暴露、重新塑造、重新整合进一个不断变化的自我之中——一种从混沌中抽引出的、无常的秩序。
此次呈现的作品受“层叠”概念启发；它们探索自我与记忆的无常所催生出的可视化形态与美感。每一件作品都旨在通过时间、暴露、蒸发、酸性与腐坏，来揭示隐性的变化。通过将蓝晒法、宣纸制作与自然混沌相结合，一种冲突被突显出来——即在捕捉时间与修饰记忆这两种动机之间的冲突。蓝晒法作为一种化学过程，可以被操控为永久的或暂时的，以演化并揭示随时间推移而隐藏的层叠。传统上，一个瞬间被体验、被暴露，然后被固化为一个记忆的“定影”。
在自然中，层叠往往历经千年才得以显现——此时一种建筑式的秩序从生命的混沌中浮现。洋葱既是一个隐喻，用以揭示表面之下不可见之物，同时也是一个体验式的、加速的层叠实例。在生活中，从出生起，我们的意识便被一层又一层的经验所塑造，但随着年龄增长，我们记住它们的方式常常是扭曲的、稀释的，有时甚至逐渐消逝。
就我个人而言，近年来我目睹了认知衰退如何影响一位患有痴呆症的家人——随着时间的推移，这种病症揭示了一种加速的腐坏、混乱与扭曲，作用于原本有序层叠的记忆之上。
鲁迪 Rudy Wimmer，摄影师与设计师，毕业于 The Mary Schiller Myers School of Art, Akron，获得美术与平面设计学士学位。他的艺术作品涵盖了体验式与抽象摄影，以及传统的街头摄影与美食摄影。他的作品作为名为《Social Intercourse 社交》的持续创作系列的一部分展出，该系列在他眼中是一种关于自我表达、文化变迁与生活视角之间对话的呈现。此外，他还是
桥中 CBi ChinaBridge 的合伙人，以及上海纽约大学互动媒体商业专业的兼职教授。
rednote：Rudy_Being
Artist's Statement
Memories are stratified not to last forever, but to allow the past to be re-exposed, reshaped, and reintegrated into a changing self — order drawn from chaos, impermanently.
The pieces presented are inspired by Stratification; they explore the visualization and beauty brought forth from impermanence of self and in memories. Each piece aims to reveal implicit changes through the use of time, exposure, evaporation, acidity and decay. By combining cyanotype, xuan paper making and natural chaos, a conflict is highlighted between the motivation to capture time and to augment memory. Cyanotype as a chemical process can be manipulated to be permanent or impermanent, to evolve and reveal hidden layers over time. Traditionally, a moment is experienced and exposed, then consolidated as a memory "set."
In nature, stratification is often revealed over a millennium, when an architectural order emerges from the chaos of life. An onion is both a metaphor for revealing what's not visible on the surface and an experiential, accelerated example of stratification. In life, from birth our consciousness is shaped by layers and layers of experiences, but as we age the way we remember them is often distorted, diluted and sometimes they fade away.
Personally, in recent years I have witnessed how cognitive decline has affected a family member with dementia, which over time has revealed an accelerated decay, confusion and distortion to an otherwise ordered stratified memory.
Rudy Wimmer 鲁迪, Photographer and Designer having graduated from The Mary Schiller Myers School of Art, Akron with a BA Fine Art & Graphic Design. His artistic work is a spectrum of experiential and abstract photography as well as traditional street and food photography. His works are shown as part of an ongoing series titled《Social Intercourse 社交》a dialog between artistic expression, shifts in culture and views of life as he sees it. Additionally, he is also a parter at CBi ChinaBridge, and an Adjunct Professor at NYU Shanghai, Interactive Media Business.
rednote：Rudy_Being
四相 Four Shadows
⽗与⼦ Father and Son
物性的措置 Displacement of Materiality
艺术家陈述
《四相》与《⽗与⼦》是“海尽之处，群⼭渐起”项目的装置性呈现。作品分别由四张蓝晒制作的楮⽪纸与蓝晒制作的⽗与⼦漫画构成，前者通过亚克⼒夹⼼⼯艺呈现，既保留纸张的质感，⼜赋予空间的轻盈感。后者记录了⽗⼦间⽆声的张⼒。《四相》中的四幅影像记录了艺术家与⽗亲旅⾏中的瞬间：⾝体的移动伴随着光影的变化，形成时间与空间重叠的视觉效果。作品以⾁体与影⼦的互动为核⼼，将⽗亲同时作为独⽴个体与被⽗权结构主导的存在置于同⼀场域中。《⽗与⼦》则是将通过蓝晒纸上的光影变化与漫画中本⾝存在的叙述性相结合，作品呈现了⾝份与关系的双重困境，并探索⾝体经验如何被影像捕捉、凝固与重构。观者在观看时，不仅感受到旅⾏的流动瞬间，也被引导思考家庭、权⼒与个体经验之间的微妙张⼒。
王宇琛，中国影像艺术家，毕业于罗德岛设计学院，其创作以影像为核⼼，涵盖摄影、装置及时间媒介，关注家庭与社会结构中隐秘的情感张⼒。作品根植于个⼈记忆与经验，反复探讨失落、情绪压抑与代际传承，关注私⼈情感如何在⽂化规范、社会仪式及家庭权⼒关系中被塑造、扭曲或消⾳。他通过精⼼构建的视觉叙事，将暧昧、悬置的瞬间置于画⾯核⼼，使观者直⾯尚未被命名或解决的情绪状态。创作⽅法上，他运⽤碎⽚化影像、细微⾝体动作与时间延宕，探索可⻅与遮蔽、在场与消逝之间的张⼒。⺩宇琛视摄影为流动的空间，⽽⾮固定记录，借此让记忆与情感在影像中不断位移与重构。其作品质问个⼈历史如何被影像存档、传递与重新激活，以及视觉媒介如何表达语⾔难以触及的⾮⾔语经验。小红书: J.Wang
Artist's Statement
Four Shadows and Father and Son are installation-based works from the project “Where the Ocean Ends, The Mountains Becoming” The former consists of four cyanotype prints on Kozo paper, mounted with acrylic to preserve texture while creating spatial lightness; the latter presents a cyanotype adaptation of the Father and Son comic, capturing the silent tension between father and son.
In Four Shadows, images document moments from the artist’s travels with his father, where bodily movement and shifting light overlap, merging time and space. Centered on the interplay of body and shadow, the father appears as both an individual and a figure shaped by patriarchal structures. Father and Son combines cyanotype light variations with the comic’s narrative, revealing tensions of identity and relationship while exploring how embodied experience is captured, fixed, and reconstructed.
Yuchen Wang is a Chinese visual artist working across photography, installation, and time-based media. He Obtain MFA degree from Rhode Island School of Design, his work explores unspoken emotional tensions within family and social structures. Rooted in personal memory, he examines loss, emotional repression, and intergenerational inheritance, focusing on how private feelings are shaped or silenced by cultural norms. Through carefully composed, ambiguous moments, Wang uses fragmented imagery and subtle gestures to explore tensions between presence and absence, visibility and concealment. Treating the photographic frame as mutable, he investigates how memory and emotion shift, questioning how personal histories are archived and reactivated beyond language.
rednote: J.Wang
白色花火 White Fireworks
艺术家陈述
这组蓝晒作品“白色花火 White Fireworks”系列结合传统国画审美和蓝晒技法，运用绢布这一特殊材料来呈现，在孤冷寂静与野蛮燃烧之中诞生的如花火般短暂的绚丽与璀璨。
余少龑（yǎn），艺术家、摄影师、策展人。毕业于柏林UE大学摄影专业，现居上海。其作品以独特的语言及表现方式，长期致力于中国传统文化的研究与西方当代艺术的创新与结合。
2021年在上海成立“余少龑艺术工作室”, 专注于策划艺术类的专业展览、组织艺术节艺术市集等文化活动、举办讲座和工作坊、辅导和推广年轻艺术家、与国内外画廊书店艺术机构合作策展项目和国际艺术交流项目等等。
小红书&公众号: 余少龑艺术工作室
Artist's Statement
The cyanotype series "White Fireworks" combines traditional Chinese painting aesthetics with cyanotype techniques, using silk as a special material to present the fleeting brilliance and splendor, like fireworks, born amidst lonely cold silence and savage burning.
Shaoyan Yu is an artist, photographer, and curator. He graduated in Photography from the University of Europe for Applied Sciences (UE) in Berlin and currently lives in Shanghai.
His work, characterized by a unique visual language and mode of expression, is dedicated to the study of traditional Chinese culture and the innovative integration of contemporary Western art.
In 2021, he founded the Yu Shaoyan Art Studio in Shanghai, focusing on curating professional art exhibitions, organizing cultural events such as art festivals and art markets, hosting lectures and workshops, mentoring and promoting young artists, and collaborating with galleries, bookshops, and art institutions both domestically and internationally on curatorial projects and cultural exchange initiatives.
rednote & WeChat Official Account: 余少龑艺术工作室
迷迭香 Rosemary
艺术家陈述
迷迭香, 带着香气与神秘过往，悠然无声地，向我而来。漫长岁月，人间赋予迷迭香回忆，爱与守护的寓意。它虽是一株平凡的植物，却与人类有着深厚的渊源。据基督教传说，圣母玛利亚的披风将它的花朵染成了蓝色，赋予了这株草木母爱守护的深远寓意。莎士比亚在《哈姆雷特》中，借丧子之痛写道：“迷迭香，是为了纪念；请你，爱人，牢牢记住。”
作为一名母亲，我深深共情于迷迭香的生命力及其背后的故事。在我的作品中，迷迭香、蓝色披风与阳光，成为了爱与守护的符号化表达。在蓝晒工艺下，阳光参与了创作，留下了细腻迷人的痕迹。这是一段充满启发的实验性体验，蓝晒影像与我的笔触，共同完成了这个系列的作品。
赵晓沐，毕业于伦敦艺术大学坎伯韦尔艺术学院，2022年获一等荣誉硕士学位。自然是她最重要的灵感来源。她通过作品表达对自然与自我的深刻思考，每一件创作都散发着温暖与治愈的力量。晓沐认为，植物如同人类一般，是拥有智慧、记忆与感知的生命体。她的视觉创作，探索着人与植物之间丰富的情感联结与生命活力。
小红书 : 赵晓沐
Artist's Statement
Rosemary comes to me with its fragrance and mysterious past. It is an ordinary plant, yet it shares a deep connection with humanity. Throughout history, rosemary has been a symbol of love, protection, and remembrance. According to Christian legend, the Virgin Mary’s cloak turned its flowers blue, endowing the herb with the profound meaning of a mother’s protective love for her child. Shakespeare wrote in Hamlet, in grief over the loss of a child, “There’s rosemary, that’s for remembrance; pray you love, remember.”
As a mother myself, I felt deeply connected to the vitality of rosemary and the stories behind it. In my works, rosemary, the blue cloak, and the sun have become symbolic expressions of love and protection. Through the cyanotype process, sunlight became part of the work, leaving charming traces to the images. It was an inspiring, experimental experience that the sun-printed images and my brushstrokes co-created the work together.
Xiaomu Zhao, studied at Camberwell College of Arts, University of the Arts London, graduating in 2022 with first-class honor. Nature is her greatest inspiration. Xiaomu conveys a deep reflection on nature and self, with each piece radiating warmth and a sense of healing. Xiaomu sees plants, like humans, are creatures with wisdom, memory, and consciousness. Her visual communication explores the emotional richness and vitality between humans and plants.
rednote: 赵晓沐
让光进来 Let The Light In
艺术家陈述
本项目是我运用蓝晒——来自摄影起源时代的工艺，结合我的血脉起源，为我的祖母制作的“时间胶囊”。
作品的制式来源于象征她身份之一的医生制服，整体由医用纱布制成。
在她生命最后的几年，阿兹海默症让她的记忆出现错乱和缺失，
在大部分时光里，她回到了年轻的时代。
蓝晒是关于“光进入才能留下痕迹”的工艺，时间和光的交互，可在凝固的画面里留存多重过程，
如记忆同样会随着时间的流逝而逐渐消亡，或是滋生出新的幻影。
作品中使用的影像包含了部分家庭旧照和家乡景色的碎片，
我希望通过对回忆的拆解，去重组她的点滴，
以及她存在的另一种定格。
赵晓薇，杭州人，毕业于罗德岛设计学院染织专业。服装设计师，品牌Wild Trims主理人。
她多从日常体验中捕捉灵感，并创作游走于实用与戏剧性之间的流动感作品。
小红书 : Vica
Artist's Statement
This project is a “time capsule” I have created for my grandmother, using a craft from the dawn of the photographic era and connecting it to my own "origin."
The garment is based on the doctor's uniform, one of the symbols of her identity,
and is made of medical gauze.
In the final years of her life, Alzheimer's disease caused her memory to become disoriented and fragmented; for most of that time, she had returned to her prime.
Cyanotype is a process about "letting the light in to leave a trace." The interaction of time and light allows multiple processes to be preserved within a frozen image—just as memories may gradually vanish with the passage of time, or give birth to new echoes.
The images used in this work include fragments of old family photographs and scenes from my hometown. Through the unraveling of these memories, I seek to reassemble the threads of her life and create another kind of stillness for her existence.
Vica Zhao, Hangzhou-born. Textile graduate of Rhode Island School of Design. Apparel designer and founder of the brand Wild Trims.
Her works draw inspiration from everyday experiences, navigating between practical and the dramatic to create a sense of fluidity.
rednote : Vica
和 In-Between
艺术家陈述
项目思考来自我的个人体悟。十余年伤痛困扰，身体脆弱、敏感。经历被动挣扎、对抗、自主干预、寻找平衡，渐至与不可逆转的机能改变共存共生。
作品以石英玻璃、水泥混凝土、茶菌膜为载体，指向生命肌体及其伴生困顿。我试图通过观察蓝晒光敏介质与不同材料接触产生的物质表征变化，探究材料特性、工艺过程与个人叙事之间的内在联系。
周丹，毕业于澳大利亚 RMIT University 艺术摄影专业。她较多使用实验摄影成像手段与综合材料表达个人观点与感受，也是艺术项目策划人；2020年创立南荻纵生 NOMAD NO MAD SPACE。
Artist's Statement
This project is born from personal experience. Over a decade of persistent pain has left my body fragile and sensitive. From a quiet passive struggle to confrontation and active interventions, to seeking a balance. I gradually came to coexist with my irreversible bodily changes.
The works use silica glass, representing the fragility of the body as a vessel; concrete highlighting strength and solidity; Tea scoby as a carrier, representing the skin, pointing to the living body and its accompanying struggles and trails. Applying cyanotype onto different materials, observing the resulting changes in surface appearance, I attempt to explore the inner connections between material properties, process, and personal narrative.
Dan Zhou graduated from RMIT University's School of Arts, majoring in fine art photography, in Australia. She primarily employs experimental photographic techniques and mixed media to express her views and emotions. She also works as an art project curator and launched NOMAD NO MAD SPACE (南荻纵生) in 2020.
rednote: NOMADNOMAD
有如照见 · As If Seeing
开幕 | Opening:2026.04.11 (SAT），14:00-18:00
展期 | Duration：2026.04.11(SAT) -2026.05.10(SUN)
开放 | Opening Time：周二-周日，11:30-18:30，周一展休
艺术家 | Artists：陆怡钧 Yijun Lu，鲁迪 Rudy Wimmer，王宇琛 Jack Wang，余少龑 Shaoyan Yu，赵晓沐 Xiaomu Zhao，赵晓薇 Vica Zhao，周丹 Dan Zhou
视觉设计 | Visual Design：ClayFun Gallery
策展 | Curator：周丹 Dan Zhou
主办 | Organizer：南荻纵生 NOMAD NO MAD SPACE
赞助｜Sponsor：OVERSEAS RETURNEE'S HUB 今日海归、RMIT UNIVERSITY ALUMNI
地址 | Add：上海市静安区愚园路546号创邑Space·愚园·6号楼
导航 | Navigation：南荻纵生 NOMAD NO MAD SPACE
文本编辑：南荻
媒体版权：南荻纵生TM
Layout & Editing: Nan DiMedia Copyrighted by: 南荻纵生TM
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