推荐艺术展览(北京) | 《力比多格式塔 - 张益诚个展》展览预告

前言

绘画和欲望之间存在着一些根本的默契，作为人类认知世界本能的欲望，绘画与图像普遍存在于外在的可见者之中，这是一幅形态的格式塔(la Gestalt)，其本身在严格意义上应是可见的，然而却也同时具备着某种不可读性，并从这种不可读的变化中获益，它表现为无规则的幻象和精神性，以及令人眩晕的流动性。

心理动力学理论认为，行为是由一种强大的内在力量所驱动，或者说被激发出来。这些内在的力量，来源于心灵深处的某种欲望或动机，并称之为“力比多(Libido)”，指的是人追求快乐的驱动力与欲望，是普遍的生命力，是一种来自精神领域的能量。欲望推动下的流动性往往伴随着相对稳定的、足以产生突变的力比多(Libido)的注入，而这种稳定的力比多输入同时也为其他形式能量注入的出现提供了可能。

对于艺术家张益诚来说，绘画创作源自一种自由的冒险意识和探索未知边界的冲动欲。在力比多的伴随下，试图通过绽放复杂且难以明状的生命力元素将观者引入其精神的领域，在此探寻一种意识或者感觉的绵延。张益诚在绘画创作过程中同时寻找与连接周遭许多不完整的碎片元素，并发现其中潜在的，隐藏的关系，将绘画外在可读性与内在精神性串联起来，从而构建一种生动的秩序感，来显示绘画的真实流动性与偶然性。

对于客观自然的感知确实只有通过某种外在的方式才能传达和描述，例如五感中的听觉，视觉等，人们正是通过某种外在的方式开始的，从外部达到精神。但创作与幻想的形象不应停留在单一外在性上，而更多应在精神性领域去探索。例如精神的自由，对他者的僭越，在他者中与自身重逢和聚合，自身拥有自身并欣赏自身本体，感受想象力与自我的对话，伴随着力比多的注入而唤醒个体内心的自我解放。

作为艺术家张益诚作品近年来的首次深度呈现，本次展览将展出艺术家的《游·离》、《连梦泽》、《俄狄浦斯》三个主要系列作品。在其创作中，张益诚并不想通过画面一瞬间吸引观者眼球。他想要唤起的是观众某些关于内在的精神性，于是将画面作为一个场域，其中并存着可读与不可读的图像符码，通过自身有意识的思考来陈述和描绘视觉看不到的东西，从而使观者在观看的过程中引发想象与感知。

Curator Foreword

There is some fundamental tacit understanding between painting and desire. As the instinctive desire of human beings to know the world, painting and image are universally present in the external visible. This is a form of la Gestalt, which itself should be visible in a strict sense. However, it also has some unreadability and benefits from such unreadable changes. It manifests itself in irregular visions and spirituality, and vertiginous mobility.

Psychodynamic theory suggests that behavior is driven, or motivated, by a powerful internal force. These inner forces are derived from some desire or motivation in the mind. They are called "Libido", which refers to the driving force and desire of people to pursue happiness. It is universal vitality, and also a kind of energy from the spiritual field. Desire-driven mobility is often accompanied by a relatively stable, mutation-producing Libido input, and this stable Libido input also makes possible the emergence of other forms of energy injection.

For artist Zhang Yicheng, painting originates from a sense of free adventure and an impulse to explore unknown boundaries. Accompanied by Libido, it attempts to introduce the viewer into a spiritual realm by blooming complex and unexplicable vitality elements, exploring the continuity of a kind of consciousness or feeling here. In the process of painting creation, Zhang Yicheng seeks and connects many incomplete elements around surroundings, and finds the potential and hidden relationship among them. He connects the external readability and internal spirit of painting in series, so as to build a vivid sense of order and show the real fluidity and contingency of painting.

Indeed, the perception of objective nature can only be conveyed and described through some external means, such as hearing and vision in the five senses. It is through some external means that people start to reach the spirit from the outside. However, the image of creation and fantasy should not stay in the single externality, but should be explored in the field of spirituality. For example, spiritual freedom, reuniting with oneself in the other, owning oneself and appreciating oneself noumenon, feeling the dialogue between imagination and self, and awakening individual inner self-liberation with the infusion of Libido.

As the first in-depth presentation of Zhang Yicheng's works in recent years, this exhibition will exhibit three major series of the artist's works: Dissociation, Lian Mengze and Oedipus. In his creation, Zhang Yicheng does not want to catch the viewer's eye through a moment of painting. What he wants to arouse is some inner spirituality of the audience. Therefore, he takes the artwork as a field, in which there are readable and unreadable image codes, and states and describes the invisible things through his own conscious thinking, so that the audience can arouse imagination and perception in the process of watching.

参考文献：

[1] 让-弗朗索瓦·利奥塔. 作为力比多装置的绘画（La peinture comme dispositif libidinal）, 巴黎：基本联盟出版社（Paris: Union Générale）, 1973. （本文收入冲动装置[M]（Des dispositifs pulsionnels）的第一版，巴黎：基本联盟出版社（Paris: Union Générale）, 1973. 这篇文章在该书第二版时被移出。后收入利奥塔佚文选：艺术理论与美学卷[M]（Jean-François Lyotard: Textes dispersés I: esthétique et théorie de l'art）, 赫尔曼·帕莱（Herman Parret）主编, 2012. 鲁汶大学出版社（Leuven University Press）, 第76页至第101页）.

[2] 罗恩.从弗洛伊德到荣格:无意识心理学比较研究[M].中国国际广播出版社,1989.

部分参展作品

游·离

这是一种聚合体, 一种感觉的流动

一种天然的生成，一种差异的创造

让欲望得到解放，身体回归自然并与之融为一体

俄狄浦斯

一场组织性的幻象来帮助发现被压抑的记忆

连梦泽

造梦的人呐

怅然若失，流连忘返

Artistic Clouds 艺云