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SWCAC展览|新展!金色狮子 Scène Noire

作者：本站编辑      2023-09-09 19:52:55     22

展览简介

金色狮子 Scène Noire

陈高杰 & 特奥多拉·阿克森特

Chen Gaojie & Teodora Axente

双个展

Duo Exhibition

展览日期

2023年09月08日-11月06日

展览门票

免费，需提前一天预约

扫描上方二维码提前预约

展览地址

海上世界文化艺术中心

L2-202万一空间

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万⼀空间精彩呈现展览「金色狮子」（Scène Noire），并展出中国艺术家陈⾼杰与罗⻢尼亚艺术家特奥多拉 · 阿克森特（Teodora Axente）近年的最新作品，该展已于2023年9⽉8⽇正式开幕。

此次展览主题是⼀场语⾔游戏与艺术剧情的正负拼接，旨在打破语⾔的边界，探讨⼈们如何看待及反思继神学信仰体系瓦解后的⼈类主体性，以及观照现代理论游戏中对于存在本身定义的崩毁与重建。

万一空间 W.ONESPACE

金色狮子 Scène Noire

展览现场 Exhibition site

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万一空间 W.ONESPACE

金色狮子 Scène Noire

展览现场 Exhibition site

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罪恶 IN SIN

特奥多拉 · 阿克森特（Teodora Axente）

布面油画 Oil on Canvas

45 x 35 cm

2023

当不可逆的现实苦难与伤痛摧残⼈们的固有认知系统时，他们时常会⾃然转向对内在精神性的探求。在寻求精神指导意义层⾯，语⾔学抑或是哲学不乏对⼈类本质的讨论。

有尼采⾔及“上帝已死”，海德格尔从“语⾔是存在之家”⾄“词语破碎处，⽆物存在”，再到福柯宣称“⼈之死”…… 宗教信仰体系逐渐瓦解的过程中，祭祀和仪式也仿佛演变为⼀种表演艺术。

本次展览中，我们将以剧⽬形式逐级呈现艺术家陈⾼杰与特奥多拉·阿克森特的作品，并带来这两位艺术家对后疫情时代下“⼈类”话题的反思。

三幕戏的场景演绎逐⼀探讨了意志本体、游戏论，以及舞台创造。从艺术家画作中的符号出发，深⼊研究其背后内喻的精神涵义；以信众修⾏供养的嘎乌盒为例，揭开宗教“神的临在性”呈现；同时以独特的⻆度探索艺术起源⾄今的超现实主义游戏论，回归⼈本主义下的精神创作与释放；最后则观照了艺术家⽇常调研中的创作导演逻辑，以期了解⾃我构建背后的神秘主义倾向。

濯肉净灵宫图 The divine purge palace

陈高杰 Chen Gaojie

布面油画 Oil on Canvas
120 x 72 cm

2023

当语⾔本身受到质疑后，话语所代表的⼀切可能都将被解构，符号化的产物嫁接于本体思想，暗喻讽刺与沉默交替转换。

艺术家们以荒诞、反逻辑的叙事语⾔导演画中世界的思想体系架构。在超现实主义语境下的世界观⾥，仪式与寓⾔、百合与⻥⼭、眼睛与太阳、⾦冠与⾼塔等各式神秘场景及宗教符号点缀其中，⼈类碎⽚被充当成⼀种物质零件并嫁接于各类⽣命体，符号代替本体⽀配着平⾏世界的运⾏。当帷幕拉开，灯光亮起，⾦⾊与⿊⾊耦合，舞台上的超现实剧情轮番上演。

巴克特里亚黄金花冠

本次展览将持续至2023年11月6日。

特别鸣谢

海报设计：壮壮

Scène Noire

W.ONESPACE is delighted to announce the upcoming exhibition, "Scène Noire", featuring the latest works by Chinese artist Chen Gaojie and Romanian artist Teodora Axente. The exhibition will officially open on September 8th, 2023. 

The theme of this exhibition is the juxtaposition of language tricks and artistic narratives, delving into the dynamic interplay between positive and negative elements. Aiming to transcend linguistic constraints, it also tempts to explore how people perceive, reflect upon, and reconsider human subjectivity after the collapse of theological belief systems. This prompts the deconstruction and reconstruction of the very definition of existence within the framework of contemporary theoretical engagements.

Confronted with the irreversible reality of suffering and pain, humanity often seeks solace through the pursuit of inner spirituality. This journey for spiritual enlightenment triggers extensive discourse concerning the essence of human nature, conveyed through the realms of philology and philosophy. 

From Nietzsche's profound statement "Gott ist tot" (God is dead) to Heidegger's contemplation that "Die Sprache ist das Haus des Seins" (Language is the house of being) and "Kein ding sei wo das wort gebricht" (No thing is where the word fails), to Foucault's thought-provoking proclamation of the "Mort de l'homme" (Death of man) ... Amidst the gradual dissolution of religious belief systems, rituals and ceremonies have undergone a metamorphic transition, adopting the appearance of artistic performances.

In this exhibition, the works of artists Chen Gaojie and Teodora Axente are woven together in the form of a compelling drama. Their artistic endeavors delve into reflections on the very essence of "Human Beings" in the post-pandemic era. 

Structured akin to a three-act play, this exhibition embarks on the ontology of will, the theory of gameplay, and the construction of the stage. Beyond scrutinizing the symbols in the artist's paintings and studying their underlying spiritual meanings, we illuminate the concept through an examination of a Ga’u Box, which is used by worshippers to make offerings, as a means to unveil the "immanence of God" within religion. At the same time, we explore the origins of art within the realm of gameplay from the primitive period to the contemporary surrealist game theory, ultimately returning to the creation and expression of spirituality under anthropomorphism. In the final act, the exhibition delves into the rationale behind the artists' creative processes, examining the daily research and mystical contemplation that shape their artistic endeavors.

When language itself is questioned, the very fabric of possibilities woven by language begins to unravel. Symbolic themes intertwine with ontological concepts, giving birth to a dance of metaphorical irony and profound silence. 

The artists employ absurd and anti-logical narrative language to shape the ideological structure of their painted realm. Through a surrealist lens, mystical scenes and religious symbols come to life. Rituals and fables intertwine, lilies and fish mountains emerge, eyes and suns cast their gaze, as crowns and towers assert their potent symbolism. Human fragments, serving as tangible components, find themselves grafted onto various forms of creatures. In this choreography of symbols, tangible objects yield the stage, their role assumed by symbols that underpin the complex mechanisms of this parallel universe.

As the curtain rises and the lights illuminate the stage, an enchanting drama unfolds, blending the hues of gold and black.

This exhibition will continue to November 6th, 2023.

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「艺术家简介」

陈高杰

Chen Gaojie

陈高杰（Chen Gaojie）于2015年获得中国美术学院油画系学士学位，现工作、生活于杭州。他的绘画受到耶罗尼米斯·博斯（Hieronymus Bosch）、彼得·勃鲁盖尔（Bruegel Pieter）、弗朗西斯·培根（Francis Bacon）等艺术家的“怪诞画”的影响，兼容波斯以及卧莫尔王朝细密画，中国叙事册页以及藏地唐卡等研究。他所创作的形象看似是诡谲的、异化的，实则也是艺术家对于童年时期生活山海经、伊甸园式的想象与当下生活场景的变体重现。

艺术家通过观察生活，阅读文字影像，和自由想象来做作品中的设定。对于某种元素或符号的选择、对某些造型和色彩的使用，一方面由艺术家的经验和喜好决定，另一方面又呈现了历史文化传承的集体无意识，生活环境甚至是身体状况。这世界的方方面面，对艺术家来说都处在一种有待于被认知的状态中，包括他对宗教信仰，对待神秘主义的态度，艺术家把它们看做是某种不断进行永不停止的艺术创造，是人类不得不为的一种生存事业，虽无法从真理层面笃信它们，但作为现实的一部分，它们已经与艺术家密不可分。

Chen Gaojie received his bachelor's degree in oil painting from the China Academy of Art in 2015. He currently lives and works in Hangzhou. His art is influenced by the grotesque works of artists such as Hieronymus Bosch, Pieter Bruegel, and Francis Bacon. Additionally, he finds inspiration from Persian and Ottoman miniature art, as well as Chinese narrative handscrolls and Tibetan thangka paintings. The images he creates may appear eerie and alienated, but they actually represent the artist's imaginative reflection of childhood experiences, reminiscent of works like "The Classic of Mountains and Seas," "Garden of Eden," and the variations of present life scenes.

In his works, Chen Gaojie sets the stage through careful observation of life, literary works, visual imagery, and free imagination. The selection of specific elements or symbols, the use of particular shapes and colors, is determined by the artist's personal experiences and preferences, while also presenting the collective unconsciousness of historical and cultural heritage, the living environment, and even physical condition. The artist acknowledges all aspects of the world in a state of recognition, including their attitude towards religious beliefs and mysticism, which they view as a continuous and never-ending artistic creation—a necessary pursuit for human survival. Although the artist may not be convinced of the truth on a fundamental level, they consider religious beliefs and mysticism to be inextricably linked to their existence as a part of reality.

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相关阅读

万一现场 | 展览「函三」开幕

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特奥多拉 · 阿克森特

Teodora Axente

特奥多拉 · 阿克森特(Teodora Axente) 1984年出生于罗马尼亚锡比乌，硕博毕业于克卢日艺术学院，现工作生活于克卢日-纳波卡市。她的媒介以布面油画为主，而她的创作主题较多涉及当代存在的问题和对人性发展的社会调查。她于2011年获得埃斯尔艺术奖（Essl Art Award）并参加奥地利维也纳埃斯尔博物馆群展，同时于2013年土耳其伊斯坦布尔现代艺术馆参展等，被称为罗马尼亚最受人瞩目的艺术家之一。 

艺术家在一系列装置和材料限制下的异化人物绘画中，探索了内部危机的状态。阿克森特以独特的具象语言为标志，将她的主题设定为一个超现实环境，创造了属于自己的对立世界，即世界一侧是有形的物质，另一侧则处于难以捉摸的内部精神中。作为克卢日学院的一员，阿克森特与罗马尼亚先锋派画家团体一同探讨了幽深而迷人的物质性对现代社会人们精神层面所带来的实质颠覆性转变。

Teodora Axente is an emerging Romanian artist descending from the Cluj School of Art, working and living in Cluj Napoca city. Her practice of painting includes classical support of oil on canvas, while her subject and manner addresses existential contemporary issues and social inquires regarding nowadays humanity . During 2011 Teodora Axente was the recipient of the Essl Art Award resulting in a group exhibition at Essl Museum in Vienna, her work was also presented at Contemporary Istanbul 2013, Turkey, along with works by other emerging. Romanian artists. She has also been described as one of the most promising young artists in Romania. 

In eerie paintings of human figures constricted by an array of devices and materials, Teodora Axente explores states of internal crisis. Marked by a distinctive figurative language, Axente depicts her subjects in a surreal setting creating a world of her own, having one foot in the tangible or the material world and the other foot in the spiritual or the elusive. A member of the Cluj School, Axente shares with this young group of Romanian painters her dark, sultry colour palette and preoccupation with the uncertainty of the individual in modern society.

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相关阅读

万一空间即将参展艺术深圳｜展位 A12

特别项目

「艺术深圳」

展览简介

2023艺术深圳日程

ART SHENZHEN SCHEDULE

展位A12

展览日期

贵宾预展

2023年9月07日 星期四14:00 - 21:00

公众日

2023年9月08日 星期五10:00 - 19:00 

2023年9月09日 星期六10:00 - 19:00 

2023年9月10日 星期日10:00 - 17:00 

展览地址

深圳会展中心6号馆

（深圳福田区福华三路）

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艺术深圳展览现场

ART SHENZHEN Exhibition site

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特别鸣谢

Stream Matrix & 272 Gallery

万一空间在2023年艺术深圳呈现五位国内外女性艺术家的作品。理性的思考蕴含在不同程度的诗性与感性之中，从轻到重，从内至外，从神秘与浪漫到自然与冷凝，表达了多样的艺术语境。通过对跨文化语境和艺术表达的探索，她们运用不同媒介属性所传递的质感，兼具感性的内外体验和理性的自我察觉和自我审视。以自身的人文主义信念为出发点，结合了人与自然的哲思，创作出超越性别身份的定义、感性的暖与理性的冷互相平衡，并极具个人色彩的表达。

艺术家

Artists

阿德莉娅·桑托莉

Adria Sartore

覃小诗

Qin Xiaoshi

特奥多拉·阿克森特

Teodora Axente

杨露子

Yang Luzi

俞菲尔

Yu Feier

万一空间是由三位90后艺术从业者在深圳创立的艺术空间。其诞生于疫情席卷全球的2020年，在后疫情时代涌现对艺术与生命的全新思考。空间致力于消解当代与古代的边界，融合美学研究逻辑下的现当代与古代艺术，构建一个不同国家、时期和形式的艺术在同一语境下共容的场域。

W.ONESPACE is an art gallery founded in Shenzhen by three Generation Y art practitioners. It was established in 2020 during the outbreak of the COVID-19 pandemic. New perspectives on art and life have emerged in this post-pandemic era. W.ONESPACE aims to melt the boundaries between present, future and the past by mixing contemporary and ancient art under the logic of aesthetic research, thus bringing together arts of different countries, different periods and different forms to interact and express in unity as ONE.

文章和图片来源：©️万一空间




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