#梁曼琪北京个展
即将开幕
06.18 - 08.04
阿拉里奥画廊（Arario Gallery）携手
英蓝集团 Carte Blanche
一同从抽象出发
探索错综复杂的心灵世界
揭示思想、情感和意识
在无形表达中所流露出的内在之谜
Arario Gallery together with Winland Group Carte Blanche, starting from abstraction realm, explores the intricacies of mind, reveals the inherent mysteries of thoughts, emotions, and consciousness.
重叠，情绪 | Overlapping, Emotions
2022
布面油画
Oil on canvas, 150 x 120 cm
本次展览呈现了艺术家新近创作的绘画与装置作品，这些作品亦是梁曼琪近期自我反思与整合的结晶。
以绘画为媒介，梁曼琪解构并重构了作为象征符号的色彩几何图案，试图探索和推寻对物体的想象与客观世界之间的关系。
Featuring LIANG Manqi's recent creations of paintings and installation, the exhibition has come as a result of self-reflection and consolidation by the artist.
LIANG Manqi uses painting as a medium for deconstructing and reconfiguring the geometry of colors as symbols, exploring and investigating the relationship between imaginary world and real realms.
长方体, 阶梯 | Cuboid, Stairs
2018
布面油画
Oil on canvas, 200 x 160 cm
梁曼琪认为抽象思维往往是先于我们对现实事物的认知，人们在意识到自己看到了什么之前，就已经在脑中“登陆”了眼前的图像或事物，而她的作品力求捕捉这些零散、抽象、看似毫无意义但却意犹未尽的瞬间。
LIANG Manqi believes that people "register" the image or thing in their minds before they realize what they are seeing in front of them. The sensation of the abstract often overrides our perception of reality. LIANG Manqi’s works strive to hold onto each of these fragmented, abstract, and seemingly meaningless but significant moments in our daily life.
伫立, 凝视 | Standing, Staring
2022
布面油画
Oil on canvas, 200 x 160 cm
除了绘画作品以外，本次展览还包括艺术家的新装置作品《旋转门》。这件作品延续了艺术家对几何结构和空间视觉一贯的热情，回应了内心与外在感知和情感之间强烈的二元对立，希望唤起日常生活中重复性行为背后的情感迸发。
In addition to the paintings, this exhibition includes a new installation on display, “Portal”, as a continuation of the artist’s passion and response to the space and the powerful dichotomy between our internal and external perceptions and emotions to evoke the emotional blast behind the repetitive actions of mundane life.
旋转门 | Portal
2022
钢、木结构、丙烯、金属车漆
Stainless steel, wood, acrylic, metallic paint
我的作品不是在创造一种新的图像，而是在解构和重塑我们每个人大脑里边缘系统中容易被我们忽略的真实图像，它涵盖了无穷大的空间层次，待我琢磨很久。
色彩、几何结构像是一道万能公式，在画面上自由地穿插、重叠，不同的颜色时而互相干扰形成冲突，时而互相抑制达到平衡，再没有比他们两者之间的关系更贴合我想表达的了。
—— 梁曼琪
LIANG Manqi
“My work is not creating a new image but deconstructing and reconstructing the real images in the limbic system of each of our brains that we tend to ignore, which includes an infinite level of space that I have to ponder for a long time.
Color and geometric structure are like a universal formula, freely woven and overlapped on the picture; different colors sometimes interfere with each other to form a conflict, and sometimes they restrain each other to reach a balance; nothing could be more relevant to what I want to express than the relationship between them both.”
1986年出生于中国广东珠海，2009年毕业于中国美术学院公共艺术学院美术教育系，2012年毕业于中国美术学院中德艺术研究生院（CDK）绘画系，获美术硕士学位。
梁曼琪作品曾于多家重要美术馆机构展出，包括北京尤伦斯当代艺术空间（UCCA Lab）；上海chi K11美术馆；上海当代艺术馆（MoCA）；阿拉里奥美术馆（济州岛，韩国）；上海西岸艺术与设计博览会；深港城市/建筑双城双年展等。
LIANG Manqi, born in 1986 in Zhuhai, Guangdong Province, China, graduated from the department of Art Education at China Academy of Art in 2009 and obtained her MFA from the department of Painting at Chinesisch-Deutshe Kunstakademie (CDK) in 2012, a joint degree program of the University of the Arts, Berlin and the China Academy of Art. She currently lives and works in Shanghai.
LIANG Manqi has held various solo and group exhibitions at many important art museums and institutions, including the Ullens Center for Contemporary Art (UCCA Lab), Beijing; chi K11 Art Museum, Shanghai; Museum of Contemporary Art (MoCA), Shanghai; ARARIO MUSEUM, Jeju Island, Korea; ArtReview Asia Xian Chang, West Bund Art & Design, Shanghai; Bi-city Biennale of Urbanism/Architecture, Shenzhen; and more.
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