Opening Recap
开幕回顾
展览海报 Exhibition Poster
深知一件作品的落成，如同布料的经纬交织，是万千因素慢慢编织而成。我始终怀揣谦卑之心，对待每一次创作。
——卜天
颁发收藏证书合影 :馆长柴方军，执行馆长刘利斌，艺术家卜天
Collection Certificate Award Ceremony Group Photo
Attendees: Chai Fangjun (Director), Liu Libin (Executive Director), Bu Tian (Artist)
本次个展取名《经纬乾坤》，藏着四层创作理念。
第一层，源于我在提花博物馆的驻地创作。循着古老织纹溯源历史，以这场展览回应驻留地流淌千年的提花织造文脉。
馆长柴方军与艺术家卜天的开幕对谈
Conversation: Artist vs Director Chai Fangjun
第二层，是织造带给我的一点感悟：立于织机前，我们永远无法一眼窥见完整纹样，图案皆是经线和纬线层层交织，慢慢成形。就像我的艺术创作，也是在与提花肌理一次次的磨合、沉淀与酝酿里，才诞生出一件件无法复刻的孤品。
第三层，一件作品的诞生，从来没有一蹴而就的圆满。在无数次尝试与遗憾过后，最终成型是偶然之中的必然。作品落款「普天之上」，取自我的本名卜天谐音，既是敬畏天地之上的造化，也深知一件作品的落成，如同布料的经纬交织，是万千因素慢慢编织而成。我始终怀揣谦卑之心，对待每一次创作。
艺术家开幕现场导览 Artist-led Opening Tour
第四层，这场展览本身也是一场交织。驻留途中遇见的每一个人，每一次相逢的善意，都化作丝线编织进这场作品里。感谢所有相遇，使我们彼此相连，才共同织就了《经纬乾坤》。
上海松江融媒体的采访
Interview by Shanghai Songjiang Convergence Media Center
感谢艺术家赵煜亚为展览开幕拍摄照片
Special thanks to artist Zhao Yuya for capturing the opening ceremony of the exhibition
All Exhibition Works）
展览所有作品
《经纬乾坤》综合材料 100x100cm 2026.6 卜天
Interweave the Universe Mixed media
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《身心被掏空》鱼线 提花布 丙烯颜料 卜天 2026.6
Hollowed Being fishing line, jacquard fabric, acrylic paint
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《极乐世界》线 提花布 120x40cm卜天 2026.6
Sukhavati thread jacquard fabric
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《潜龙勿用》玩偶活动眼珠 提花面料120×40cm 卜天2026.6
Hidden Dragon, Bide Your Time Moving-Eye Doll, Jacquard Fabric
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《荒原》综合材料 100X120CM卜天 2026.6
The Waste Land Mixed media
《荒原》综合材料 100X120CM卜天 2026.6
The Waste Land Mixed media
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《All for System》蜜蜂标本 蜗牛壳 玩具眼珠 中式传统纹样白色提花布 红色现代纹样提花布61×61cm 卜天 2026.6
Bee specimens, snail shells, toy eyeballs, white jacquard fabric with traditional Chinese patterns, red jacquard fabric with modern patterns
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《凝视深渊》玩偶活动眼珠 中式纹样丝绸 卜天 2026.6
Gaze Into the Abyss
Moving-Eye, silk printed with traditional Chinese patterns
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《明心见性》叶脉 二维码10×5cm 卜天 2026.6
Illuminating Mind, Revealing Nature Veins, QR Code
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《末日祈祷》装置 尺寸可变 2026.6卜天
Apocalypse Prayer Installation Variable dimensions
《末日祈祷》装置 尺寸可变 2026.6卜天
Apocalypse Prayer Installation Variable dimensions
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《都是一伙的》玩具小猫，玩具小猪，棉线，龟壳，二维码，金砖摆件、金元宝摆件 2026.6卜天 10X10cm
They Are All in Cahoots
Materials: toy kitten, toy pig, cotton thread, tortoise shell, QR code, gold ingot brick ornament, sycee ornament
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《没人点赞》80cm x80cm 油画 2022 No Likes Oil painting
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画中的模特长大了 The model in the painting has grown up.
展厅 Exhibition Hall
曾经的影像作品播放 Screening of Past Video Works
English Translation
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This solo exhibition is titled Latitudes and Longitudes of the Cosmos, which embodies four layers of creative philosophy.
The first layer originates from my residency creation at the Jacquard Museum. Tracing back history along ancient woven patterns, this exhibition pays homage to the millennia-old cultural lineage of jacquard weaving rooted in this residency site.
The second layer stems from an insight I gained through weaving: standing before a loom, we can never see the full pattern at a single glance. Designs take shape gradually, woven together warp by warp and weft by weft. Similarly, my artistic works are irreplaceable one-of-a-kind pieces forged through repeated adaptation, reflection and gestation alongside jacquard textures.
The third layer speaks to the truth that no artwork reaches perfect completion overnight. After countless attempts and regrets, the final form emerges as an inevitability born from chance. My signature Above All Heaven is a phonetic pun derived from my given name Bu Tian. It expresses awe for the cosmic creation above heaven and earth, while acknowledging that finishing an artwork is akin to interlacing warp and weft threads—crafted slowly from countless converging factors. I approach every creation with enduring humility.
The fourth layer lies in the exhibition itself as an interwoven tapestry. Every person I met during the residency, every kind encounter, has been spun into the fabric of these artworks. Gratitude for all these connections, which bind us together to weave Latitudes and Longitudes of the Cosmos into being.
感谢武熠宸制作的海报
Special thanks to Wu Yichen for designing the exhibition poster.
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艺术家访谈：以往对绘画可能性的一点探索 13‘26’‘
4.为什么只有中国人是“龙”的传人？--用龙纹画画的原因
6."后图案与装饰 "运动 ?13.客厅艺术成为“赛博病毒”
艺术疗愈链接：
访谈：
访谈一：艺术里有幸福吗？？
访谈二：当今艺术的发展趋势
访谈三：艺术是系统的帮凶？还是病毒？
原文访谈：卜天 | 万物互联:打破界限链接
摄影作品：
1.我摄故我在（一）
2.失 序 的 空 间
卜 天
pu tian
卜天Pu-tian
先后毕业于四川美术学院附中和川美油画系，现工作居住于上海。曾参加过 “中日行为艺术交流展”、 “双城计”香港和重庆交流展、丽江国际艺术节、第六届青岛国际当代艺术双年展,贵州双年展、重庆美术馆建馆系列展、“水·生命”行为艺术展、 “遭遇现实”当代艺术展、成都“Upcycle Art Festival首届蜕墟·国际再生艺术季,云南“放大”实验艺术现场、北京 “头发的故事——新锐策展人计划” 、武汉“我们感知自己的方式”艺术展，第十八届上海青年美术大展，上海“AI超感界”、“極——时间的切片与标本”，天津“被丈量的人”，意大利米兰 Double&Duality展，德国莱比锡 HOTPOT展，日本第二届伊豆高原艺术交流展“不以物喜”,无锡美术馆“底色”当代青年艺术家绘画展，丽水美术馆“磁场蔓延”， 北京妙有画廊“甜牙”展，张家界“首届新国潮展”， 郑州“#后缀國”展，苏州华贸艺术中心“人间天堂梦”展、北京 “后器官时代” 、北京“身无所寄展 ”， 三亚国际新艺术形式探索年展，常州“惟人自召”展览。并曾在重庆、昆明和绵阳等地举办个展《哀悼美国》、《时间里的时间》、《数据天堂》等。
艺术创作涉及绘画、影像和行为，绘画作品打破装饰与纯艺术的界限，被誉为“图案绘画”第一人。近期的创作关注数字时代下当代人的境遇：AI和⼤数据下所谓的选择并不存在，⼀切被推送的链接，恰如暗中编织的⼀张⼤⽹操控着你我的每次选择，⼩到购物，⼤到选举，左右⼈⽣，并习惯成瘾，患上了斯德哥尔摩症。
Graduated from Sichuan Academy of Fine Arts, I has participated in the "China-Japanese Performance Art Exchange project", "inward gazes" Chinese Performance Art in Macau, the "Double City Plan" Hong Kong and Chongqing Exchange Exhibition, The 6th Qingdao International Contemporary Art Biennale, the Lijiang International Art Festival, the Guizhou Biennale, the Chongqing Art Museum Construction Series Exhibition, the "Water Life" Performance Art Exhibition, the "Enlarged" Experimental Art Scene, and the "Encountering Reality" Contemporary Art Exhibition , ChengDu"Upcycle Art Festival" Public Art Exhibition ， Art projects "The Story of Hair - The New Sharp Curator Plan" ,Wuhan "The Way We Perceive ourselves" Art Exhibition, The 18th Shanghai Youth Art Exhibition，Shanghai "AI Super Sensation Realm"、“Infinity: Slices and Specimens of Time”，Tianjin'"measured people"，Double&Duality Exhibition in Milan, Italy, HOTPOT Exhibition in Leipzig, Germany，The 2nd Izu Kogen Art Exchange Exhibition of Japan: "Not Elated by Material Gains", Wuxi Art Museum "Background Color"，Lishui Art Museum“Magnetic field propagation”， The " Candy Fang " exhibition at Beijing Mouart Gallery, the "First New Chinese Trend Exhibition" in Zhangjiajie, the "#Suffix Land" exhibition in Zhengzhou, the "Dream of the Paradise on Earth" exhibition at Suzhou Huamao Art Center, the "Post-Organ Era" exhibition in Beijing, and the "Nowhere to Settle the soul" exhibition in Beijing. Sanya International New Art Forms Exploration Annual Exhibition，Changzhou Exhibition: " Summoned by None but Oneself " and solo exhibitions such as "Mourning America","Time in Time" and “Data Heaven” have been held in Chongqing, Kunming and Mianyang.
Artistic creation involves painting, video and Performance Art。My recent creations focus on the predicament of contemporary people in the digital age: the so-called "choices" under big data do not actually exist. All the pushed links are just like an invisible web weaving secretly, manipulating every choice we make—from trivial shopping decisions to major elections. They shape our lives, make us addicted, and even lead us to develop a sort of Stockholm syndrome.
联系方式
contact information
tel：(86) 19512491265
E-mail: putianzhishang@qq.com
微信号：liuPutian1980
Youtube @artvision-putian
