游乐园，被规训为孩童的专属场域。“无邪”是其被标定的核心符号，预设的欢笑为这符号镶边。
粉饰的表象之下，“无邪”的背面，荒诞在静默中滋生。旋转机械重复无意义的眩晕，彩色布景遮蔽不可名状的诡异——这是“无邪”未曾示人的肌理。
危险非远隔之物，混融人声嘈杂，沉降无人顾念之角，与天真形态缠绕为不可拆解的复合体。“无邪”从来不是无垢的屏障，而是包裹着相悖本质的外壳。
踏入此间，即陷清醒迷局：“无邪”的表层之下，是生涩与不安的客观存在，是被掩盖的真实，是两个世界的重叠与对峙。
艺术家 / 毕赢心 黄道明 黄立言 刘力宁 王宝菊 徐思瑾 阎实 赵天汲 梓靖
Innocent Amusement Park
Amusement parks are socially coded as spaces exclusively for children, with "innocence" as their defining symbol, framed by the prescribed laughter that accompanies it.
Beneath this sugar-coated facade, the flip side of "innocence" harbors absurdity that festers in silence. The spinning machinery churns out meaningless vertigo in endless repetition, while the colorful scenery obscures an indescribable eeriness—this is the hidden texture of "innocence" never meant to be seen.
Danger is not a distant, isolated thing. It mingles with the cacophony of voices, settles into forgotten corners, and becomes inextricably tangled with forms of naivety. "Innocence" was never a spotless shield; it is merely a shell enclosing a contradictory essence.
To step into this space is to enter a lucid labyrinth: beneath the surface of "innocence" lies the objective reality of awkwardness and unease, the suppressed truth, and the overlapping, clashing of two worlds.
Artists/ Bi Yingxin/ Huang Daoming/ Huang Liyan/ Liu Lining/ Wang Baoju/ Xu Sijin/ Yan Shi/ Zhao Tianji/ Zi Jing
大鱼潜渊。
大鱼美术馆成立于2025年，坐落于北京望京一个居民小区内。它是一个开放的独立艺术空间，为国内外有想法的艺术家提供展览、交流平台，并围绕展览项目延展相关研究。
在鱼龙混杂的时代，做一条漏网之鱼。
在鱼龙混杂的时代，找那条漏网之鱼。
Big Fish Dives into the Abyss. Big Fish Art Museum, founded in 2025, is located in a residential community in Wangjing, Beijing. It is an open and independent art space that provides an exhibition and exchange platform for visionary artists at home and abroad, and extends related research around exhibition projects.
In an era of mixed quality, be a fish that slips through the net.
In an era of mixed quality, seek that fish that slips through the net.
