品艺画廊将于 2026年5月16日至6月27日推出展览《在流动的世界中凝视：许铁生的旅行、镜头与现代性》，以摄影为切入点，重新梳理20世纪新加坡重要艺术家许铁生的创作体系，呈现其横跨绘画、雕塑与摄影的现代艺术实践。
本次展览亦是继2025年品艺画廊举办《重识许铁生》展览之后，对艺术家创作脉络的进一步补充与延伸。基于画廊近年来对许铁生的持续研究，将长期被忽视的摄影实践置于核心位置，探讨其如何通过“观看”建立艺术语言。许铁生的摄影实践，为理解其绘画与雕塑提供了关键线索。从早期对人物与街景的观察，到后期对空间、形体与结构的提炼，摄影始终贯穿其艺术发展过程。策展人石芮豪指出，摄影在许铁生的创作中不仅是记录工具，更是一种连接现实与形式、经验与建构的视觉方法 。这些影像不仅记录了东南亚社会与文化的变迁，也呈现出一位现代艺术家如何在跨地域经验中不断调整自身的视觉语言与艺术立场 。
Prestige Gallery presents A Gaze in a World in Motion: Shui Tit Sing's Journeys, Lens and Modernity, on view from 16 May to 27 June 2026. Taking photography as its point of departure, the exhibition re-examines the practice of Shui Tit Sing, a key figure in 20th-century Singapore art, highlighting his work across painting, sculpture, and photography.
This exhibition follows the gallery's 2025 presentation Rediscovering Shui Tit Sing, and serves as a further extension of its ongoing research into the artist's oeuvre. While earlier studies focused primarily on painting and sculpture works from 1930-1960s, this exhibition brings renewed attention to Shui's photographic practice-long overlooked yet fundamental to his artistic development. As curator Shi Ruihao notes, photography in Shui's work is not merely a documentary tool, but a visual method that mediates between reality and form, experience and construction. His images not only record the social and cultural transformations of Southeast Asia, but also reveal how a modern artist continuously recalibrates his visual language and artistic position through cross-regional experience.
画廊主张鹤馨在介绍展览
策展人石芮豪在介绍许铁生的照片
《1939年 赵无极惜别国立艺专同窗挚友留影》许铁生拍摄（第一排右二赵无极，第二排右二许铁生）
尺寸：A2
版数：8版
2026
《1950年代 新加坡安德逊桥拍摄新加坡河口》
尺寸：A2
版数：8版
2026
《1950年代 新加坡河阳光下的船只》
尺寸：A2
版数：8版
2026
《1950年代新加坡丹戎禺的“火炭村”码头》
尺寸：A2
版数：8版
2026
《1950年法蒂玛圣母朝圣像新加坡巡回之旅 》
尺寸：A2
版数：8版
2026
《1963年金边孩童》
尺寸：A2
版数：8版
2026
Shui Tit Sing was an artist and art educator. Born in China in 1914, he graduated from the National Academy of Fine Arts in Hangzhou, where he studied under renowned modern Chinese masters such as Lin Fengmian, Pan Tianshou, Wu Dayu, Cai Weilian, Chang Shuhong, and Guan Liang. He was a close friend and classmate of Zao Wou-Ki, and his juniors included Zhu Dequn and Wu Guanzhong. Shui Tit Sing moved to Malaya (Singapore) in 1940 and became a citizen in 1957. After that, he devoted himself to art and teaching, serving as an art and Chinese language teacher at Catholic High School for nearly 30 years (1948-1977). From the 1960s, he participated in activities such as the "Ten-Person Painting Group" and the Chinese Art Research Association. His works encompassed oil painting, watercolor, ink painting, sketching, and wood carving, exhibiting a unique artistic style. His decades-long dedication to art left a profound mark on the art history of Singapore and Malaysia. He passed away in Singapore in 1997.
石芮豪，1993年出生，毕业于电子科技大学图形艺术专业，先后进修于四川师范学院和四川美术学院油画专业。其作品多次参加中国和欧洲展览并多次被欧洲艺术基金会收藏。2019年创办艺云艺术媒体平台，2022年任职品艺画廊主理人，从事画廊策展和管理工作。
Rick Shi, born in 1993, graduated from the University of Electronic Science and Technology of China with a major in Graphic Arts. He furthered his studies at Sichuan Normal University and Sichuan Fine Arts Institute, majoring in Oil Painting. His works have been exhibited in China and Europe on numerous occasions and have been collected by European art foundations on multiple occasions. In 2019, he founded the ArtCloud art media platform, and in 2022, he became the manager of PinYi Gallery, where he is engaged in gallery curation and management.
我们提倡尊重和支持亚洲多元文化的独特融合，致力于发掘、梳理、展示和聚焦东南亚的杰出艺术家。画廊重视学术的梳理和美术史的研究，希望通过文献资料的收集与展示、对艺术家和评论家的采访、开展论坛和研讨会以及拍摄纪录片等方式，更深入地探讨艺术为在地文化以及跨文化对话中产生的影响力，提升文化艺术的社会价值。
Prestige Art Gallery, founded in Singapore in 2019, is located in the heart of Singapore's cultural district, a vibrant art space nestled within a bustling urban area.
We advocate for respect and support for the unique fusion of diverse Asian cultures, and are dedicated to discovering, organizing, showcasing, and highlighting outstanding artists from Southeast Asia. The gallery emphasizes academic research and art history, aiming to explore the impact of art on local culture and intercultural dialogue through the collection and display of archival materials, interviews with artists and critics, forums and seminars, and documentary filmmaking, thereby enhancing the social value of culture and art.
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