艺术家圆桌论坛
马境若水的书写行动
Artist Round Table
Calligraphy Action of Ma Jingruoshui
HE Junyan
马境若水
吴方洲
潘星磊
李孔平
樊国真
Ma Jingruoshui
Noah Ng
Pun SingLui
LI Kongping
George Fan
现代主义之后的书写受到更多元素的影响，文字本身被解构、和重新创造，原来相对固定的文字符号被区分为传统的、原生的样式，成为了书写的其中元素。随着后现代艺术和当代艺术的进程，行为艺术、社会介入艺术、环境关注艺术、后网络艺术、跨媒体和人工智能艺术也与“书写”产生了交叉，很多艺术家主动迎接这些新兴样态并尝试与自己本身的书写实践相结合，马境若水就是其中的一位。在有意识地发展自己的书写使其“更显当下”的同时，本次讨论会更多关注他书写实践中的无意识部分：无意识地穿梭游走、无意识地发起和行为和无意识地即兴创作和“乱写”。这一部分或是他艺术创作的核心，在大量的有意而为之的堆叠所沉底的无意而为的、偶然的和充满个人神秘主义的痕迹。
calligraphy after modernism has been influenced by more elements, with the character itself being deconstructed, recreated, and reinvented. Originally relatively fixed textual symbols have been distinguished into traditional and native styles, becoming elements of writing. With the progress of postmodern and contemporary art, performance art, socially engaged art, environmentally concerned art, post-internet art, cross-media, and AI art have also intersected with 'calligraphy.' Many artists actively embrace these emerging forms and attempt to integrate them with their own writing practices, and Ma Jing is one of them. While consciously developing his writing to make it 'more contemporary,' this discussion will focus more on the unconscious part of his writing practice: unconsciously wandering, unconsciously initiating actions, and unconsciously improvising and 'scribbling.' This part may be the core of his artistic creation—the traces that are unintentional, accidental, and filled with personal mysticism, buried beneath a large amount of deliberate accumulation.
关于艺术家
马境若水
马境若水，出生地甘肃玉门市，祖籍陕北吴堡。退役军人。《百岛计划》联合发起人及持续实践者。现生活、工作在珠海、深圳、万山群岛。主要方向是汉字图腾、妈祖文化、海洋文化、沿海渔民的民俗文化（调研、访谈、交流、互动、实践）。
何俊彦
1983年出生于珠海。多年来，他一直在关注广东沿海的渔业社群，以田野调查方式追踪出海渔民和海洋空间的关系，探讨作为中介的技术如何成为一种发展和干预的模式。何俊彦先后就读于中国美术学院、巴黎索邦第一大学及巴黎国立高等艺术学院。他于2016年策划发起“做海计划”，2018年联合发起“百岛计划”。
艺术家圆桌论坛
马境若水的书写行动
Artist Round Table
Calligraphy Action of Ma Jingruoshui
HE Junyan
马境若水
吴方洲
潘星磊
李孔平
樊国真
Ma Jingruoshui
Noah Ng
Pun SingLui
LI Kongping
George Fan
