旺无名画廊 | Nobody Gallery
艺术家：孙广义 Guangyi Sun
策展人：范懿 Yi Fan
开幕时间 Opening:
2026.05.23 16:00
展期 Duration:
2026.05.23-2026.07.08 （周二—周日 10:00—19:00）
地址 Address：
上海市徐汇区宜山路660号（神旺660）三楼302室
Room 302, 3rd Floor, Shenwang 660, No. 660 Yishan Road, Xuhui District, Shanghai
《心手相印的游戏》
[展览前言]
江湖走久了，人总要回到一间屋子里。
观音山下，画室之中，焚香一柱，清茶一口。坍缩的时间、人类灭绝后的 fiction、算法时代的 agent、图像的废墟与档案的幽灵……外面的世界风声不止，这里什么也听不到。
画布未开，万象未明，一念初起，欲落未落。念头多了，便有成败、取舍、形色与得失的牵缠。孙广义的观念中，每日的创作像是一场无声的游戏：对手不在画外，而在心中。创作是他的日课，在一笔一画之间辨认念头，也在反复劳作之中练习松手。
劳作原本属于手。它关乎技法、经验、体力，也关乎日复一日的重复。当一个人开始在劳作中观看自己，开始把外界的观察、内心的参悟与缓慢的渐修注入画面，劳作便越过了自身。手中的活计，逐渐成为心上的功夫；画布上的制作，也逐渐成为艺术家的生成。游戏就在这样的劳作中慢慢显影。它来自劳作被心念照亮后生出的自由。每一次落笔、覆盖、停顿与重来，都像一次试探；每一次规则的建立与偏移，都像一场小小的破局。孙广义在其中训练手，也训练心。他把绘画做成日课，也把日课玩成了游戏。
本次展览展出了孙广义近两年的系列作品。该系列以东方美学为精神根系，在布面肌理中植入宣纸、矿物色、有机玻璃片等材料，兼具水墨氤氲的呼吸感与综合材料的物质性。画面既保留东方艺术美学的气韵生动，又汲取西方抽象表现主义的色彩张力，在材质对话中探索视觉语言的转译。对孙广义而言，每一次转译都是一场游戏：材料被转译为画面的肌理，观察被转译为画面结构，日复一日的思考也在反复调度中进入作品。
在“心手相印的游戏”中，我们邀请您走进孙广义的创作档案，感受材料、画面与心念之间缓慢展开的关系。这里的游戏，藏在每一次停顿与重来之中，也藏在孙广义与自身反复相处的日课之中。它带着手的熟练，也带着心的松动；它让劳作生出自由，也让创作成为观看自身的一种方式。
[Foreword]
After a long journey through the world, one must eventually return to a room.
At the foot of Guanyin Mountain, inside the studio: a single stick of incense, a cup of clear tea. Collapsed time, fiction after human extinction, agents in the age of algorithms, the ruins of images, and the ghosts of archives… Outside, the world is full of wind and noise. Here, nothing can be heard.
Before the canvas is opened, all things remain indistinct. A thought first arises, suspended before it falls. As thoughts multiply, they become entangled with success and failure, choice and renunciation, form, colour, and gain or loss. In Guangyi SUN’s understanding, daily creation resembles a silent game: the opponent does not stand outside the painting, but within the mind. Creation is his daily practice. Through each brushstroke, he recognises his thoughts; through repeated labour, he learns to let go.
Labour originally belongs to the hand. It concerns technique, experience, physical strength, and the repetition of day after day. When a person begins to observe himself through labour, and begins to pour external observation, inner insight, and slow cultivation into the image, labour moves beyond itself. The work of the hand gradually becomes a discipline of the heart; the making on the canvas gradually becomes the becoming of the artist. The game slowly appears within this labour. It comes from the freedom born when labour is illuminated by thought. Each stroke, covering, pause, and restart feels like a test; each establishment and shift of rules feels like a small act of breaking through. Within this process, Guangyi trains his hand and also trains his heart. He turns painting into a daily practice, and turns daily practice into a game.
This exhibition presents a series of works created by Guangyi SUN over the past two years. Rooted spiritually in Eastern aesthetics, the series embeds materials such as rice paper, mineral pigments, and acrylic sheets into the texture of the canvas. It carries both the breathing quality of ink and the material presence of mixed media. The images preserve the vivid resonance of Eastern artistic aesthetics while absorbing the chromatic tension of Western Abstract Expressionism. Through the dialogue between materials, Sun explores the translation of visual language. For Guangyi, each act of translation is a game: materials are translated into pictorial texture, observation is translated into pictorial structure, and daily thought enters the work through repeated acts of arrangement.
In The Game of Heart and Hand in Accord, we invite you to enter Guangyi SUN’s creative archive and experience the slowly unfolding relationship between material, image, and thought. The game here is hidden in each pause and return, and in Guangyi’s repeated daily encounter with himself. It carries the skill of the hand and the loosening of the heart; it allows labour to give rise to freedom, and allows creation to become a way of observing oneself.
[关于艺术家]
孙广义
Guangyi Sun
法名：光明藏，职业艺术家。现定居云南从事抽象绘画，当代水墨作品创作。
1967年生于辽宁省。1980年辰州画苑师从胡昆先生学习中国传统水墨。1992年大学毕业。1993年于北京从事艺术创作。1994年入住北京圆明园职业艺术家村。2003年赴滇西北、川西南藏区考察宗教、人文风光。2005年至今每年数次深入藏区，创作以香格里拉为题材的系列作品。2006年入住北京宋庄艺术区。2007年参加云南大理鸡足山华首放光寺第二届南传短期出家，完成从“西双版纳——鸡足山华首放光寺”的僧侣行脚。
参展及获奖：
个人展览：
2019年香港SIN SIN FINE ART举办《乘云》个人水墨展览。
2019年内蒙古呼和浩特市艺泰空间举办《天界-澄怀观道》个人水墨展览。
2016年香港SIN SIN FINE ART举办《天外有天》个人水墨展览。
2012年香港SIN SIN FINE ART举办《祈福-圆觉》个人水墨展览。
2011年香港SIN SIN FINE ART举办个人水墨展览。
2009年香港SIN SIN FINE ART举办《天界-回归香格里拉》个人水墨展览。
2007年香港SIN SIN FINE ART举办《祈福-香格里拉之旅II》个人水墨展览。
2007年香港SIN SIN FINE ART举办《天界-香格里拉日记》个人油画展览。
2006年北京棕榈泉公寓会所举办《天界-香格里拉》个人水墨展览。
2005年香港SIN SIN FINE ART举办《祈福-香格里拉之旅》个人水墨展览。香港《AAC》艺术杂志报道了此次展览，《亚洲艺术新闻》主编Ian Findlay-Brown先生撰写评论文章《光明之旅》（<Journeys into the light>）。
2004年香港SIN SIN FINE ART举办《觉醒》个人展览。
2001年北京秦昊画廊举办个人展览。
1999年北京秦昊画廊举办个人展览。
1998年北京秦昊画廊举办个人展览。
1997年德国大使馆举办个人展览。
1996年北京芥子园画廊个人展览。
联合展览：
2024年苏州无二艺术空间《在》全球艺术展
2024年香港SIN SIN FINE ART《DIVE IN》联合展览
2024年美国TERAVARNA十一届国际评委抽象大赛
2023年ARTBANK《高血压》国际艺术网络展
2023年ARTBANK《黑与白》纸上艺术展
2022年香港SIN SIN FINE ART《CELEBRATION》联合展览。
2021年希腊COPELOUZOS家族艺术博物馆艺术项目<COV-ART>
2021年香港全球水墨大展
2020年苏州基业艺术馆第二届五四艺术季《石云题记》联合展览
2019年希腊COPELOUZOS家族艺术博物馆<35X35> 中国艺术项目
2019年香港SIN SIN FINE ART《SEARCHING》联合展览。
2018年香港SIN SIN FINE ART《INHALE》联合展览。
2018年意大利米兰Barbara Frigerio Contemporary Art联合展览。
2017年法国A.L.G当代艺术画廊联合展览。
2017年香港SIN SIN FINE ART《REMINDERS》联合展览。
2015年捐赠作品参加北京壹基金为尼泊尔地震筹款慈善拍卖。
2015年捐赠作品参加香港KEE PRIVATE MEMBERS CLUB为尼泊尔地震筹款慈善拍卖。
2014年香港SIN SIN FINE ART《DOUBLE囍 HAPPINESS》联合展览。
2013年香港SIN SIN FINE ART《十周年》联合展览。
2013年作品入围第三届全国徐悲鸿奖中国画展。
2013年香港SIN SIN FINE ART《净》联合展览。
2012年北京《意境•中国》国画、油画艺术作品邀请展。
2011年香港SIN SIN FINE ART《心窗》慈善展览。
2010年《香格里拉日记》2幅油画作品参加香港亚洲艺术文献周年2010筹款拍卖，被收藏。
2010年香港SIN SIN FINE ART《心窗》慈善展览。
2009年香港SIN SIN FINE ART《心窗》慈善展览。
2009年香港SIN SIN FINE ART Asia Consciousness Festival《历程》展。
2009年首届全国徐悲鸿奖中国画展。
2009年北京元艺术中心《别样的现代性》油画学术展。
2008年《香格里拉日记》作品委托香港SIN SIN FINE ART画廊为四川震灾拍卖，所得善款全部捐给香港红十字会。
2007年北京嫘苑凹凸空间《“形迹” 》艺术。
2007年北京嫘苑凹凸空间《“行走的云” 》 联合展览。
2007年北京吉祥伯乐画廊《佛缘艺术交流展》。
2007年香港SIN SIN FINE ART《“40+－”》联合展览。
2006年北京《宋庄第二界宋庄艺术节》。
2006年北京时代美术馆《当代艺术精品展》。
2006年北京纽约艺术空间《西方人眼中的中国》中意艺术家联展。
2005年应邀参加德国慕尼黑《振动》中德艺术家联展，达豪日报和巴伐利亚电视台分别采访报道了此次展览。
2003年北京大陆画廊《当代百人艺术》精品展。
2002年应邀参加德国法兰克福《SCHLOB LAUBACH国际艺术展》。
2002年德国达毫《中德艺术交流展》。
2002年北京秦昊画廊《东方遇见西方》中德艺术家二人展。
2001年上海中欧国际工商学院《自然而然》抽象三人画展 。
2001年北京佛罗伦萨画廊《新状态》当代艺术邀请展 。
2001年应德国达毫市政府邀请赴德国参加《艺术家工作室创作交流展》活动，在德国艺术家工作室创作交流并举办联合展览。德国柏林电视台、达毫日报、巴伐利亚电视台、慕尼黑电台及报纸先后采访报道在德国的艺术交流活动和展览。
2000年作品《文明》参加美国纽约当代中国艺术品拍卖，被收藏。
1998年北京希尔顿观景廊《“寻梦” 》展。
1998年北京当代艺术馆《环境》四人展。
1996年北京国际展览中心中国艺术博览会。
1992年辽宁美术馆《五.二三》辽宁省美术展。
作品收藏
作品先后被德国大使馆工作人员，德国施威比豪尔银行亚洲总裁、柏林电视台编导、德国时代周刊主编， 美国Real公司中国总经理、香港时尚品牌JOYCE BOUTIQUE创办人、德国西门子公司巴伐利亚州市场部主管等台湾、香港、日本、法国、挪威、印尼、加拿大、秘鲁、印度、韩国、葡萄牙等国内外友人、北京元艺术中心、香港SIN SIN FINE ART、美国私人收藏机构、美国纽约当代中国艺术品拍卖、亚洲艺术文献周年2010筹款拍卖、希腊COPELOUZOS家族艺术博物馆、内蒙古兴泰集团艺泰空间以及慈善机构拍卖、收藏。
媒体报道及出版：
西班牙艺术网、意大利艺术杂志、呼和浩特电视台、德国柏林电视台、达毫日报、慕尼黑电台、巴伐利亚电视台和艺术电台等国内外媒体采访报道；《艺术锋尚》杂志锋尚人物专访；香港佛门网独家采访报道；《首届全国“徐悲鸿奖”中国画展作品集》（安徽美术出版社）；《“意境.中国”国画、油画名家精品集》（中国书店）；国家艺术频道：（全国书画名家展1776期）,中国艺术文献大系收录。
[About the Artist]
Dharma name: Guangmingzang. Professional artist currently based in Yunnan, engaged in the creation of abstract painting and contemporary ink works.
Born in Liaoning Province in 1967. In 1980, he studied traditional Chinese ink painting under Mr. Hu Kun at Chenzhou Painting Academy. Graduated from university in 1992. Began artistic practice in Beijing in 1993, and moved into the Yuanmingyuan Artist Village in 1994 as a professional artist.
In 2003, he traveled to the Tibetan regions of northwestern Yunnan and southwestern Sichuan to study local religion, culture, and landscape. Since 2005, he has made several trips each year into Tibetan areas, creating a series of works centered on Shangri-La.
In 2006, he moved into the Songzhuang Art District in Beijing. In 2007, he participated in the Second Theravāda Short-Term Monastic Retreat at Huashou Fangguang Temple on Jizu Mountain, Dali, Yunnan, completing a monastic pilgrimage journey from Xishuangbanna to Huashou Fangguang Temple on Jizu Mountain.
Exhibitions and Awards:
Solo Exhibitions
2019 Riding the Clouds solo ink painting exhibition at SIN SIN FINE ART
2019 Celestial Realm – Clarifying the Mind and Contemplating the Dao solo ink painting exhibition at Yitai Art Space
2016 Beyond the Heavens solo ink painting exhibition at SIN SIN FINE ART
2012 Blessings – Perfect Enlightenment solo ink painting exhibition at SIN SIN FINE ART
2011 Solo ink painting exhibition at SIN SIN FINE ART
2009 Celestial Realm – Returning to Shangri-La solo ink painting exhibition at SIN SIN FINE ART
2007 Blessings – Journey to Shangri-La II solo ink painting exhibition at SIN SIN FINE ART
2007 Celestial Realm – Shangri-La Diary solo oil painting exhibition at SIN SIN FINE ART
2006 Celestial Realm – Shangri-La solo ink painting exhibition at Palm Springs Apartment Clubhouse, Beijing
2005 Blessings – Journey to Shangri-La solo ink painting exhibition at SIN SIN FINE ART. The exhibition was featured by Hong Kong AAC Art Magazine, and Asian Art News editor-in-chief Ian Findlay-Brown wrote the review essay Journeys into the Light.
2004 Awakening solo exhibition at SIN SIN FINE ART.
2001 Solo exhibition at Qin Hao Gallery, Beijing.
1999 Solo exhibition at Qin Hao Gallery, Beijing.
1998 Solo exhibition at Qin Hao Gallery, Beijing.
1997 Solo exhibition at the German Embassy.
1996 Solo exhibition at Jieziyuan Gallery, Beijing.
Group Exhibitions
2024 Being Global Art Exhibition at Wuer Art Space, Suzhou.
2024 DIVE IN group exhibition at SIN SIN FINE ART.
2024 11th International Juried Abstract Competition, TERAVARNA.
2023 Hypertension International Online Art Exhibition by ARTBANK.
2023 Black and White Works on Paper Exhibition by ARTBANK.
2022 CELEBRATION group exhibition at SIN SIN FINE ART.
2021 COV-ART project at the Copelouzos Family Art Museum.
2021 Hong Kong International Ink Art Exhibition.
2020 Inscription of Stone and Cloud group exhibition, Second May Fourth Art Season, Jiye Art Museum, Suzhou.
2019 35×35 China Art Project at the Copelouzos Family Art Museum.
2019 SEARCHING group exhibition at SIN SIN FINE ART.
2018 INHALE group exhibition at SIN SIN FINE ART.
2018 Group exhibition at Barbara Frigerio Contemporary Art, Milan, Italy.
2017 Group exhibition at A.L.G Contemporary Art Gallery, France.
2017 REMINDERS group exhibition at SIN SIN FINE ART.
2015 Donated artworks to charity auctions in Beijing and Hong Kong raising funds for Nepal earthquake relief.
2014 DOUBLE Happiness group exhibition at SIN SIN FINE ART.
2013 10th Anniversary group exhibition at SIN SIN FINE ART.
2013 Selected for the 3rd National Xu Beihong Award Chinese Painting Exhibition.
2013 Purity group exhibition at SIN SIN FINE ART.
2012 Artistic Conception · China Invitational Exhibition of Chinese Painting and Oil Painting, Beijing.
2011 Window of the Heart charity exhibition at SIN SIN FINE ART.
2010 Two oil paintings from Shangri-La Diary included in the Hong Kong Asia Art Archive Annual Fundraising Auction and acquired into collections.
2009 Asia Consciousness Festival – Journey exhibition at SIN SIN FINE ART.
2009 First National Xu Beihong Award Chinese Painting Exhibition.
2009 Alternative Modernity academic oil painting exhibition at Yuan Art Center, Beijing.
2008 Shangri-La Diary works auctioned by SIN SIN FINE ART for Sichuan earthquake relief, with all proceeds donated to the Hong Kong Red Cross.
2007 Traces exhibition at Leiyuan Aotu Space, Beijing.
2007 Walking Clouds group exhibition at Leiyuan Aotu Space, Beijing.
2007 Buddhist Affinity Art Exchange Exhibition at Jixiang Bole Gallery, Beijing.
2007 40+− group exhibition at SIN SIN FINE ART.
2006 Second Songzhuang Art Festival, Beijing.
2006 Contemporary Art Masterpieces Exhibition at Times Art Museum, Beijing.
2006 China Through Western Eyes Sino-Italian Artists Group Exhibition at New York Art Space, Beijing.
2005 Invited to participate in Vibration, a Sino-German artists exhibition in Munich, Germany; the exhibition was covered by Dachau Daily and Bavarian Television.
2003 100 Contemporary Artists exhibition at Mainland Gallery, Beijing.
2002 Invited to participate in the SCHLOSS LAUBACH International Art Exhibition in Frankfurt, Germany.
2002 Sino-German Art Exchange Exhibition, Dachau, Germany.
2002 East Meets West Sino-German two-person exhibition at Qin Hao Gallery, Beijing.
2001 Naturally So abstract three-person exhibition at China Europe International Business School.
2001 New State Contemporary Art Invitational Exhibition at Florence Gallery, Beijing.
2001 Invited by the Dachau municipal government in Germany to participate in the Artists’ Studio Exchange Exhibition, including residency exchange and group exhibition activities. The program was covered by Berlin Television, Dachau Daily, Bavarian Television, Munich Radio, and German newspapers.
2000 Artwork Civilization participated in the New York Contemporary Chinese Art Auction and was collected.
1998 Dream Seeking exhibition at the Hilton Gallery, Beijing.
1998 Environment four-person exhibition at the Museum of Contemporary Art, Beijing.
1996 China Art Expo at the Beijing International Exhibition Center.
1992 May 23rd Liaoning Provincial Art Exhibition at the Liaoning Art Museum.
Collections
The artist’s works have been collected by private collectors and institutions across Germany, the United States, Hong Kong, Taiwan, Japan, France, Norway, Indonesia, Canada, Peru, India, South Korea, and Portugal, including staff members of the German Embassy, executives from German financial and corporate institutions, media professionals, private American collections, SIN SIN FINE ART, the Copelouzos Family Art Museum, Yuan Art Center in Beijing, Yitai Art Space in Inner Mongolia, and various charity auctions and collections.
Media Coverage & Publications
The artist’s work has been featured and reviewed by international and domestic media including Spanish art platforms, Italian art magazines, Hohhot Television, Berlin Television, Dachau Daily, Munich Radio, Bavarian Television, and Art Radio. Featured interviews include Art Fashion Magazine and exclusive coverage by Hong Kong Buddhist Door. Publications include:
* Selected Works of the First National Xu Beihong Award Chinese Painting Exhibition (Anhui Fine Arts Publishing House)
* Artistic Conception · China: Masterpieces of Chinese Painting and Oil Painting (China Bookstore Publishing)
* Featured in National Art Channel’s Exhibition of Chinese Painting and Calligraphy Masters (Episode 1776)
* Included in the Chinese Art Documentation Archive series.
[部分作品]
▲《文明碎片》80×60cm 综合材料
▲《无尽》 80×60cm综合材料
▲《接火》 40×40cm综合材料
正在展出 Current Exhibition
关于旺无名画廊 Nobody Gallery
出身德国的阿什肯纳兹犹太裔哲学家、文化评论家和散文家瓦尔特•本雅明（Walter Benjamin, 1892—1940）他生前最后一部作品《历史哲学论纲》中提到：“纪念无名者比纪念知名者更困难。历史的构建是献给对无名者的记忆。“纪念无名者比纪念知名者更困难”提示我们，历史更多地由无名者的贡献构成，而非仅仅是那些备受瞩目的人物。无名者往往代表了一种不被轻易看到劫至关重要的存在，他们的努力和创造可能未被历史铭记，都不可或缺。这种对无名者的关注与尊重，正是一种超越名气与标签的价值判断。纪念无名者比纪念知名者更困难，因为他们的价值往往被掩盖在历史的洪流中。然而，历史的构建，归根结底是献给无名者的记忆。在旺无名画廊，我们坚持“nobody is somebody”的信念。艺术的意义不该被名气定义，而是由作品本身去触动人心。我们致力于发现和支持那些“尚未被发现”的艺术家，用行动打破艺术生态中的壁垒，推动一个更包容、更多元的艺术世界。在这里，生活与艺术融为一体，我们相信每一位“nobody”都有成为“somebody”的可能性，因为艺术属于所有人。“nobody is somebody”的理念，是一种对艺术生态多样性和包容性的坚持。我们希望让更多有才华的艺术家被看到，从而推动艺术市场更健康、更开放的发展。同时，藏家也将在这个过程中，收获一段与多元艺术碰撞的丰富体验。我们希望通过画廊的平台，将那些可能尚未被发现但具有非凡潜力的艺术家介绍给社会和藏家。这不仅仅是在发掘“nobody”的艺术价值，更是推动艺术界向更多元、更开放的方向发展，让艺术的可能性超越名气本身。无论您是否是资深艺术家，作品本身永远是我们关注的重点，而不是背景或资历的堆砌。在旺无名画廊，艺术为所有人而生，我们相信生活即 艺术，艺术即生活。只要您的作品能触动人心，我们愿意倾注资源支持您。画廊长期招募艺术家，欢迎积极联系，加入我们。
The German-born Ashkenazi Jewish philosopher, cultural critic, and essayist Walter Benjamin (1892–1940) noted in his final work Theses on the Philosophy of History:" Commemorating the nameless is more difficult than commemorating the renowned. The construction of history is dedicated to the memory of the nameless." This statement reminds us that history is shaped more by the contributions of the unknown than by the celebrated figures alone. The nameless often embody an unseen yet vital presence—those whose efforts and creations, though unrecorded by history, are indispensable. To recognize and respect the nameless is to embrace a value system that transcends fame and labels. It is precisely because their significance is obscured by the tides of history that commemorating the nameless is so challenging. Yet the true construction of history ultimately honors their memory. At Nobody Gallery, we hold firmly to the belief that "nobody is somebody." The meaning of art should not be dictated by fame, but rather by its ability to resonate with the human heart. We are dedicated to discovering and supporting “yet-to-be-recognized” artists, breaking barriers within the art ecosystem, and fostering a more inclusive and diverse art world. Whether you are an established artist or a budding creator, if your work holds the power to move hearts, we are here to support you. At Nobody Gallery, we blur the lines between art and life, believing that every "nobody" carries the potential to become "somebody" for art belongs to everyone. Our philosophy of "nobody is somebody" represents a commitment to the diversity and inclusivity of the art world. We aim to give more talented artists the visibility they deserve, promoting a healthier and more open art market. In this process, collectors can enjoy the richness of engaging with diverse artistic expressions. Through our platform, we introduce society and collectors to extraordinary artists who may yet be undiscovered, driving the art world toward a more open and dynamic future—where the possibilities of art transcend fame itself. Regardless of background or accolades, we focus on the art itself. At Nobody Gallery, art is born for everyone, and life is art. If your work moves hearts, we will invest the resources to support you. We are continuously seeking passionate artists—join us in shaping a more inclusive and boundless art community.
旺无名画廊展览免责声明
尊敬的艺术家、藏家及合作伙伴：
感谢您对旺无名画廊的信任与支持！为确保展览期间的顺利进行并明确双方责任，特此发布以下免责声明。请您仔细阅读并确认接受本声明内容。
一、展览期间的责任划分
旺无名画廊责任：1. 旺无名画廊名称将尽最大努力为参展艺术品提供专业的展示环境，包括但不限于温湿度控制、灯光设计、安防措施等，以确保艺术品的安全与展示效果。
不可抗力免责：如因以下不可抗力事件导致艺术品受损或灭失，旺无名画廊将不承担赔偿责任：
自然灾害（如地震、洪水、台风等）；
火灾、爆炸等意外事故；
战争、恐怖袭击、社会动乱等社会事件；
政府行为或政策变更；
其他无法预见、无法避免且无法克服的客观情况。
保险保障：旺无名画廊将为参展艺术品购买相应的保险，保险范围包括但不限于火灾、盗窃、水灾等常见风险。如发生保险范围内的损失，将由保险公司根据保单条款进行赔偿。
二、艺术品运输责任
运输安排：艺术品的运输可由[旺无名画廊]安排或由艺术家/藏家自行安排。如由旺无名画廊安排运输，我们将选择专业的艺术品物流公司，并购买运输保险。
运输风险：如艺术品在运输过程中因不可抗力事件受损或灭失，旺无名画廊将不承担赔偿责任，但将协助艺术家/藏家向保险公司或物流公司索赔。
三、展览期间的观众责任
观众行为：如因观众的不当行为（如触碰、损坏艺术品）导致损失，旺无名画廊名称将协助艺术家/藏家追究相关责任人的赔偿责任。
安全提示：旺无名画廊将在展览现场设置安全提示标识，并安排工作人员进行巡视，但仍无法完全排除观众不当行为导致的意外情况，旺无名画廊不对因观众不当行为导致的损失承担责任。
四、艺术品本身的风险
材质与工艺风险：旺无名画廊不对因艺术品本身的材质、工艺或自然老化导致的损坏承担责任。
展示风险：如艺术品因展示方式（如悬挂、摆放等）导致的损坏，旺无名画廊将根据实际情况与艺术家/藏家协商解决。
艺术家/藏家未尽提示义务风险：
如参展艺术品须特殊存储、维护或采取特别保护措施但艺术家/藏家未事先向旺无名画廊提出并确认具体处理方案，旺无名画廊不对因此导致的损坏承担责任。
五、责任限制
赔偿责任上限：如因旺无名画廊的过失导致艺术品受损，我们的赔偿责任将以已购保险的保险金额为上限。如艺术品未投保，赔偿责任将以双方协商的金额为限。
免责范围：旺无名画廊不对因不可抗力、观众行为或艺术品本身风险导致的损失承担赔偿责任。
六、特别提示
风险告知：艺术家/藏家应在艺术品参展前充分了解相关风险，并确认接受本免责声明的条款。
七、声明生效
本免责声明自艺术品进入旺无名画廊展览之日起生效，适用于所有参展艺术品。如艺术家/藏家对本声明内容有异议，请在艺术品交付前与我们协商解决。
感谢您的理解与支持！我们将继续以专业的态度和细致的服务，为您提供优质的展览体验。
如有任何疑问，请随时联系我们：
官方邮箱：nobodygallery@163.com
画廊地址：上海市徐汇区宜山路660号302室（徐汇展厅）
上海市金山区亭卫公路8255号（金山展厅）
