和而不同 · 母女双人艺术展
策展人 | 文·武 Wen Wu
参展艺术家 | Exhibiting Artists
马莹 · 洪燕 | Ma Ying · Hong Yan
开幕时间 | Opening Ceremony
2026年5月10日 下午16:00 | May 10th,
展览时间 | Exhibition Duration
2026.5.10 - 8.10 | May 10th - August 10th,
展览地点 | 几何画廊 Geometry Gallery
常德市武陵区高泗路58号 | No.58 Gaosi Road,
一个关于“隐藏情绪”的艺术计划，正在启动……
你是否也曾这样：表面一切如常，内心却正经历着一场无人知晓的风雨？“我很好”的背后，或许藏着许多未能说出口的疲惫、焦虑与脆弱。
我们正在策划一场名为 “看见，被看见” 的艺术项目。 它源于一个观察：每个人的内心，都存在着一个未被看见的世界。 那些外在的平静（可见）与内在的真实波澜（不可见），共同构成了完整的我们。
这个项目，是一次对“内在不可见情绪”的温柔凝视。 我们希望通过材料、空间与互动， 让那些被隐藏的感受变得可触摸、可感知、可共鸣。 这是一次关于自我觉察、情绪表达与相互理解的公共艺术实验。
策展人：文 · 武
每一笔，都是去成为整全。我不追求眼睛里的像，只追求心里的像。画布不是用来复制世界的，是用来打捞那些语言到不了的地方。潜意识有它自己的智慧。当我放下“要画什么”的控制，手比脑子先知道方向。那些非语言的痕迹——颜料的厚薄、线条的犹豫或果断、色彩的冲撞与和解——它们替我说话，也替我听见自己。有时候局面很好。那就鼓励自己继续走，不要怕，不管前面是什么。有时候局面不好。那也不要怕。往前走，每一步都是机会——去改变它。一切在于比例。光和暗的比例，控制和放手之间的比例，我知道的和还不知道的之间的比例。画到最后，都是在找那个刚刚好的平衡。每一刻都可以重新开始。画可以覆盖，可以修改，可以停在这里，也可以明天再看——它教会我，人生也是。人类的笨拙与勇气，会同时落在画上。笨拙是因为我们永远不完美，勇气是因为我们还在画。遵循着命运，也拥抱着意志。命运给我什么，我用意志接住它，再画成我的。所以，这些画不是为了好看。是为了存在。表达，让人完整。
么西
展览图片暂不透露，5.10下午16:00揭晓······
我和妈妈，我们都必须成为自己。我总笑称我妈是洪女士，因为她就是没什么妈妈感啊，一个小女生，外柔内刚，善良纯粹，有限又勇敢，她就是她自己，让我很多次笑又很多次哭的一个人。当我原谅自己，我就开始拥抱她。她说她不只在编织器物，更在编织想象、编织情绪、编织无法言说的浪漫。当它们被轻轻挂起，便像把想象中的美好，安放于空中的诗意，好像每一缕光穿过网眼时，都能漾开生活的灵动与浪漫，让金属的坚硬，开出柔软的艺术之花。而画对我，就是生命行动的仪式感，每一笔，都是去成为，一个真实完整的存在。所以不追求眼里的像，追求心里的像。去那些语言到不了的地方，跟随潜意识的智慧…颜料的厚薄、线条的果断或犹豫、色彩的冲突与回应，它们替我说话，替我听见自己。有时候感叹生命像数学公式，概率论有用，一切在于比例。明与暗的比例，控制与放手比例，知道与不知道的比例，没有正确，只有平衡。有时候局面很好。那就继续走，不要怕，不管前面是什么，有时候局面不好。也不要怕，往前走，每一步都是机会，去改变它。每一刻都可以重新开始。可以覆盖，可以修改，可以停下，可以前行，没有一步是注定错的，相信我。人类的笨拙与勇气，会同时落在画上，笨拙因为我们永远不完美，勇气因为我们还在画，还在场。遵循命运，拥抱意志。命运给我的，我接住它，再画成我的。就这样，一直表达，在过程里完整。
My mother and I — we both must become ourselves.I often joke and call my mom "Ms. Hong," because she doesn't really have that "motherly" aura about her. She's just a little girl — soft on the outside, strong within, kind and pure, limited yet brave. She is simply herself. A person who has made me laugh countless times and cry just as many. When I forgive myself, I begin to embrace her. She says she is not just weaving objects — she is weaving imagination, weaving emotions, weaving the romance that words cannot speak. When her works are gently hung, it's like placing the beauty of imagination into the poetry of the air — as if every thread of light passing through the mesh could ripple with the agility and romance of life, turning the hardness of metal into soft, blossoming art. For me, painting is the ritual of life in action. Every stroke is an act of becoming — a true, whole existence. So I do not pursue the likeness seen by the eye; I pursue the likeness felt by the heart. I go to places language cannot reach, following the wisdom of the subconscious… The thickness or thinness of the paint, the decisiveness or hesitation of the lines, the clashes and responses of colors — they speak for me, they help me hear myself. Sometimes I marvel at how life resembles a mathematical formula. Probability theory works. It all comes down to proportions — the proportion of light and dark, of control and release, of knowing and not knowing. There is no right or wrong, only balance. Sometimes the situation is good. Then keep going — don't be afraid, no matter what lies ahead. Sometimes the situation is bad. Still, don't be afraid. Keep moving forward. Every step is an opportunity to change it. Every moment can be a fresh start. You can cover, revise, stop, or move ahead. No step is predestined to be wrong — trust me. Human clumsiness and courage fall together onto the canvas. Clumsy because we are never perfect; courageous because we are still painting, still present. Follow your fate. Embrace your will. What fate gives me, I catch it — and then paint it into my own. And so, I keep expressing. In the process, I become whole.
马莹（么西）
本科毕业于北京电影学院动画专业，硕士毕业于江西师范大学心理学专业，八年执业国家二级心理咨询师，高校教师。师从陈廖宇教授，谭小平老师，作品主要探讨存在主义自我意识，精神分析潜意识隐喻工作机制、女性与社会等议题，常年实践艺术疗愈，是以绘画与摄影为主要表达媒介的艺术家。
Ma Ying(Moxie) B.A. in Animation, Beijing Film Academy; M.A. in Psychology, Jiangxi Normal University. Nationally certified second-level psychological counselor (8 years of practice). University instructor. Studied under Professor Chen Liaoyu and Mr. Tan Xiaoping. My work explores existential self-awareness, psychoanalytic unconscious metaphors, women and society. A long-time practitioner of art therapy, I am an artist working primarily with painting and photography.
洪燕
曾深耕物理与信息技术教学，如今已安然退休。
自幼时起，便常常看见母亲用各色毛线编织器物，一针一线皆是温柔，满目缤纷，惊艳了漫长岁月。如今母亲已九十余岁，依旧坚持编织，这份热爱始终未曾褪色。
退休之后，我心生向往，想要承袭母亲的编织手艺，却不愿局限于传统的固有形式。我希望将美学意境、数学逻辑与独特创意相融，赋予编织全新的表达。
为此，我不断探索尝试，先后体验过戳戳乐、扭扭棒、折纸、衍纸等多种手工工艺，却始终没能契合心中的构想。直至偶然受到艺术家Ruth Asawa的创作启发，我最终选定金属丝作为创作载体，开启金属编织之路。
自此，埋藏在心底许久的艺术构想，终于落地生根，圆满绽放。
Hong Yan once dedicated herself deeply to teaching physics and information technology, and has now retired peacefully. Since childhood, she often watched her mother weave objects with colorful yarns — every stitch gentle, every piece vibrant, marking the long passage of time with beauty. Now in her nineties, her mother still persists in weaving, and this passion has never faded. After retirement, Hong Yan felt a longing to carry on her mother's weaving craft, yet she did not wish to be confined to traditional forms. She hoped to blend aesthetic sensibility, mathematical logic, and creative originality into a new expression of weaving. To this end, she continuously explored and experimented — trying punch needling, pipe cleaners, origami, quilling, and various other handicrafts — but none aligned with her vision. Then, inspired by the work of artist Ruth Asawa, she finally chose metal wire as her medium and embarked on the path of metal weaving. Since then, the artistic vision long buried in her heart has finally taken root, blossomed, and found its fulfillment.
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GEOMETRY GALLERY 几何画廊自2025年成立，运用几何从实物中抽象出的各种图形，打破原本建筑的模板性。用简单的立体构成来营造空间和立面，线与面、虚与实的几何组合，其构成的变化可带来无限灵感。挖掘和推广艺术观念的多样性与独特艺术语言的艺术家及当代艺术项目，致力于艺术本体为核心为艺术家、策展人、收藏家、艺术机构和艺术商业项目的发展搭建交流的平台。
Artists and contemporary art projects that explore and promote the diversity of artistic concepts and unique artistic language are committed to building a communication platform for the development of artists, curators, collectors, art institutions and art commercial projects with the art ontology as the core.
