第十一届影像上海艺术博览会（PHOTOFAIRS Shanghai）将于2026年5月7日至10日再度回归上海展览中心。本届盛会不仅是2026年上半年重量级的艺术交易与文化盛事，更将作为上海国际当代影像节（SICPF）的核心，通过联动全城近40家艺术机构，交织出一张连接艺术与城市生活的国际化视觉图景。
The 11th edition of PHOTOFAIRS Shanghai will return to the Shanghai Exhibition Center from May 7th to 10th, 2026.
As a heavyweight art industry and cultural event in the first half of 2026, it will serve as the core of the Shanghai International Contemporary Photography Festival (SICPF). By collaborating with nearly 40 art institutions across the city, it creates an international visual landscape connecting art with urban life.
本次艺术博览会汇聚了全球五十余家画廊与机构，呈现了一场在地实践与国际视野的交融对话，从经典摄影的隽永到实验影像的前卫，勾勒出当代视觉文化的形态，回应Z世代“数字原住民”以影像为母语的创作浪潮。
This edition brings together over fifty galleries and institutions worldwide, presenting a dialogue between local practice and global perspectives.
From the timelessness of classic photography to the avant-garde nature of experimental imagery, the fair outlines the morphology of contemporary visual culture, responding to the creative wave of Gen Z ‘digital natives’ who use imagery as their mother tongue.
罗伯特·梅普尔索普，《马蹄莲》（Calla Lilies）, 1983© Robert Mapplethorpe Foundation
Michel SIMA,PICASSO ANTIBES 1946, courtesy of Boogie Woogie Photography
画廊单元展现了海内外艺术大师与新生力量的交汇，呈现出极具活力的视觉叙事。在国际画廊阵营中，格莱斯顿画廊首度参展便带来了罗伯特·梅普尔索普（Robert Mapplethorpe）的个人项目，全面展示其标志性的人像、身体摄影及晚期静物风景。Boogie Woogie Photography则聚焦米歇尔·西玛（Michel Sima），这位毕加索的挚友以镜头捕捉了艺术巨匠日常中的真实瞬间。
The Gallery sector showcases an intersection of domestic and international masters alongside emerging forces. Among the international galleries, Gladstone Gallery participates for the first time with a solo project by Robert Mapplethorpe, featuring his iconic portraits, body photography, and late-period still lifes and landscapes. Boogie Woogie Photography focuses on Michel Sima, a close friend of Picasso, who captured authentic moments of some of the giants of art through his lens.
28毫米——一代人的肖像、博斯凯、凌空越步，法国蒙费梅伊，2014，2025. 彩色打印，迪邦板装裱，哑光有机玻璃，嵌入式黑色科托木框. 125 x 187 x 7 cm. ©JR. 图片提供：艺术家与贝浩登
森山大道，中平卓马，高梨丰，石内都，北井一夫，渡边眸，《The Provoke Generation Rebels in a Turbulent Time》，Editon75，2017。图片提供 艺术家授权&便利堂
贝浩登再度呈献法国艺术家JR的系列影像，展现公共艺术打破媒介边界并赋能社会变革的力量。便利堂则勾勒出一幅跨越时代的图景，从森山大道、中平卓马的Provoke世代经典，到索尔·莱特（Saul Leiter）的五十年代纽约影像，以及何藩、川内伦子等艺术家的限量珂罗版作品，皆在光影中流转。
Perrotin once again presents the work of French artist JR, demonstrating the power of public art to break medium boundaries and empower social change. Benrido offers a cross-era picture, featuring classics from the ‘Provoke’ generation like Daido Moriyama and Takuma Nakahira, New York imagery from the 1950s by Saul Leiter, and limited edition collotype works by artists such as Ho Fan and Rinko Kawauchi.
汪芜生，《黄山 W49》，明胶银盐，1984。图片提供 艺术家&三影堂+3画廊
本次展会，本土画廊与新兴力量同样表现亮眼。三影堂+3画廊汇集中、日、韩三国的八位艺术家作品，重点推出了汪芜生如泼墨山水般的黑白影像，以及荣荣&映里、张克纯、编号223、拉黑、具本昌、原久路等艺术家的精彩创作。
Local galleries and emerging forces are equally prominent. Three Shadows +3 Gallery features works by eight artists from China, Japan, and Korea, highlighting Wang Wusheng’s ink-wash-inspired landscapes, alongside creations by RongRong & inri, Zhang Kechun, No. 223, Lahei, Koo Bohnchang, and Hiroshi Hara.
成立于杭州的艺术机构寺背此次呈现张晓、高山、何博、谢桂香、杨一行、钱晋等29名中国摄影师的作品。
Sibei, an art institution founded in Hangzhou, presents the works of 29 Chinese photographers, including Zhang Xiao, Gao Shan, He Bo, Xie Guixiang, Yang Yihang, and Qian Jin.
加州伊凡帕太阳能发电系统
Ivanpah Solar Electric Generating System CA
C-print
111 x 146 cm
2017
体育课，石头岛，圣彼得堡
Physical Culture Lesson. Stone Island. St. Petersburg
收藏级康颂摄影纸上喷墨打印
Inkjet print on Canson Baryta Photographique
150 x 150 cm
2006
德玉堂以“空间·身体·时间”为线索，呈现奥利沃·巴尔比埃利（Olivo Barbieri）、维克·穆尼斯（Vik Muniz）、瓦莱里·卡苏巴（Valery Katsuba）、康迪达·赫弗（Candida Höfer）及周强对影像本体的学术探索。
Matthew Liu Fine Arts uses ‘Space, Body, and Time’ as a thread to present the academic explorations of photographic ontology by Olivo Barbieri, Vik Muniz, Valery Katsuba, Candida Höfer, and Zhou Qiang.
梁绍基《呼吸》
2017，灯箱、丝、X光片，44(H)x106x4cm，42x35cm (x 3 pieces)
赵洋《瞭望者 23ZA》
2023，纸上综合材料，水彩、老照片，24(H)x32cm
香格纳以“影外之像”为题，探讨梁绍基、唐艺窈、尹韵雅、张鼎、赵洋如何将影像转化为综合装置与空间表达。谢画廊携谢子龙、鹽、彭越洋，通过蓝晒书写与银箔大漆等媒介，回应生命哲学与历史沉思。
ShanghART, under the title Beyond the Images, explores how Liang Shaoji, Tang Yiyao, Yin Yunya, Zhang Ding, and Zhao Yang transform imagery into comprehensive installations and spatial expressions.
X Gallery brings Xie Zilong, Yan, and Peng Yueyang to respond to life philosophy and historical reflection through media such as silver-leaf lacquer, and cyanotype writing.
黎雨诗 Yushi LI
赛门和黛利拉 Samson and Delilah
2024
C-type print
Edition of 3 plus 2 AP
87 × 108 cm
Artox Group与伯年艺术空间则联袂呈现荒木经惟与黎雨诗的双个展，以不同维度的性别凝视探索爱欲与生死的永恒命题。
Artox Group and Bonian Space jointly present a co-present a dual exhibition of Japanese master Nobuyoshi Araki and the 90s-born Chinese female photographer Li Yu-shi, exploring the eternal themes of eros, life, and death through different dimensions of the gender gaze.
Tam Stockton, Fervor #1, 2024. Images courtesy of the artist and Project Wútopia
俞诵陶《瑶池》2025,古纸上的铂钯印相, 20x25cm
新兴画廊如Project Wútopia呈现了谭默·斯托克顿（Tam Stockton）、王宇琛、朱高灿月的干预性图像；HART画廊通过陈见非、曾翰、俞诵陶的作品开启摄影与地貌的对话；幻PHOTISM则聚焦欢岛、卫嵬等青年创作者对消费社会的叙事。
Emerging galleries such as Project Wútopia present interventionist images by Tam Stockton, Wang Yuchen, and Zhu Gaocanyue. HART Gallery initiates a dialogue between photography and landscape through the works of Chen Jianfei, Zeng Han, and Yu Songtao. and PHOTISM focuses on narratives of consumer society by young creators such as Huan Dao and Wei Wei.
陆元敏 《上海人》系列 90年代 图片提供 艺术家&睿品画廊 RUIPIN GALLERY
©许海峰，世纪之交的上海表情， 1996 图片提供 艺术家&睿品画廊
此外，睿品影像展示了陆元敏、顾铮、许海峰的珍贵力作，而安空间则呈现包伟锋（João Miguel Barros）、张兰坡、米塔尔·特尔齐奇（Mitar Terzic）与伊沃娜·陶（Ivona Tau）对身体与算法边界的深刻探索。
Furthermore, Ruipin Photography showcases the precious works of Lu Yuanmin, Gu Zheng, and Xu Haifeng, while Art On Space presents profound explorations of the boundaries between the body and algorithms by João Miguel Barros, Zhang Lanpo, Mitar Terzic and Ivona Tau.
Luis Casadevall, Playing after school - 2015
顾忠升，Air Plants No.1, 蓝晒法艺术纸本, Cyanotype on Art Paper,75x56 cm, 2024
特别设立的「SOLO」单元旨在支持年轻画廊与艺术家。西班牙摄影师路易斯·卡萨德瓦尔（Luis Casadevall）在《哈瓦那：灵魂犹在》中揭示了生命的韧性。顾忠升通过蓝晒与静物系列探讨图像生成的辩证法。
The specially established SOLO sector aims to support young galleries and artists. Spanish photographer Luis Casadevall reveals the resilience of life in Havana: We Still Have the Soul. Gu Zhongsheng explores the dialectics of image generation through cyanotype and still-life series.
王攀×王雨读， 合作作品《最好时光之鹰来了》，2026
盖少华，《云中坠》 （A stone falling from the sky）， 2024
段岳衡，《绒浪》，2025
硬照画廊的王攀以中画幅相机记录故土人文，西画廊的盖少华在大画幅中追寻“天人合一”的东方宇宙观，至画艺术的段岳衡以细腻灰阶构建空灵意境，而东来艺术的黎晨驰则将感知转化视为一种仪式。
Wang Pan from Hardjo Gallery records the humanity of his homeland with a medium-format camera. Gai Shaohua from West Gallery pursues the Eastern cosmology of ‘harmony between man and nature’ in large format; Duan Yueheng from Zhi Hua Art constructs an ethereal mood with delicate grayscale. Li Chenchi from DongLai Art treats the transformation of perception as a ritual.
©Sølve Sundsbø，《HANATABA》。图片提供 | 艺术家&适马基金会
SIGMA FOUNDATION携手索尔维·松兹伯（Sølve Sundsbø）的《HANATABA》与朱莉娅·赫塔（Julia Hetta）的《SONGEN》开启其启幕项目，并引入伯纳德·福孔（Bernard Faucon）发起的青年项目，由西奥·德洛尔（Théo Delors）回应影像的见证本质。
SIGMA FOUNDATION joins hands with Sølve Sundsbø’s HANATABA and Julia Hetta’s SONGEN to launch its inaugural project, and introduces a youth project initiated by Bernard Faucon, with Théo Delors responding to the witnessing nature of imagery.
Bernd & Hilla Becher，《Water Tower》, Saint-Pol-sur-Ternoise, F.2012。图片提供 艺术家&Sprüth Magers
本届「洞见映像」版块聚焦“杜塞尔多夫摄影学派”，呈现该学派的美学理念与观念革新，尤其关注其在中国当代语境中的持续影响，特邀策展人瓦莱丽亚·利伯曼（Valeria Liebermann），推出art <=> photography专题展览，深度聚焦杜塞尔多夫摄影学派五十年的延续与转化。贝恩德·贝歇与希拉·贝歇（Bernd & Hilla Becher）将摄影视为一种自主的艺术形式，其教学体系推动摄影从纪实与新闻传统转向更具观念性的表达，深刻影响了当代摄影的发展，本次贝歇夫妇作品《Water Tower》重磅展出，作为起点，展会也同步呈献安德烈亚斯·古尔斯基（Andreas Gursky）、康迪达·赫弗（Candida Höfer）、托马斯·鲁夫（Thomas Ruff）三位先驱的独特体系，更囊括了塞巴斯蒂安·里默（Sebastian Riemer）、约根·斯塔克（Juergen Staack）、赫达·罗曼（Hedda Roman）、亚历克斯·格雷因（Alex Grein）等新一代艺术家的探索。与此同时，杨迪、史阳琨、高郁韬、刘诗园四位中国艺术家的作品参与其中，在跨文化的语境中激发出关于真实性与审美标准的深刻辩论。
This edition of Insights Spotlights section focuses on the Düsseldorf School, presenting the school’s aesthetic concepts and conceptual innovations, with a particular focus on its sustained influence in the Chinese contemporary context. Special guest curator Valeria Liebermann presents the "art <=> photography" thematic exhibition, deeply focusing on 50 years of the Düsseldorf School’s continuation and transformation.
Bernd & Hilla Becher viewed photography as an autonomous art form, and their teaching system pushed photography from documentary and journalistic traditions toward more conceptual expression, profoundly influencing the development of contemporary photography. The Bechers' work "Water Tower" is heavily featured as a starting point.
The fair also simultaneously presents the unique systems of three pioneers—Andreas Gursky, Candida Höfer, and Thomas Ruff and includes explorations by new-generation artists such as Sebastian Riemer, Juergen Staack, Hedda Roman, and Alex Grein.
Meanwhile, works by four Chinese artists, Yang Di, Shi Yangkun, Gao Yutao, and Liu Shiyuan, participate, sparking profound debates on authenticity and aesthetic standards in a cross-cultural context.
胡为一，《侵蚀--阴阳》（Erosion - Yin-Yang）,2025.jpg
徐婷，《百叶窗的缝隙》，2019.jpg
在「异视同声」单元，画廊围绕特定关键词，以影像装置与其他艺术媒介的多样链接构建视觉叙事，呈现当代文化中的多元共振。当代文化的多重共振通过影像装置得以显现。胡为一在《侵蚀》系列中利用胃酸改造胶卷，由安空间呈现的何鹤洲，以“身体构建”为方法，在光影与色块中重组身体与城市肌理，探索记忆、欲望与身份。De Se带来罗曦的系列创作，以物理强子对撞实验为引，开启人们对“存在”的认知与边界思考；另一位由De Se呈现的艺术家徐婷，则从日常摄影出发，透过抽象化的影像语言，转化观看经验。
In the Perspective sector, galleries build visual narratives around specific keywords through diverse links between image installations and other art media, presenting multi-dimensional resonance in contemporary culture.
Multi-layered resonance of contemporary culture is manifested through image installations. Hu Weiyi uses gastric acid to unpredictably transform nature-themed film. He Hezhou, presented by Art On Space, uses body construction as a method to reorganize body and urban textures in light, shadow, and color blocks, exploring memory, desire, and identity.
De Se brings a series of creations by Luo Xi, using physical hadron collider experiments as an introduction to open up people's cognition and boundary thinking about existence. Another artist presented by De Se, Xu Ting, starts from daily photography and transforms viewing experiences through abstract visual language.
麦宇田，《鱼骨的幸运》， 2024.jpg
Mustafa Boğa 穆斯塔法·博伽，《橙树 20》Orange Tree 20 , 2025
麦宇田与王钰淇在None Project C14 Gallery的呈现中探讨视觉哲学与卦象编码，穆斯塔法·博迦（Mustafa Boğa）的刺绣影像则在帕洛玛艺术基金会的支持下，探讨个人史与集体记忆的重构。
Mai Yutian and Wang Yuqi explore and work Why We Set It This Way uses hexagrams as a coding mechanism at None Project C14 Gallery, while Mustafa Boğa’s embroidered imagery, supported by the Paloma Arts, explores the reconstruction of personal history and collective memory.
王蓬 Wang Peng，《'84行为艺术》（'84 Performance），1984.jpg
苍鑫，《身份互换系列-教授》，2002-2006
新塔娜，《看不见的城市01》，彩色有声视频，6'12''，内蒙古正镶蓝旗元上都遗址，2023
笹本晃，《精细洗涤周期》（Delicate Cycle），2017
全新版块「在场之间」则聚焦行为艺术的记录价值：星空间呈现王蓬1984年的里程碑作品《84’行为艺术》，安空间展示苍鑫的《身份互换》，None Project C14 Gallery带来莫毅的街头先锋实验，千高原艺术空间呈现新塔娜回归自然的游走记录，沈绮颖则通过双频道影像《山之隐》回溯家族记忆。此外，笹本晃的《精细洗涤周期》与肯尼斯·谭的《床上早餐》分别从日常劳动与男性社交出发，将身体行动转化为深刻的隐喻机制。
The brand-new Performance section focuses on the documentary value of performance art: Star Gallery presents Wang Peng’s 1984 landmark work 84’ Performance Art. Art On Space displays Cang Xin’s Identity Exchange.
None Project C14 Gallery brings Mo Yi’s street avant-garde experiments. A Thousand Plateaus Art Space presents Xin Tana’s records of wandering back to nature. Independent artist Sim Chi Yin retraces family memory through the two-channel video The Mountain of Hidding.
Additionally, Aki Sasamoto’s Delicate Washing Cycle and Kenneth Tam’s Breakfast in Bed start from daily labor and male socialization respectively, transforming physical actions into profound metaphoric mechanisms.
©Ilanit Illouz, 《Untitled》, 2025。图片提供 | MEP&艺术家
「共创广角」版块则进一步拓展了公共文化边界。欧洲摄影之家呈现伊拉尼特·伊卢兹（Ilanit Illouz）的历史空间研究，项目纳入了“中法文化之春”。DECK Photography Art Centre带来了陈彬彬（Tan Pin Pin）与史阳琨的跨时空对话。
The SPECTURM sector further expands public cultural boundaries. Maison Européenne de la Photographie (MEP) presents Ilanit Illouz’s research on historical space, a project included in the 2026 Festival Croisements. DECK Photography Art Centre brings a cross-temporal dialogue between Tan Pin Pin and Shi Yangkun.
边云翔，《内陆》，2023，电脑生成动画，5分18秒，静帧
博览会持续致力于构建开放的交流平台，通过“影像上海赞助人俱乐部”与《DAZED中文版》共同支持青年艺术家刘树伟，探索影像作为触觉存在的叙事潜力。数字艺术平台Meta Eye与史莱姆引擎联合推出的“愚人”展览，通过边云翔、董冰清、方阳和华闪的作品探讨理性文明的驯化与反噬。
The fair continues its commitment to building an open exchange platform, jointly supporting young artist Liu Shuwei through the PHOTOFAIRS Shanghai Patrons Club and DAZED China to explore the narrative potential of imagery as a tactile existence.
The digital art platform Meta Eye and Slime Engine jointly launch The Fool, exploring the domestication and backlash of rational civilization through the works of Bian Yunxiang, Dong Bingqing, Fang Yang, and Hua Shan.
王兵 月食(Lunar Eclipse Year)2021
孙瑞祥在现场带来的“卡罗法”摄影沙龙，则让观众在传统大画幅底片中体验光影魅力。由渣打银行呈现的「对话」版块邀请了包括邵忠、靳宏伟、焦景佳等藏家委员会成员，就行业动态展开深度探讨。亚洲数字艺术周展示了数字语言对感知的重塑，而“银盐的魅力”则展出了王兵的巨幅作品《月食》。斯沃琪和平饭店艺术中心呈现刘呈祥对都市时间的构建，Fotografiska则带来薇薇安·迈尔（Vivian Maier）的《未见之作》，塞万提斯学院展示了哈维尔·列拉（Javier Riera）的大地艺术干预。博览会还联动兴业太古汇举办杰夫（Jeffrey Wu）野生动物摄影展，以“绮境乐园”定格自然生灵之美。
Sun Ruixiang’s Calotype photography salon on-site allows the audience to experience the charm of light and shadow in traditional large-format negatives. The Conversations sector, presented by Standard Chartered, invites members of the Collector's Committee, including Shao Zhong, Jin Hongwei, and Jiao Jingjia, to conduct in-depth discussions on industry trends.
Digital Art Week Asia demonstrates the reshaping of perception by digital language, while The Charm of Silver Gelatin exhibits Wang Bing’s massive work Lunar Eclipse. Swatch Art Peace Hotel presents Liu Chengxiang’s Traces of Night and its construction of urban time.
Fotografiska Shanghai brings Vivian Maier’s Unseen Work, and the Instituto Cervantes de Shanghái displays Javier Riera’s land art interventions. The fair also collaborates with HKRI Taikoo Hui to hold Jeffrey Wu’s wildlife photography exhibition, capturing the beauty of natural creatures in Wonderland.
伴随这份影像艺术漫游地图的开启，一场艺术盛宴将从展览中心延展至申城的各个角落，在五月的春光中，共同期待这场全球视角的影像狂欢的呈现。
With the opening of this map of the world of photography, an incredible celebration of the art form will extend from the Shanghai Exhibition Center to every corner of city. In the spring light of May, let us jointly look forward to the presentation of global-perspective imagery and inspiration.
时间：2026年5月7日至10日
Date: May 7th–10th, 2026
地点：上海展览中心
Location: Shanghai Exhibition Center
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