《墟 · 相——樊杰颖个展》
RUINS · FORMS —— Fan Jieying's Exhibition
展览顾问：刘进安
Exhibition Consultant:Liu Jin'an
策展人：孙磊
Curator：Sun Lei
学术主持：孙飞
Academic Support：Sun Fei
主办单位：首都师范大学现代水墨研究所、桥艺术空间
Organizer:Modern Ink Research Institute of Capital Normal University\Art Bridge Gallery
承办单位：天津现代美术馆
Co-organizer: Tianjin Modern Art Museum
学术支持：研山会
Academic Support: Yanshan Society
展览时间：2026年4月30日——2026年5月24日
Exhibition Date:Apr.30,2026 - May.24,2026
展览地址：北京798艺术区D09-1 桥艺术空间
Venue: D09-1 Art Bridge Gallery,798 Art Zone,Beijing
媒体支持：艺术中国/在艺/Hi 艺术/艺厘米/腾讯新闻/今日头条/文化视界
Media：art.china.cn/zai-art.com/hiart.cn/artcm.cn/qq.com /toutiao.com/culturechina.cn
[ 无相·墟 ]
樊杰颖的精神史
文/孙飞
樊杰颖的绘画，是在一片幽深的墨域之中向我们徐徐展开的。那近乎令人窒息的大面积黑墨，如暗夜般笼罩，将喧嚣的表象尽数压制，仅余一线或一丝的白光，成为沉默中的代言。这种视觉冲击力超出了一般的审美范畴，迫使观者重新审视绘画的本源。
▲《虚相系列-1》
布面丙烯
20cm×30cm
2026
我所关注的，并非是其作品表面的形式张力，而是隐藏在那厚重墨色背后的精神诉求，一个关于“无相”与“墟”的当代寓言。
▲《虚相系列-11》
布面丙烯
100cm×100cm
2026
何谓“无相”？《金刚经》有言：“凡所有相，皆是虚妄。”樊杰颖的笔墨语言恰恰具有这种特质。作品也超越了传统水墨的“意象”美学，进入了某种“自出胸臆”的自由之境。这种“无相”，既是他对物象的解构，也是他直面生命本真的方式。他的作品以表现主义的语言方式书写；以个体经验的思考从社会学角度切入，从而将观者拉入艺术家的情绪之中，在阴影处找寻生命的痕迹。
▲《虚相系列-15》
布面丙烯
60cm×80cm
2026
而“墟”则是樊杰颖精神的栖息之所。借用石窟壁画场景的再创造，作品重新营造出一种带有神秘感与张力的表现空间，把一个时代的景观与现代语境凛冽地推至观者面前，让人在复杂与单纯、表象与本质之间反复追问。这种“墟”，既是实存的空间，也是一种心理的场域，更是一种精神的沉积。
▲《虚相系列-13》
布面丙烯
100cm×100cm
2026
樊杰颖的创作呈现的是当下时代的节奏与精神状态。艺术家以一位当代知识分子的文化担当，一种近乎殉道者的姿态，与这个喧嚣的时代保持着清醒的距离，从而为当代水墨艺术拓展出一条迥异于前人的道路。
▲《虚相系列-14》
布面丙烯
40cm×50cm
2026
“墟·相”不仅是一次绘画的展示，更是一次精神的考古。透过那片沉雄的墨色，我们得以窥见一位当代水墨艺术家在精神废墟上的坚守与重建。这正是樊杰颖给予我们最为珍贵的启示。
▲《虚相系列-10》
布面丙烯
100cm×100cm
2026
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Ruins · Forms
— Fan Jieying Solo Exhibition
Text by Sun Fei
Fan Jieying’s paintings unfold gently before us in a deep, somber realm of ink. The vast, almost suffocating black ink shrouds the work like nightfall, subduing all noisy appearances, leaving only a thread or flicker of white light to speak for silence. Its visual impact goes far beyond ordinary aesthetic experience, compelling viewers to rethink the very essence of painting.
What interests me is not the formal tension on the surface, but the spiritual pursuit hidden beneath those heavy layers of ink—a contemporary allegory of “formlessness” and “ruins.”
What is formlessness? As the Diamond Sutra teaches: “All forms are illusory.” Such is precisely the nature of Fan Jieying’s brushwork. His works transcend the “imagistic” aesthetics of traditional ink painting, entering a free realm of unforced, personal expression. This formlessness is both his deconstruction of appearances and his way of confronting the truth of life directly.He paints in an expressive language, drawing from personal experience and engaging sociological perspectives, drawing viewers into his emotional world to search for traces of life within shadow.
“Ruins,” meanwhile, are where Fan Jieying’s spirit resides. Reinterpreting scenes from grotto murals, his works reconstruct an expressive space charged with mystery and tension, laying bare the landscape of an age against a sharp modern context, prompting constant reflection between complexity and simplicity, surface and essence. This “ruin” is at once a physical space, a psychological field, and a sediment of the spirit.
Fan Jieying’s creations capture the rhythm and spiritual condition of our time. As a contemporary intellectual bearing cultural responsibility, he maintains a sober distance from this noisy world in an almost martyr-like stance, opening up a new path for contemporary ink art unlike any before.
“Ruins · Forms” is more than an exhibition of paintings; it is an act of spiritual archaeology. Through his solemn, powerful ink, we witness a contemporary ink painter’s persistence and reconstruction upon spiritual ruins. This is Fan Jieying’s most precious revelation to us.
关于艺术家
About Artist
樊杰颖
[ Fan Jeiying ]
1971年生于河北怀安，
2006年毕业于首都师范大学美术学院研究生班。
现为天津画院专职画家，中国美术家协会会员，国家艺术基金评审专家，天津美术家协会理事，文化部青联美术委员会委员，首都师范大学现代水墨研究所研究员。
关于策展人
About Curator
孙磊
[ Sun Lei ]
诗人，艺术家，策展人
曾任教于中央美术学院实验艺术学院、山东艺术学院美术学院。两届中国美术家协会实验艺术委员会委员。曾任山东美协实验艺术委员会主任。中国艺术研究院工笔画院特聘研究员。
正在展出
