▲陈秋林，溺，录像，13'30"，2021，Ed.3+2AP，肢体实验表演：郑媛芫，声音行为艺术家：陈弘礼 ©艺术家及千高原艺术空间
Chen Qiulin, Drown, Video, 13’30”, 2021, Ed.3+2AP, Body experiment artist: Zheng Yuanyuan, Sound performance artist: Chen Hongli © Courtesy of the Artist and A Thousand Plateaus Art Space
《溺》& 《溺-现场》｜录像｜2021
Drown & Drown-Live, Video, 2021
艺术家：陈秋林
Artist: Chen Qiulin
房间号：1322
Room 1322
仅限受邀贵宾预览 |Invitation Only
地址 |Venue
千高原艺术空间荣幸受邀参加2026 Loop Plus。我们将于4月23日-26日在釜山大祚酒店呈现艺术家陈秋林的代表作《溺》以及《溺-现场》，展览房间号：1322。
A Thousand Plateaus Art Space is honored to participate in Loop Plus 2026. From April 23 to 26, at the Grand Josun Busan Hotel, we will present Chen Qiulin’s representative works Drowning and Drowning – Live. Exhibition room 1322.
▲陈秋林，溺（截帧） ©艺术家及千高原艺术空间
Chen Qiulin, Drown Video still © Courtesy of the Artist and A Thousand Plateaus Art Space
《溺》（2021）是陈秋林因应新冠疫情以来的集体情绪激化而实施的系列表演。她选择豆腐这个她已经使用近20年的媒介作为表演的道具，并通过与舞蹈艺术家郑媛芫和声音艺术家陈弘礼合作，首次尝试一种集体性创作，甚至将作品重心让渡给后者。
▲陈秋林，溺（截帧） ©艺术家及千高原艺术空间
Chen Qiulin, Drown Video still © Courtesy of the Artist and A Thousand Plateaus Art Space
豆腐的寓意自不待言，和在此前陈秋林所有相关作品中一样，它是日常生活过中我们再熟悉不过的一种食材，除此，民间常说的“吃豆腐”也赋予它某种性别（批判）的意涵。不过，陈秋林看重的并不是这些，吸引她的还是豆腐的物质属性和感官特征。它脆弱、敏感，它易腐，有气味，它包容，可衍生不同变体，等等，艺术家敏锐地捕捉到了这些特征，并诱使她将其作为艺术素材。不同的是，如果说此前更多是一种概念性的实践（如《百家姓》中的“反纪念碑性”与“反种姓秩序”），在此次新作中，观念退居其次，她更看重的是豆腐这一材质本身的黏性、韧度及其过剩所暗藏的日常暴力，就像被彻底激化的情绪，同样会吞噬我们。
▲陈秋林，溺（截帧） ©艺术家及千高原艺术空间
Chen Qiulin, Drown Video still © Courtesy of the Artist and A Thousand Plateaus Art Space
陈秋林布置好以豆腐及其模具为主的道具，并简要陈述了自己的想法后，现场的表演任由舞者郑媛芫和声音艺术家陈弘礼发挥。它们之间——无论是身体与豆腐之间，还是声音与舞蹈之间——或冲撞，或粘滞，或交融……在这个简陋的临时舞台，原本脆弱的豆腐混合着“失调”的声响，仿佛弱水绕之，表演者在此展现的与其说是一首身体与感知之诗，不如说是一场悲壮的缠斗。结果，这些都不在陈秋林的意料之中，作为观众，她同样被两位参与艺术家的表演所淹没。
▲陈秋林，溺– 现场，798 Art Center，录像，14’49”，2021，Ed.3+2AP，肢体实验表演：郑媛芫，声音行为艺术家：陈弘礼 ©艺术家及千高原艺术空间
Chen Qiulin, Drown – live, 798 Art Center, Video, 14’49”, 2021, Ed.3+2AP, Body experiment artist: Zheng Yuanyuan, Sound performance artist: Chen Hongli © Courtesy of the Artist and A Thousand Plateaus Art Space
The work, "Drown" (2021), is a series of performance works by Chen Qiulin in response to the intensification of collective emotion since COVID-19. She chose tofu, a medium she has used for nearly 20 years, as the performance prop. Through cooperation with dance artist Zheng Yuanyuan and sound artist Chen Hongli, she tried a collective creation for the first time, and even transferred the focus of her work to the co-creator.
▲陈秋林，溺– 现场，798 Art Center（截帧）©艺术家及千高原艺术空间
Chen Qiulin, Drown – live, 798 Art Center Video still © Courtesy of the Artist and A Thousand Plateaus Art Space
▲陈秋林，溺– 现场，798 Art Center（截帧）©艺术家及千高原艺术空间
Chen Qiulin, Drown – live, 798 Art Center Video still © Courtesy of the Artist and A Thousand Plateaus Art Space
After Chen Qiulin setup the props based on tofu and its mold and briefly stated her ideas, the live performance was brought to be played by dancer Zheng Yuanyuan and sound artist Chen Hongli. Between them - whether between the body and tofu, or between the sound and dance - there is collision, stickiness and blending... In this humble temporary stage, the originally fragile tofu is mixed with "maladjusted" sound, as if surrounded by dangerousunpredictablewater(Ruo Shui). What the performer shows here is not so much a poem of body and perception as a tragic struggle. As a result, these were not expected by Chen Qiulin, she was also submerged by the performances of the two participating artists as an audience.
关于艺术家
陈秋林
Chen Qiulin
陈秋林（1975年生于湖北省宜昌市，现工作生活于成都）2000年毕业于四川美术学院版画系。她的作品涵盖录像、摄影、装置和雕塑在内的各种媒介，创作始终处于一种不断发展和推进的状态中，在频繁论述的问题中引入全新的观点和视角，对于社会问题拥有独特的敏感度。
陈秋林获得的奖项包括：第一届蒙彼利埃中国当代艺术双年展最佳新人奖（2005）、ACC（纽约亚洲文化协会）奖助金中国受奖人（2006）、JP摩根世界女性论坛首届亚洲大会新星提名 （First Asian World Women Forum Rising Talents Programme Nominee）（2008）、第四届AAC艺术中国年度影响力2009年度青年艺术家提名奖（2010）、“改造历史”学术大奖提名奖（2010）、Loop Award of Loop Art Fair（巴塞罗那）（2017）。
陈秋林参加的重要展览包括：“墙：中国当代艺术二十年展”、THIS IS NOT FOR YOU: Sculptural Discourses，T-BA21 Collection收藏展、第七届光州双年展（The 7th Gwangju Biennale）、第6届亚太当代艺术三年展（APT6，Australia）、中国电站Ⅱ、Ⅲ、Ⅳ（China Power Station Part II,Ⅲ,Ⅳ）、The Land Between Us（The Whitworth Art Gallery, Manchester, England）、中国当代艺术三十年之中国影像艺术（民生美术馆，上海，中国）、第三届乌拉尔当代艺术工业双年展（3rd Ural Industrial Biennial of Contemporary Art, Yekaterinburg, Russia）等一系列国际国内重要展览，并在美国翰墨博物馆（Hammer Museum, Los Angeles）、Max Protetch Gallery、长征空间、千高原艺术空间、伊莱和伊迪特·布罗德美术馆（Eli and Edythe Broad Art Museum）、檀香山艺术博物馆（Honolulu Museum of Art, Hawaii）、成都A4美术馆举办了多场卓有影响的个展。
她的作品被桑德拉-吉尔曼与切尔索-冈萨雷斯-法拉收藏（纽约），阿斯楚普费恩利现代艺术博物馆（奥斯陆），丹佛美术馆（丹佛），洛根收藏（丹佛），T-BA21 (提森-博纳米萨当代艺术基金会)（维也纳），哈默博物馆（洛杉矶），博恩基金会（纽约），伍斯特艺术博物馆（伍斯特，美国），昆士兰美术馆 | 现代艺术画廊（OAGOMA）（昆士兰，澳大利亚），DSL收藏（巴黎），今日美术馆（北京），中央美术学院美术馆（北京），A4美术馆（成都），清华大学艺术博物馆（北京），四川美术学院美术馆（重庆），加拿大皇家银行（蒙特利尔，加拿大），釜山美术馆（釜山、韩国）等众多美术馆和私人收藏家所收藏。
Chen Qiulin (born in Yichang, Hubei Province in 1975, now working and living in Chengdu) graduated from the Printmaking Department of Sichuan Fine Arts Institute in 2000. Her works manifest in various mediums including video, photography, installation and sculpture. Her creation process is constantly in the state of continuous development and progress. With a unique sensitivity, Qiulin keeps introducing new viewpoints and perspectives into frequently discussed social issues.
Chen Qiulin's awards include: The Best New Artist Award of the first Montpellier Chinese Contemporary Art Biennale (2005), the recipient of ACC (Asian Cultural Council in New York) grant at China (2006), the First Asian World Women Forum Rising Talents Programme Nominee (2008), The Fourth Annual AAC Award for the Most Influential Participants of Chinese Art 2009 - the Annual Young Artist Nominee (2010), Reshaping History Academic Award Nominee (2010), Loop
Award of Loop Art Fair (Barcelona) (2017).
Important exhibitions Chen Qiulin participated in include: “The Wall: Reshaping Contemporary Chinese Art", THIS IS NOT FOR YOU: Sculptural Discourses, T-BA21 Collection exhibition, the 7th Gwangju Biennale, the 6th Asia Pacific Contemporary Art Triennial (APT6, Australia), China Power Station Part Ⅱ,Ⅲ,Ⅳ, The Land Between Us (The Whitworth Art Gallery, Manchester, England), Moving Image in China: 1988 - 2011 (Minsheng Art Museum, Shanghai, China), the 3rd Ural Industrial Biennial of Contemporary Art (Yekaterinburg, Russia) and a series of important international and domestic exhibitions. Chen Qiulin’s several influential solo exhibitions were held in Hammer Museum (Los Angeles), Max Protetch Gallery, Long March Space, A Thousand Plateaus Art Space, Eli and Edythe Broad Art Museum, Honolulu Museum of Art (Hawaii) and A4 Art Museum (Chengdu).
Her works were collected by The Sondra Gilman and Celso Gonzalez-Falla Collections (New York), Astrup Fearnley Museum (Oslo), Denver Art Museum (Denver, USA), Logan Collection (Denver, USA), T-BA21, Thyssen-Bornemisza Art Contemporary (Vienna, Austria), Hammer Museum (Los Angeles), The Bohen Foundation (New York), Worcester Art Museum (Worcester, USA), Queensland Art Gallery/Gallery of Modern Art (Queensland, Australia), DSL Collection (Paris), Today Art Museum (Beijing), CAFA Art Museum (Beijing), A4 Art Museum (Chengdu, China), Tsinghua University Art
Museum (Beijing), Art Museum of Sichuan Fine Arts Institute (Chongqing, China), Royal Bank of Canada (Montreal, Canada), Busan Museum of Art (Busan, Korea) and many other art galleries and private collectors.
正在展出
展览日期：2025/12/27 -2026/04/26
出品：千高原艺术空间
艺术家：陈萧伊
海报设计：音和/ P for Pinecone
展览支持：东来艺术千高原艺术空间 | A Thousand Plateaus Art Space
A Thousand Plateaus Art Space was founded in 2007 in Chengdu, China. It is a professional gallery committing to presenting and promoting China’s contemporary art. Equipped with exhibition halls for artworks and collections and a screening room for videos and discussions, it focuses on researching, presenting and promoting outstanding works and experimental projects of China’s contemporary art and culture by carrying out domestic and international projects.
A Thousand Plateaus Art Space devotes itself to presenting works by emerging artists who have outstanding talent and merit, and to discovering and promoting new creative artists. To date, it has represented and cooperated with over 30 artists of all ages. Using exhibitions, art fairs, academic discussions, publications and so forth, it is dedicated to establishing the communication channels between artists and the society, institutions and collectors. The gallery also organizes artwork sales, tailored art projects, collection management consultings, art education projects and curatings.
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