高台当代艺术中心荣幸宣布，将呈现艺术家阿里木江·阿地里的个人展览《夜》。展览将集中呈现艺术家近年来创作的绘画作品，并以“夜”作为进入其绘画世界的线索，展开他对街市景观、日常生活与当代视觉经验的观察。
艺术家/Artist：
阿里木江·阿地里 Alimjan Adil
展览时间/Exhibition Date：
2026年4月24日-6月30日
红布，The Red Cloth
布面油画 Oil on Canvas，160×85cm，2025
阿里木江·阿地里（b.1997，新疆）长期以自身所处的生活现场为出发点，并由此发展出一种兼具写实结构、装饰密度与强烈感官性的绘画语言。在他的作品中，店铺、摊位、服装、首饰与人物反复出现，共同构成了他所描绘的日常景象。无论是被灯光照亮的橱窗与摊位，还是舞动、交谈、并肩而立的人物，阿里木江所关注的始终都是日常生活中那些鲜明、热烈而又松弛的时刻。
丝路时光，Silk Road Moment
布面油画Oil on Canvas，130×110cm，2026
展览中的作品呈现出一种可被概括为“巴扎美学”的视觉逻辑。巴扎在这里不只是商业空间，也是一种至今仍作用于日常生活的感知方式：摆满、码齐、亮灯；丰盛通过密度得以显现，体面则借由色彩、光泽与秩序被不断塑造。这样的视觉逻辑同样贯穿于艺术家对人物穿着、物件陈列与街头空间的组织之中：首饰店里成排列起的颈模与金饰、夜色中被灯光照亮的服装店橱窗、摊位上整齐铺开的石榴与覆布，都在画面中构成了一种由密度、秩序与光亮共同生成的视觉经验。
古城餐厅，Ancient City Restaurant
布面油画，200×100cm，2025
这种视觉经验进一步渗透进入阿里木江的绘画语言中：高明度的颜色彼此映照，轻快的笔触与鲜亮的用色将物的质地、温度与触感保留在画面中。石榴的深红、丝绒的紫红、指甲油的亮粉，金饰店中的赤金、皮肤上的暖金与花纹边饰的哑金，在相互映照中不断抬升画面的亮度，让作品呈现出一种由内而外的发光质感。
吃石榴的女人，Woman Eating a Pomegranate
布面油画，90×60cm，2025
对阿里木江而言，绘画首先是对当下感受的直接回应。他所接收的世界，不只经由眼睛，更经由身体：铜盘的灼热、石榴籽的多汁、花布经日晒后的余温、金属首饰在灯下泛出的微烫反光，都在画布上化为比现实更饱满、更炽烈的色彩与温度。他的画面因此并不停留于对日常生活的再现，而是将这些感受转化为超出肉眼所见的色彩、笔触与光亮——在画布上构成一种可以被直接感受的、与生活等量的真实。《夜》由此所呈现的，是一个仍在发光、流动并被愉快享受着的世界。
展览将于4月24日开幕，持续至6月30日，欢迎朋友们前来观展。
关于艺术家 About Artist
阿里木江·阿地里 Alimjan Adil
1997年出生于新疆，毕业于中央美术学院油画系第二工作室，现生活和工作于乌鲁木齐。
他的创作长期围绕新疆的日常生活与人文景观展开，在写实绘画的基础上融入鲜明的装饰性因素，逐渐发展出具有个人辨识度的绘画语言。阿里木江关注民俗传统与当代生活之间交织而成的视觉经验，擅长从日常人物、街头场景与城市空间中提取细节，并通过构图、色彩与材质的组织，建构出富有节奏感的画面。其作品中常见源自新疆传统装饰艺术的几何纹样，在保留地域视觉特征的同时，也展现出对当代绘画语言的持续探索。
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厨师，Chef
布面油画，80×100cm，2025
Gaotai Gallery is pleased to present Night, a solo exhibition by artist Alimjan Adil. The exhibition brings together a selection of the artist’s recent paintings, using “night” as a point of entry into his pictorial world and unfolding his observations of everyday life, and contemporary visual experience.
闺蜜，Bestie
布面油画，60×40cm，2024
The works in the exhibition reveal a pattern logic that may be described as “bazaar aesthetics.” Here, the bazaar is not merely a commercial space, but also a mode of perception that continues to shape everyday life: things are densely arranged, carefully ordered, and brightly lit; abundance emerges through density, while dignity is constructed through color and luminosity. This pattern also permeates the organization of fashion, objects, and urban space: rows of necklace displays and gold accessories in jewelry shops, clothing store windows illuminated against the night, and neatly arranged pomegranates spread across market stalls with cloth coverings all come together in his paintings to form a naturally juxtaposed everyday landscape.
楼梯旁卖水果的人，The Fruit Seller by the Stairs
布面油画，80×100cm，2025
This visual logic further permeates Arimjan's painterly language: high-keyed colors reflect and amplify one another, while loose, lively brushwork and vivid pigment preserve the texture, warmth, and tactility of things. The deep red of pomegranates, the burgundy of velvet, the bright pink of nail polish; the pure gold of jewelry stores, the warm gold on skin, the matte gold of embroidered trim — layered against each other, these colors continually heighten the luminosity of the picture surface, giving the work a quality that seems to glow from within.
彩灯热舞 Dance Under Colored Lights
布面油画，120×160cm，2025
For Arimjan Adil, painting is above all a direct response to immediate sensation. The world he receives comes not only through the eyes, but through the body: the scorching heat of a copper plate, the juiciness of pomegranate seeds, the warmth lingering in sun-dried fabric, the faint burning glow of metal jewelry under lamplight — all of it translated onto canvas as color and temperature more vivid, more intense than reality itself. His paintings therefore do not rest at representation; rather, they transform these sensations into color, brushwork, and light that exceed what the eye alone can perceive — constituting on the canvas a reality that can be felt directly, one that is equal in weight to life itself. What Night presents, then, is a world still luminous, still flowing, and still being joyfully lived.
The exhibition opens on April 24 and runs through June 30, and we warmly welcome you to visit Alimjan's brilliant works in Gaotai.
About Artist
Born in 1997 in Xinjiang, Alimjan Adil graduated from the Second Studio of the Oil Painting Department at the Central Academy of Fine Arts, and currently lives and works in Urumqi.
His practice centers on the everyday life and landscape of Xinjiang. Rooted in realist painting while incorporating a strong ornamental sensibility, his work has developed into a highly distinctive visual language. Alimjan is particularly attentive to the visual experience produced through the intersection of folk traditions and contemporary life. Drawing on details from people, street scenes, and urban spaces, he constructs rhythmically charged compositions through color, materiality, and pictorial structure. Geometric motifs derived from Xinjiang’s traditional decorative arts often appear in his paintings, preserving a strong regional visual character while also reflecting an ongoing engagement with contemporary painting language.
