展览回顾|音舞华裳——李克瑜捐赠设计文献展

 音舞华裳——李克瑜捐赠设计文献展 

The Origins of Dance Costumes in New China——Li Keyu Exhibition of Donated Works and Archives

展览时间｜2026年1月31日-2026年3月22日

Exhibition Dates：January 31, 2026-March 12, 2026

展览地点｜中国美术学院中国国际设计博物馆三楼7/8号展厅

Exhibition Venue: Exhibition Halls 7/8, 3rd Floor, China Design Museum, China Academy of Art

2025年1月30日至2026年3月22日，“‘音舞华裳’：李克瑜捐赠设计文献展”在中国美术学院中国国际设计博物馆展出。此次展览是基于舞蹈服装设计家、画家李克瑜教授及其家属的慷慨捐赠而隆重推出的艺术盛会，由中国美术学院中国国际设计博物馆主办，国际设计文献中心承办。展览吸引了众多艺术设计领域的专业人士、青年学生及广大观众前来观摩，为人们呈现了一场融汇线条韵律与舞台美学的视觉盛宴。作为对李克瑜艺术生涯的大型回顾，展览通过珍贵的速写手稿、服装设计图与舞剧影像，生动呈现了从笔墨舞韵到完整舞衣的创作全过程，展现了一位新中国服装设计事业的开拓者在舞蹈服装与视觉文化交界地带的毕生求索。

本次展览由中国美术学院中国国际设计博物馆策展团队精心策划，展览面积超1000平方米，共展出捐赠手稿、文献及相关实物300余件，其中多数为首次公开亮相。展览以“从线条到舞衣”的创作为核心线索，精心划分为“独奏：墨线舞衣”、“变奏：章法递迁”、“重奏：绘衣入戏”三大板块。这一结构不仅是对艺术家创作生涯的线性梳理，更是一次对其艺术思想与方法的深度剖析：“独奏”聚焦于作为观察与表达基石的舞蹈速写；“变奏”展现了师承、转译与教学相长的风格流变；“重奏”则汇集了《鱼美人》《天鹅湖》等经典舞剧的服装设计，呈现了从灵感构思到最终舞台呈现的完整链路。展览通过将速写、设计稿、剧照与文献并置，立体地呈现了李克瑜在中外互鉴、古今融通的广阔视野下，如何将民族审美与现代设计相结合，展现了新中国舞台美术与时代风尚的同频共振。

From January 30, 2025 to March 22, 2026, the exhibition "The Origins of Dance Costumes in New China": Exhibition of Design Documents Donated by Li Keyu was held at the China Design Museum of the China Academy of Art. Launched thanks to the generous donation by Professor Li Keyu, a distinguished dance costume designer and painter, together with her family, this grand artistic event was hosted by the China Design Museum of the China Academy of Art and organized by the International Design Archives Center.

The exhibition attracted numerous professionals in art and design, young students, and general visitors, presenting a spectacular visual feast that blends rhythmic lines and stage aesthetics. As a comprehensive retrospective of Li Keyu’s artistic career, it vividly showcases the entire creative process from vivid sketches to finished dance costumes through precious sketch manuscripts, costume design drawings, and dance drama videos. It also reflects the lifelong exploration of a pioneer in China’s fashion design industry at the intersection of dance costume and visual culture.

Curated by the professional team of the China Design Museum, the exhibition covers an area of over 1,000 square meters and displays more than 300 donated manuscripts, documents, and related artifacts, most of which are being shown to the public for the first time. Centered on the creative theme "From Lines to Dance Costumes", the exhibition is thoughtfully divided into three sections: Solo: Ink Lines and Dance Costumes, Variation: Evolving Styles, and Trio: Costumes for the Stage.

This structure not only chronologically traces the artist’s career but also deeply analyzes her artistic ideas and methods. The "Solo" section focuses on dance sketches as the foundation of observation and expression. The "Variation" section reveals the evolution of her style shaped by artistic inheritance, creative transformation, and interactive teaching. The "Trio" section features costume designs for classic dance dramas such as The Fish Beauty and Swan Lake, demonstrating the complete journey from inspiration to final stage presentation.

By juxtaposing sketches, design drafts, stage photos, and archival documents, the exhibition comprehensively presents how Li Keyu integrated national aesthetics with modern design from a broad perspective of cultural exchange between China and the West and integration of ancient and modern elements. It also embodies the synchronized resonance between the development of stage art in New China and the fashion trends of the times.

一审 王申

二审 刘一蓝 

审定 张春艳