艺博会|2026年巴塞尔艺术展香港展会|BROWNIE Project 展览现场|曹澍「看啊,幽靈!」

Vernissage

曹 澍

Cao Shu

曹澍（b.1987）现居杭州，其艺术实践的方法，主要包括基于历史的科学幻想，以及对技术的个人式考古。通过对 3D 渲染动画、电子游戏装置、多屏影像及雕塑等多元媒介，构建虚实交织的叙事迷宫，塑造数字化的“记忆考古现场”。近年来创作延伸至社会主义科幻、加密技术与集体潜意识等议题，检视科技对人类精神世界的影响与重塑。

曹澍曾获 2022 年 OCAT x KADIST 青年媒体艺术家奖、2021 年上海影像博览会 Exposure Award、2017 年 BISFF 艺术探索奖等，入围意大利 Ducato Prize 2025 以及首届 E.A.T.PRIZE 2024。 近期作品在巴塞尔乡村州美术馆、澳门艺术博物馆、悉尼白兔美术馆、马德里 Matadero 当代艺术文化中心、香港 M+ 博物馆、UCCA 沙丘美术馆、PSA 上海当代艺术博物馆、亚洲协会香港中心、天目里美术馆、油罐艺术中心、OCAT 上海馆、中国国家博物馆、纽约 Sleep Center 等机构展出；亦于上海昊美术馆、浙江美术馆、杭州天目里想象力学实验室、慕尼黑 Muffatwerk、横滨黄金町等机构举办个展。

近年来曹澍参加了旧金山卡蒂斯特艺术基金会（2024）、德国慕尼黑 Muffatwerk（2023）、日本横滨黄金町 Bazaar（2019）以及瑞士巴塞尔 Atelier Mondial（2017）的驻地计划。此外，曹澍的影像作品也入围了世界各地的影展主竞赛单元，包括莱比锡纪录片与动画电影节、昂西国际动画节、韩国 DMZ 纪录片节、墨西哥瓜纳华托实验电影节、米兰电影节、渥太华国际动画节、汉诺威国际短片节等。

曹澍的作品收藏于卡蒂斯特艺术基金会、悉尼白兔美术馆、天目里美术馆、浙江美术馆、上海昊美术馆、尧山艺术基金会等公共机构。

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Cao Shu (b. 1987) lives and works in Hangzhou. His practice delves into historically grounded scientific speculation and a personalized archaeology of technology. Through a diverse array of media—from 3D-rendered animations and video game installations to multi-channel video works and sculptures—he constructs narrative labyrinths that interweave the real and the virtual together, forging digital “archaeological sites of memory.” In recent years, his practice has expanded to explore themes including socialist science fiction, encryption technology, and the collective unconscious, offering a critical reflection on how technology reshapes the inner landscapes of the human psyche.

Cao Shu has been awarded the 2022 OCAT x KADIST Young Media Artist Award, the 2021 Shanghai Photo Fair Exposure Award, and the 2017 BISFF Art Exploration Award. He was also shortlisted for the Ducato Prize 2025 (Italy) and the inaugural E.A.T. PRIZE 2024. His works have been presented in institutional exhibitions at venues such as Kunsthaus Baselland (Basel), Macao Museum of Art, White Rabbit Gallery (Sydney), Matadero Madrid, M+ Museum (Hong Kong), UCCA Dune Museum, Power Station of Art (Shanghai), Asia Society Hong Kong Center, BY ART MATTERS, OCAT Shanghai, National Museum of China, and Sleep Center (New York). He has held solo exhibitions at the HOW Art Museum (Shanghai), Zhejiang Art Museum, Imagokinectics by BY ART MATTERS (Hangzhou), Muffatwerk (Munich), and Yokohama Koza Studio (Koganecho).

Recent residencies include KADIST (San Francisco, 2024), Muffatwerk (Munich, 2023), Koganecho Bazaar (Yokohama, 2019), and Atelier Mondial (Basel, 2017). Cao Shu’s firm works have also been selected for the main competition sections of international film festivals, including DOK Leipzig, Annecy International Animated Film Festival, DMZ International Documentary Film Festival, Guanajuato International Film Festival, Milan Film Festival, Ottawa International Animation Festival, and International Short Film Festival Hannover.

Cao Shu’s works are held in the permanent collections of KADIST, White Rabbit Gallery, BY ART MATTERS, Zhejiang Art Museum, HOW Art Museum, and Yaoshan Art Foundation, among others.