香港巴塞尔艺术博览会 2026
Art Basel Hong Kong 2026
展位 Booth｜1D37 "艺廊荟萃"单元 Galleries
姜琤 Jiang Cheng
贵宾时段 VIP Hours 仅限邀请 by invitation only
-优先预展 First Choice-
3.25 (周三 Wed) 12pm-8pm
-优先预展及贵宾预展 VIP Preview-
3.25 (周三 Wed) 3pm-8pm
3.26 (周四 Thur) 12pm-4pm
3.27 (周五 Fri) 12pm-2pm
3.28 (周六 Sat) 12pm-2pm
3.29 (周日 Sun) 11am-12pm
开幕之夜 Vernissage
3.26 (周四 Thur) 4pm-8pm
公众日 Public Days3.27 (周五 Fri) 2pm-8pm
3.28 (周六 Fri) 2pm-8pm
3.29 (周日 Sun) 12pm-6pm
地点 Venue
香港会议展览中心
Hong Kong Convention and Exhibition Centre
BANK荣幸于2026年香港巴塞尔艺术博览会呈现艺术家姜琤的个展。姜琤的创作围绕“观看及其产生的结构”展开，自2018年起，他以“U”系列为主线构建了一套以身体性为核心的绘画语言。“U”可视作You的缩写，既指向承载痕迹的画布，也指向自我意识之外更为原初的世界。
姜琤的创作中显现着尺幅、距离、体能等多重因素对呈现结果的微妙影响。艺术家放弃对图像的惯性凝视，意识对身体的支配被切断，绘画进入“看”与“非看”之间的临界状态。他将此体验称为“冷意识”/“冷颤”，即对身体性的回归。
← EN
BANK is pleased to present a solo exhibition by Shanghai-based, Jiang Cheng at Art Basel Hong Kong. Central to Jiang’s rigorous painting practice is an inquiry into “seeing and the structures it produces.” Since 2018, he has developed the “U”, (you) series as the core of his artistic output—a body of work depicting fictional human faces grounded in a painterly language that foregrounds physicality. “U” refers both to the canvas as a surface marked by gesture and to a more primordial world beyond conscious thought.
In Jiang’s process, factors such as scale, distance, and physical exertion come into play, subtly shaping the final image. By relinquishing habitual modes of looking, the artist allows the conscious control of the body to fall away, bringing painting into a liminal space between seeing and possessing. He describes this sensation as “the shiver”, which is a return to the physical.
展览现场
Installation View
精选作品
Selected Artworks
Jiang Cheng 姜琤
U-221 Michael（De Nachtwacht）, 2026
Oil on canvas 布面油画
120×105cm
Jiang Cheng 姜琤
U-205 Gabriel, 2025
Oil on canvas 布面油画
105×90cm
Jiang Cheng 姜琤
U-220 Michael, 2025
Oil on canvas 布面油画
130×105cm
关于艺术家
About the Artist
姜琤，1985年生于中国浙江，现工作生活于上海。他于2012年获得柏林艺术大学美术硕士学位，2008年毕业于中国美术学院。姜琤的创作围绕“观看及其产生的结构”展开，自2018年起，他以“U”系列构建了一套以身体性为核心的绘画语言，形象跟随意象在油彩叠合中浮现。在物理与身体因素的全然参与下，绘画在“看”与“非看”的临界状态中生成。
他的近期重要个展有：“The Shiver”，Tara Downs画廊，纽约，美国（2025）；“姜琤”，ICA迈阿密，迈阿密，美国（2022）。他的近期群展包括：“360°：我们为何绘画？”，天目里美术馆，杭州（2025）；高古轩，香港（2023）；Margulies收藏展，迈阿密，美国（2022）；“看我”，贝浩登画廊，巴黎，法国（2022）。他的作品被纳入多个私人及公共收藏，包括：COMMA基金会，亨克，比利时；ICA迈阿密，美国；龙美术馆，上海，中国；木木美术馆，北京，中国；四方美术馆，南京，中国；Margulies收藏，迈阿密，美国；尼克松收藏，约巴林达，美国；X美术馆，北京，中国。
← EN
Jiang Cheng (b. 1985 in Zhejiang, China) lives and works in Shanghai, China. He received his MFA from the University of the Arts Berlin in 2012, and his BA from China Academy of Art 2008. Jiang Cheng's practice revolves around “seeing and the structures it produces.” Since 2018, his “U” series has developed a painterly language rooted in physicality, where images emerge through layered paint. Shaped entirely by physical and bodily conditions, painting takes shape in the liminal space between seeing and not-seeing.
His recent solo exhibitions include "The Shiver", Tara Downs, New York, US (2025); "Jiang Cheng", and ICA Miami, Miami, US (2022). His recent group exhibitions include “360°: Why We Paint?”, BY ART MATTERS, Hangzhou (2025); Gagosian, Hong Kong (2023); The Margulies Collection, Miami, US (2022); “Regarde-moi”, Perrotin, Paris, France (2022). His works are included in private and public collections, including: COMMA Foundation, Genk, Belgium; ICA Miami; Long Museum, Shanghai; M Woods, Beijing; Sifang Museum, Nanjing; The Margulies Collection, Miami; The Nixon Collection, Yorba Linda, US; and the X Museum, Beijing.
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