四季如春——张静个展
A Spring that Never Fade
艺术家：张静 Artist：Zhang Jing
策展人：邢宇
Curator：Xing yu
展览总监：陈素婷
Exhibition Director：Sukie
艺术家自述
Artist's Statement
关于《四季如春》
文/张静
我出生在北方一个四季分明的城市。在我的记忆里，每次冬天人们都习惯用一种近乎浪漫的想象，去预支春天的到来——仿佛只要相信，它就一定会出现。
直到春天真的来了。短暂、温柔，却无法停留。
而这一次，《四季如春》成为了一场注定徒劳的挽留。我试图在精神上，留住一个人。让她停在一个不会继续衰老的时间里。于是，“春天”不再是季节，而成为一种近乎疼痛的愿望。
“近乡情更怯，不敢问来人。”这是归乡者的踌躇，也是我在面对母亲不可抗拒的衰老时，那种想要靠近、却又畏惧真相的复杂情感。
越接近，就越沉默。越真实，就越无法开口。
《山火》，150x120cm，布面油画，2026年
《四季如春》，是一场诚实的虚构。我知道它不成立，但我仍然需要它存在。这一次，我不再试图解释什么。我只是靠近——靠近一个正在发生、却无法被阻止的过程。
在这组作品中，我选择玻璃作为作品的部分材料，并不是因为它的美，而是因为它的不可靠。
玻璃太像我们所依赖的一切：它透明、光滑、完整，甚至带着某种近乎完美的表面秩序——但这一切，都建立在一种极端的脆弱之上。它不需要暴力，只需要一个微小的偏差，就会破裂。那些生长在树枝上的玻璃刺，是这次作品中最直接、也最诚实的部分。它们不只是关于“脆弱”。它们更像是我们所处的状态本身，一种同时具有保护与伤害的存在。
刺原本是为了防御。但当它足够锋利，它首先伤害的，往往正是它所依附的身体。就像人建立边界、建立自我保护、建立与世界的距离——这些机制让我们免于崩塌，同时也让我们无法真正靠近。于是我们一边保护，一边受伤。一边试图完整，一边不断破裂。
树枝仍然在生长，但那已经不是自然的生长。它带着负担，带着异物，带着无法剥离的疼痛结构。那种疼痛并不剧烈，却持续存在。像时间本身。
《这是诗人最爱的春天，此时春分已过》，60X80cm，布面油画， 2024年
这次展览拒绝完整。它更接近一种断裂的结构——像尚未愈合的伤口，像被刻意保留的空白，像一个始终无法被回答的问题。因为真正重要的东西，往往无法被组织成一个清晰的叙述。如果一定要说《四季如春》在谈论什么——它谈论的不是春天，而是人在面对终将失去时，所产生的全部反应：幻想、防御、逃避、靠近，以及——无法完成的爱。
“春天”在这里，是一种短暂成立的谎言。而玻璃提醒我们：即使是谎言，也会以最锋利的方式存在。
它美。它完整。它保护我们。
同时——它也随时准备刺入我们。
《四季如春》展览现场
《四季如春》展览现场
A Spring That Never Fades
By Zhang Jing
I was born in a northern city where the four seasons are sharply defined. In my memory, each winter people lean on a kind of quiet romanticism — projecting themselves forward, imagining the arrival of spring, as if belief alone could make it inevitable.
And then spring does arrive.Brief. Gentle. Impossible to hold.
In this exhibition, Four Seasons Like Spring becomes an attempt at holding—one that is destined to fail.
I try, in a mental and emotional sense, to keep someone from slipping away. To hold her within a moment untouched by further aging.
In this context, “spring” is no longer a season,but a desire — so intense it almost becomes painful.
“Near home, one feels a deeper fear, and dares not ask the traveler.”
This line speaks to the hesitation of a returning soul, and mirrors my own state when facing my mother’s irreversible aging — a simultaneous longing for closeness, and a fear of what that closeness might reveal. The closer I move, the quieter I become.
The more real it feels, the less I am able to speak. Four Seasons Like Springis an honest fiction. I know it cannot hold, and yet I need it to exist. This time, I am no longer trying to explain. I am simply moving closer — closer to a process that is already unfolding, and cannot be stopped.
《四季如春》展览现场
《四季如春》展览现场
Glass becomes a central material in this body of work, not because of its beauty, but because of its unreliability.
It resembles so much of what we depend on: transparent, smooth, whole—almost perfectly composed.
And yet, all of this rests upon extreme fragility. It does not require force. Only the slightest deviation. And it breaks.
The glass thorns growing along the branches are among the most direct — and most honest — elements in these works.
They are not merely about fragility. They reflect a condition we inhabit: a structure that both protects and harms.
Thorns are meant for defense. Yet when they become sharp enough, they often wound the very body they grow from. Much like the boundaries we construct — our defenses, our distances, our ways of holding the world at bay — these mechanisms protect us from collapse, while also preventing true closeness.
So we protect ourselves, and at the same time, we are wounded. We strive for wholeness, even as we continue to fracture. The branches are still growing. But this is no longer natural growth.
They carry weight, intrusion, and a structure of pain that cannot be removed. It is not an intense pain, but a persistent one. Like time itself.
This exhibition resists completeness. It moves instead toward a fractured condition —
like a wound that has not yet healed,like a silence deliberately preserved,like a question that cannot be answered.
Because what matters most often resists being shaped into a clear narrative. If this work is about anything, it is not about spring. It is about the full range of human responses when faced with inevitable loss: illusion, defense, avoidance, approach, and— love that remains unfinished.
Here, “spring” becomes a temporary fiction. And glass reminds us: even a fiction can exist with precision —
with beauty,
with wholeness,with protection.
And at the same time —
it is always readyto enter the body.
《四季如春》展览现场
《四季如春》展览现场
关于艺术家
About Artist
张静
Zhang Jing
1979年生于陕西 西安
毕业于西安美术学院
现生活工作于北京／纽约
2012《第二届德国鲁尔双年展》\ 2014年《亚洲艺术家提名展》\ 2015年《上海青年艺术博览会》\2016年《艺术北京》\2017年《上海艺术博览会》2018年《北京承城市艺术博览会》\2019年《art miami spectrum》 迈阿密艺术博览会\2020年《SPECTRUM MIAMI》迈阿密国际艺术节\ 2021年《艺术厦门》\ 2022年 《Artexpo New York 2022》纽约艺术博览会\ 2023年 《西岸艺术博览会》2021年张静个人项目《日常治疗》荣获“蚂蚁摄影”一等奖
个展：
2026 《四季如春》，作者画廊 ，北京
2024 《消失的扮演者》，北极熊画廊，北京
2023 《隐于花火》，北极熊画廊，上海
2023 《炸成烟花给你看》， 作者画廊，北京
2022 《记忆的图片》张静个人项目，北极熊画廊，北京
2021 《创事记》张静个展，D7GALLERY，郑州
2021 《寓言童话》张静个展， 北极熊画廊，上海
2021 《梦游国》张静个展， 七又五分之一艺术空间，北京
2021 《行云记》张静个展，LA viex 物资生活空间，深圳
2020 《日常治疗》张静个展，纽约时代TIME ART， 纽约
2020 《梦游国》张静个展，北极熊画廊，北京
2019 《日常治疗》张静个展，北极熊画廊，北京
2018 《行云记》 张静个展，壹佰美术馆，北京
2017 《森林里的秘密》张静个展，壹佰美术馆，北京
2017 《森林里的秘密》张静个展，盛世天空美术馆，北京
2016 《大马戏》张静个展，百家湖艺术中心，北京
2016 《大马戏》张静个展，韩国釜山
2014 《中国新势力双人展》双人展，韩国釜山
2011 《超现实主义》张静个展，拉普画廊，德国柏林
2010 《世纪孤儿》双人展，艺术档案库，北京
2010 《迷失。我是一个小丑》张静个展, NUORAT，北京
展览信息
Exhibition Information
开幕时间 Opening Time
2026年3月21日 16：00
展览时间 Exhibition Time
2026年3月18日——4月28日
周二至周 日Tuesday to Sunday
10:30am - 17:30pm
展览地址 Exhibition Address
北京市798艺术区七星中街F01库 作者画廊
Author Gallery, F01, Qixing Middle Street,
798Art Zone, Chaoyang District, Beijing
品牌支持
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感谢品牌赞助与支持
素画廊（SukieGallery）成立于北京，是中国先锋的当代艺术机构，专注研究当代艺术的时代命题，秉持传递艺术价值，艺术让生活更美好的理念；
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共同致力于通过当代艺术，传递艺术价值，推动生活美学的发展与传播。艺术，让生活更美好。
Founded in Beijing, SukieGallery is a pioneering contemporary art institution in China. It focuses on exploring the propositions of contemporary art in our era, upholds the philosophy of conveying artistic value and "Art Makes Life Better".
Its commercial division, SukieGallery Lab, is dedicated to exploring diverse cross-border collaborations between art and brands.
Its affiliated art lifestyle brand, SUKIE HOME, operates an online store.
Together, they are committed to conveying artistic value through contemporary art, and promoting the development and dissemination of life aesthetics. Art Makes Life Better.
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