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展览预告 Upcoming Exhibition| 曾钰凌 Zeng Yuling「呼吸的刻度」

作者:本站编辑      2026-03-21 18:45:44     0
展览预告 Upcoming Exhibition| 曾钰凌 Zeng Yuling「呼吸的刻度」

蓝色美术馆将于2026年3月29日推出艺术家曾钰凌个展「呼吸的刻度」。

The Blue Art Gallery will present artist Zeng Yuling's solo exhibition "Measured Breath" oMarch 29,2026.

一瞥The curtain falls, yet the past remains unveiled,100x100cm

布面油画 Oil on canvas,2024

呼吸的刻度 Measured Breath

艺术家|Artists

曾钰凌 Zeng Yuling

展览日期|Duration

2026.03.29(日)-2026.05.06(三)

March 29, 2026 (Sun) - May 06, 2026 (Wed)

开幕时间|Opening

2026.03.29(日)下午3:30

March 29, 2026 (Sun) 3:30 PM

展览地点|Venue

安徽省合肥市包河区合柴1972(东门)东望街123

蓝色美术馆;

Blue Art Gallery, 123 Dongwang Street,

Hechai 1972, Baohe District, Hefei City, Anhui Province.

开馆时间|Time

周二至周日1100am-1900pm

Tuesday to Sunday 11:00 am to 19:00 pm

《弦外之音the implied meaning,100x120cm
布面油画 Oil on canvas,2024

在当代抽象艺术的版图中,曾钰凌的创作逐渐形成了一种关于“节奏与结构”的语言意识。她拒绝将创作视为情绪的无序宣泄,而是将列宾美术学院赋予她的严谨造型逻辑,转化为生命律动的捕捉和持续构建。本次展览《呼吸的刻度》,并非对过往作品的简单梳理,而是一关于控制与释放的深度对话。呼吸是贯穿曾钰凌创作的隐秘主线。“呼吸”在这里,并非单一情绪的象征,而更接近一种方法性的隐喻:是一种在秩序中生成流动、在克制中保存张力的方式。它指向时间在画面中的存在方式,也指向结构如何承载感知。

在《抵达呼吸》系列中,我们看到冷色调的色块如同潮汐般进退,层层叠叠的罩染技法,使色彩在覆盖与显露之间形成节奏让色彩拥有了呼吸的厚度。这种创作态度不追求瞬间的爆发,而是在反复的涂抹与覆盖中,校准画面内部的时间感。无论是静默的沉思还是瞬间的悸动,她将身体经验转化为画布上可被阅读的视觉刻度。

本次展览特别聚焦于艺术家近年来在理性框架下的感性探索。从《奇点》中强烈的色阶碰撞形成的能量压缩,到《静夜思》里冷暖交织的暧昧边界,曾钰凌用几何结构搭建起思絮的骨架,用色彩的过渡填充血肉。她的作品中没有具体的形象,却处处可见在场感知维度——那是当代青年在快节奏生活中,试图抓住自我节奏的努力,也是在喧嚣世界里,向内探寻的精神肖像是一种对节奏的把握,而非情绪的直接叙述。值得注意的是,曾钰凌刻意淡化了性别标签,以一种中性的、硬朗的笔触切入创作。这种刚柔并济的特质,使得她的抽象叙事既具有结构性的力量,又不失细腻和保持开放的温度。在蓝色美术馆的语境下,我们邀请观众暂时抽离现实的纷扰,跟随这些色彩的节奏,重新感受自己的呼吸。当视线在色块之间移动,当边界在凝视中发生位移,作品所测量的,也许不仅是画面内部的节奏,更是观看者自身的时间感知。艺术在此成为一种媒介,连接了艺术家的内心与观众的感知。当你凝视这些画作时,画作亦在回应你的观看。这便是《呼吸的刻度》的最终意图:在色彩与线条之间,找到属于你自己的生命节奏。

《静夜思》 Thoughts in the silent night,150x170cm

布面油画 Oil on canvas,2025

In the contemporary abstract art landscape, Zeng Yuling's creations have gradually developed a language consciousness about "rhythm and structure". She refuses to view creation as an unorganized outpouring of emotions, but instead transforms the rigorous modeling logic she acquired from the Repin Institute of Fine Arts into the capture and continuous construction of the rhythm of life. This exhibition, "The Scale of Breathing", is not a simple review of past works, but a profound dialogue about "control and release". Breathing is the hidden thread running through Zeng Yuling's creations. Here, "breathing" is not merely a symbol of a single emotion, but rather a metaphorical approach: a way to generate fluidity within order and preserve tension through restraint. It points to the way time exists in the images and also to how structure carries perception. 

In the "Arrival of Breath" series, we see cold-toned color blocks ebbing and flowing like tides. The layering and veiling techniques create a rhythm between coverage and exposure, giving the colors a depth of breath. This creative approach does not seek an instant burst but rather calibrates the sense of time within the picture through repeated application and covering. Whether it is silent contemplation or a momentary flutter, she transforms her bodily experiences into visual scales that can be read on the canvas. 

This exhibition particularly focuses on the artist's recent sensuous explorations within a "rational framework". From the intense color gradation collisions forming energy compression in "Singularity" to the ambiguous boundaries of warm and cool colors interwoven in "Thoughts on a Silent Night", Zeng Yuling uses geometric structures to build the framework of her thoughts and fills it with flesh and blood through the transition of colors. Her works do not feature specific images, yet everywhere one can sense the perceptual dimension of "the presence of a person" - that is the contemporary youth's attempt to grasp their own rhythm in a fast-paced life, and also a spiritual portrait of inward exploration in a noisy world. This is a grasp of rhythm rather than an emotional direct narration. It is worth noting that Zeng Yuling deliberately downplays gender labels, approaching her creation with a neutral and tough style. This combination of strength and softness makes her abstract narrative possess structural power while remaining delicate and maintaining an open warmth. In the context of the Blue Art Museum, we invite the audience to temporarily detach from the hustle and bustle of reality, follow the rhythm of these colors, and re-experience their own breathing. As the eyes move between the color blocks and the boundaries shift under the gaze, what the works measure may not only be the rhythm within the picture but also the viewer's own perception of time. Here, art becomes a medium that connects the artist's inner world with the viewer's perception. As you gaze upon these paintings, they also respond to your viewing. This is the ultimate intention of "The Scale of Breath": to find your own rhythm of life between colors and lines.

关 于 艺 术 家
曾钰凌  Zeng Yuling
1994年生于重庆,毕业于俄罗斯列宾美术学院油画系,获油画专家硕士学位,现工作生活于北京。 
她专注于抽象,关注语言交流的共鸣与对抗以探索事物的多面性。她的作品结合形态与光影的微妙变化,以赋予画面超越尺寸的情感张力。这种表达方式比起自我宣泄,更是对世界的提问。她通过抽象的形式,邀请观众进入充满力量的思辨空间,唤起深刻思考与联系。曾钰凌其创作根植于“语言本身”。她将语言视为承载个体经验、思维方式与精神轨迹的核心结构,而非单纯的沟通形式。 在她的绘画中,【方块的重组、拆解与堆叠】构成作品的基本形态。这些方块既象征语言落地的片段,也揭示语言内部被遮蔽的感性流动。对她而言,人们在语言中的表现往往是理性的,而情绪在理性外壳之下以更隐秘的方式涌动;这些流动被她凝固在画布中,形成具有结构又带有断裂性的视觉秩序。 曾钰凌将“说出去的话,泼出去的水”的语言瞬间化为画面中的存在,使每一个方块都成为【语言一行为一当下】的痕迹,是她持续探讨自我与他者关系的一种方式。

Zeng Yuling was born in Chongqing in 1994. She graduated from the Oil Painting Department of the Repin Institute of Fine Arts in Russia, obtaining a Master's degree in Oil Painting. She currently works and lives in Beijing. 

She focuses on abstraction, paying attention to the resonance and confrontation in language communication to explore the multi-faceted nature of things. Her works combine the subtle changes of form and light and shadow to endow the pictures with emotional tension beyond their dimensions. This mode of expression is more of a questioning of the world than self-indulgence. Through abstract forms, she invites the audience into a powerful space of speculation, evoking profound thinking and connection. Zeng Yuling's creations are rooted in "language itself". She regards language as the core structure that carries individual experiences, ways of thinking, and spiritual trajectories, rather than merely a form of communication. In her paintings, the recombination, disassembly, and stacking of "blocks" constitute the basic form of the works. These blocks not only symbolize the fragmented landing of language but also reveal the concealed emotional flow within language. For her, people's expressions in language are often rational, while emotions surge in a more covert way beneath the rational shell; she solidifies these flows on the canvas, forming a visual order that is structured yet fragmented. Zeng Yuling turns the "spoken words, spilled water" moment of language into an existence in the picture, making each block a trace of "language - behavior - the present", which is a way for her to continuously explore the relationship between self and other.

个展

2026丨呼吸的刻度:曾钰凌个展,蓝色美术馆(合肥,中国);

2025丨语言回响:曾钰凌个展,798萃岛画廊(北京,中国);

2025丨空灵之境:曾钰凌个展,艺河湾艺术区(上海,中国);

群展及获奖

2026丨之谷空间(北京,中国);

2025丨悬置于精神的空间(木里木外,佛山,中国);

2024丨全国青年艺术家作品展,凤凰艺术(北京,中国);

2024丨向阳而生 .艺术旌阳(四川,中国);

2023丨东风艺术学园·自制艺术社区的生成 (北京,中国);

2023丨从碎镜中拼月亮(西马画廊|横 艺术馆,杭州,中国);

2023丨青春·青年艺术双年展(杭州美术馆,杭州,中国);

2023丨青春·青年艺术双年展(郑州美术馆,郑州,中国); 

2023丨隐形的生活 (前行美术馆, 长沙,中国); 

2023丨庐隐集(上)(仚东堂,郑州,中国); 

2023丨青春·青年艺术双年展(石家庄市美术馆, 石家庄,中国);

2023丨The Brain Cake( La Pedrera, M.A.D.S Gallery, 巴塞罗那, 西班牙);

2023丨注意主义 — (兴城海上美术馆,兴城,中国);

2022丨微光(卓美术馆,苏州,中国);

2022丨注意主义(得—美术馆, 沈阳,中国);

2022丨SO ART线上青年艺术季(雅昌艺术网,中国);

Solo Exhibitions

2026  | The Scale of Breath: Zeng Yuling Solo Exhibition, Blue Art Gallery  (Hefei, China); 
2025 | Echoes of Language: Zeng Yuling Solo Exhibition, 798 Art Zone Gallery (Beijing, China); 
2025 | Ethereal Realm: Zeng Yuling Solo Exhibition, Art River Bay Art District (Shanghai, China);

Group Exhibitions and Awards

2026 | OneAtelier (Beijing, China);
2025 | Suspended in the Space of the Spirit (Muli Muwai, Foshan, China); 
2024 | National Exhibition of Young Artists, Phoenix Art (Beijing, China); 
2024 | Born Towards the Sun: Art in Jingyang (Sichuan, China); 
2023 | Dongfeng Art Academy: The Genesis of a Self-Made Art Community (Beijing, China); 
2023 | Piecing the Moon Together from Shattered Mirrors (Xima Gallery | Heng Art Museum, Hangzhou, China); 
2023 | Youth Art Biennale (Hangzhou Art Museum, Hangzhou, China);
2023 | Youth Art Biennale (Zhengzhou Art Museum, Zhengzhou, China);
2023 | Invisible Life (Qianxing Art Museum, Changsha, China); 
2023 | Luyin Collection (Part 1) (Xiandongtang, Zhengzhou, China);
2023 | Youth Art Biennale (Shijiazhuang Art Museum, Shijiazhuang, China); 
2023 | The Brain Cake (La Pedrera, M.A.D.S Gallery, Barcelona, Spain); 
2023 | Attentionism — (Xingcheng Maritime Art Museum, Xingcheng, China);
2022 | Glimmer (Zhuo Art Museum, Suzhou, China); 
2022 | Attentionism (De-Art Museum, Shenyang, China);
2022 | SO ART Online Youth Art Festival (Artron.net, China);

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