博览会|Vanguard画廊2026香港巴塞尔展位预览|3C24

褚秉超的创作涉及雕塑、绘画、装置、影像等。他持续关注社会性问题，并通过一系列长期的艺术实践积极地展开介入。从佛像修复，到改造山体，再到荒野中的冒险，他用身体力行的方式探索个体与社会、艺术与现实的共生关系。

褚秉超1986年出生于中国甘肃省，现生活和工作于北京。他毕业于湖北美术学院雕塑系（2010）。他曾在以下机构或美术馆呈现个展或双个展：Traverse，北京，中国（2024）；广东美术馆，广州，中国（2022）；墨方空间，北京，中国（2019年和2016年）。近期群展包括：Vanguard Onwards”，Vanguard画廊，上海，中国（2024）；“风滚草-西北艺术家的迁徒与栖居”，银川当代美术馆，银川，中国（2023）；“我们从别人那里借梦想，像债一样”，没顶画廊，上海，中国（2022）；“交叉的宣叙调”， 798艺术中心，北京，中国（2022）；“沉静的响雷”，UCCA尤伦斯当代艺术中心，北京，中国（2021）；“世纪美育:湖北美院办学100周年艺术文献作品展”，中国美术馆，北京，中国（2020）。他的作品被诸多重要机构收藏，其中包括：广东美术馆，广东，中国；上海玻璃博物馆，上海，中国。

Chu Bingchao (b. 1986, Pingliang, Gansu province) currently lives and works in Beijing. He graduated from the Hubei Institute of Fine Arts in 2010 and works across mediums including sculpture, painting, installation, video, and more. Throughout the course of his artistic career, he has consistently focused on social issues, personally placing himself within the symbiotic relationships between the individual and society, and between art and reality. To this aim, he has restored Buddha statues, and altered the shape of mountains, as an adventurer into the wild.

His recent solo/duo exhibitions have presented at the following institutions and art museums: Traverse, Beijing, China (2024); GDMoA, Guangzhou, China (2022); MOCUBE, Beijing, China (2019 and 2016). His selected group exhibitions include: “Vanguard Onwards”, Vanguard Gallery, Shanghai, China (2024); “BLOWING ROOLING ROOTING: Migration and Residence of Northwest Artists”, MOCA, Yinchuan, China (2023); “We Borrow Dreams from Others, Like Debt”, MadeIn Museum, Shanghai, China (2022); “Crosstalk”, 798 Art Center, Beijing, China (2022); “Silent Thunder”, UCCA Center for Contemporary Art, Beijing, China (2021); “Century Aesthetic Education: Art Literature Exhibition of the 100th Anniversary of HIFA”, National Art Museum of China, Beijing, China (2020). His works have been collected by many institutions, including: Guangdong Art Museum, Guangdong, China; Shanghai Museum of Glass, Shanghai, China.

李家庆，1995年生于中国，现生活工作于法兰克福与深圳。他曾就读于广州美术学院 (2015）、奥格斯堡造型艺术学院（2018），后毕业于美因茨艺术学院（2025）。李家庆的艺术实践聚焦于形式结构、语言系统与逻辑生成之间的关系。他通过数字建模与材料转译构建视觉模块，将作品视为语言系统中的节点，而非孤立的图像或事件。他的创作方法源于结构主义与符号学传统，强调形式的逻辑演化与历史承担，试图在判断沉默与机制主导的当代语境中，重建艺术语言的系统性与批判性。不同于以情绪表达或社会叙事为主导的创作路径，李家庆强调作品的语言一致性与逻辑自治，主张结构可继承、误解可吸纳，判断可生成。他将艺术视为对认知结构的实践性回应，而非观看机制的表面参与。

他的近期部分个展/双个展包括：“虚空行驶”，Vanguard 画廊，上海，中国（2026）；“推理性对话”，倒几手空间，广州，中国（2025）；“Motherboard & Process”，Apotheke，美因茨，德国（2022）。部分群展包括：“托物”，凯旋画廊，北京，中国（2025）；“Common Ground”，K-Lab，美因茨，德国（2025）；“潜行剧场”，ISM Art Space，深圳，中国（2025）；“德国交响”，科纳艺术中心，深圳，中国（2025）；“45 Jahre Galerie Van der Koelen”，美因茨艺术中心，美因茨，德国（2024）；“Keep Running”，弗莱堡具体艺术基金会，弗莱堡，德国（2024）；“Experimente V – Spuren”，美因茨艺术中心，美因茨，德国（2023）；“Temporary Solids”，KWR40，美因茨，德国（2022）；“The Grass Is Always Greener”，Kunstquartier Bethanien，Studio 1，柏林，德国（2022）；“Schwarzer Nebel – Weißer Rauch”，Kokerei Hansa，多特蒙德，德国（2019）；“Karussell（Prof. Jochen Stenschke 工作室）”，Level One，汉堡，德国（2018）。

Li Jiaqing was born in 1995 in China and currently lives and works in Frankfurt and Shenzhen. He studied at Guangzhou Academy of Fine Arts (2015) and Hochschule für Kunst im sozial ottersberg (2018), and graduated from Kunsthochschule Mainz (2025). His practice focus on the relationships between formal structures, linguistic systems, and the generation of logic. Through digital modeling and material translation, he constructs visual modules, conceiving of each work as a node within a broader language system rather than as an isolated image or event. Rooted in the traditions of structuralism and semiotics, his methodology emphasizes the logical evolution of form and its historical responsibility. Within a contemporary context shaped by suspended judgment and mechanism-driven systems, he seeks to reconstruct the systematic and critical dimensions of artistic language. In contrast to practices driven primarily by emotional expression or social narrative, Li underscores the linguistic coherence and logical autonomy of the work, proposing that structures can be inherited, misreadings absorbed, and judgment generated. He regards art as a practical response to cognitive structures, rather than a superficial participation in the mechanisms of visuality.

His recent selected solo/duo exhibitions include: "Driving in the Void", Vanguard Gallery, Shanghai, China (2026); “Begründeter Dialog”, DODGERS GALLERY, Guangzhou, China (2025); “Motherboard & Process”, Apotheke, Mainz, Germany (2022). His selected group exhibitions include: “Placeholder”, Triumph Gallery, Beijing, China (2025); “Common Ground”, K-Lab, Mainz, Germany (2025); “I Did It My Way”, ISM Art Space, Shenzhen, China (2025); “German Symphony”, KCCA, Shenzhen, China (2025); “45 Jahre Galerie Van der Koelen”, Kunsthalle Mainz, Mainz, Germany (2024); “Keep Running”, Stiftung für Konkrete Kunst Freiburg (Foundation for Concrete Art), Freiburg, Germany (2024); “Experimente V – Spuren”, Kunsthalle Mainz, Mainz, Germany (2023); “Temporary Solids”, KWR40, Mainz, Germany (2022); “The Grass Is Always Greener”, Kunstquartier Bethanien, Studio 1, Berlin, Germany (2022); “Schwarzer Nebel – Weißer Rauch”, Kokerei Hansa, Dortmund, Germany (2019); “Karussell (Class of Prof. Jochen Stenschke)”, Level One, Hamburg, Germany (2018).

黎佳仪，1999年出生于中国甘肃。2021年毕业于马里兰艺术学院跨学科雕塑系，辅修戏剧，现就读于耶鲁大学艺术学院雕塑系。她的作品包括雕塑、行为、剧场、音乐与影像等多种媒介，她通过作品重新诠释物品与身体，放大日常之物中的诱惑与危险性，让观众用一种陌生的方式去观看和体验他们熟悉的事物。

她的近期个展和项目包括：“加油站（十），Vanguard 画廊，上海，中国（2024）；“伊卡洛斯的翅膀”，广东时代美术馆，广州，中国（2024）；“绿水”，LINSEED，上海，中国（2023）；“金色线条和白色光点”，阿那亚，承德，中国（2023）；“莎乐美”，33ml OFFSPACE，上海，中国（2022）；“Collective Dreaming”，BBOX，巴尔的摩，美国（2020）；“人类皮囊”，Gateway Gallery 1，巴尔的摩，美国（2019）。近期群展包括：“诗歌的诞生”，THE SHOPHOUSE，香港（2025）；“ 保时捷 中国⻘年艺术家双年评选 提名艺术家作品展”，上海展览中心，上海 ，中国（2024）；“Torsos in Rain: Post Hit-and-Run”，New Uncanny Gallery，纽约，美国（2024）；“东⻄南北风：另一种南方现场”，广东当代艺术中心， 广州，中国（2024）；“把门打开”，Gallery func，上海，中国（2024）；“一开始是无功而返的”，Petitree，深圳，中国（2024）；“仪式躯体”，广东时代美术馆，广州，中国（2024）；“人类之后：兽的印记”，Tomorrow Maybe，香港，中国（2024）；“纪念品橱窗”，树美术馆，北京，中国（2024）等。她的作品曾被白兔美术馆收藏。

Joy Li was born in 1999 in Gansu, China. She obtained her BFA degree in Interdisciplinary Sculpture with a Theater minor at Maryland Institute College of Art in 2021. She is currently studying in the MFA Sculpture program at Yale School of Art, expected to graduate in 2026. Her works include sculpture, performance art, theater, video, and music, exploring the tension of interactions between objects, emotions, and relationships. In her works, she reinterprets objects and bodies to magnify the allure and danger inherent in everyday items, allowing the audience to re-experience and interact familiar things in unfamiliar ways. 

Her recent solo exhibitions and projects include: “Gas Station X”, Vanguard Gallery, Shanghai, China (2024); “Icarus’ Wings”, Guangdong Times Museum, Guangzhou, China (2024); “Green Water”, LINSEED, Shanghai, China (2023); “Salomé”, 33ml OFFSPACE, Shanghai, China (2022); “The Skin of a Human Being”, Gateway Gallery 1, Baltimore, MD, USA (2019). Her recent selected group exhibitions include: “Birth of Poetry”, THE SHOPHOUSE, Hong Kong, China (2025); “Porsche Young Chinese Artist of the Year Nominees’ Exhibition”, Shanghai Exhibition Center, Shanghai, China (2024); “Torsos in Rain: Post Hit-and-Run", New Uncanny Gallery, New York, USA (2024); “Four Winds: a Different Perspective on Southern Art”, Guangdong Contemporary Art Center, Guangzhou, China (2024); “Open the Door”, Gallery func, Shanghai, China (2024); “At the beginning, you find nothing there”, Petitree, Shenzhen, China (2024); “Embodies Rituals”, Guangdong Times Museum, Guangzhou, China (2024); “After Human: Marks of the Beasts”, Tomorrow Maybe, Hong Kong, China (2024); “The Nostalgic Collection”, Tree Art Museum, Beijing, China (2024), etc. Her works have been collected by the White Rabbit Gallery in Sydney, Australia.

蒙塔达斯是著名观念艺术家，也是国际录像艺术的元老级人物之一。他试图通过作品，探讨诸如“社会框架内的公共和私人空间之间的关系”等社会、政治和传播问题，并对信息渠道及其可能被应用于审查或传播思想的方式进行了深入研究。其创作媒介涵盖了摄影，录像，出版物，互联网，装置和城市干预。

蒙塔达斯1942年出生于西班牙巴塞罗那，现生活工作于美国纽约。他的作品和艺术项目曾在诸多国际重要美术馆展出，其中包括：纽约现代艺术博物馆、加州伯克利美术馆、蒙特利尔当代艺术博物馆、马德里索菲亚王后艺术中心、布宜诺斯艾利斯现代艺术博物馆、里约热内卢现代艺术博物馆、巴塞罗那当代艺术博物馆、OCAT 上海馆、上海玻璃博物馆。近期群展包括：“Ataria（Bat）”，毕尔巴鄂美术馆，毕尔巴鄂，西班牙（2025）；“越位：艺术家眼中的足球世界”，MAXXI——二十一世纪国家艺术博物馆，罗马，意大利（2025）；“断裂：欧洲早期影像艺术”，日内瓦市当代艺术基金 / 收藏（FMAC），日内瓦，瑞士（2025）；“柑橘项目”，常青画廊，圣吉米尼亚诺，意大利（2024）；“柑橘项目”，常青画廊，圣吉米尼亚诺，意大利（2024）；“I la paraula es va fer carn”，Palmadotze 美术馆，圣马尔加里塔和蒙霍斯，西班牙（2024）等。蒙塔达斯曾受邀参与诸多重要的国际大展，其中包括第 6 届和第 10 届卡塞尔文献展（1977 年，1997 年）、第 51 届威尼斯双年展（2005 年）、第 16 届和第 17 届圣保罗双年展（1981 年，1983 年）、惠特尼美国艺术双年展（1991 年），以及在里昂、台北、光州和哈瓦那等地举办的其他国际双年展。他的作品被诸多重要机构收藏，其中包括：OCAT上海馆，上海，中国；上海玻璃博物馆，上海，中国；蓬皮杜艺术中心，法国国家现代艺术博物馆，巴黎，法国；巴塞罗那当代艺术馆，巴塞罗那，西班牙；圣保罗艺术博物馆，圣保罗，巴西；摩根大通艺术收藏馆，纽约，美国；现代艺术博物馆，纽约，美国等。

Muntadas is an internationally acclaimed pioneer of media art and conceptual art. Through his works, Muntadas addresses social, political and communication issues such as the relationship between public and private space within social frameworks, and investigates channels of information and the ways they may be used to censor or promulgate ideas. His projects are presented in different media including photography, video, publications, the Internet, installations and urban interventions.

Muntadas was born in 1942 in Barcelona, Spain, and currently lives and works in New York, USA. His projects have been exhibited in prestigious museums such as The Museum of Modern Art in New York, the Berkeley Art Museum in California, the Musée Contemporain de Montreal, the Museo Nacional Centro de Arte Reina Sofía in Madrid, the Museo de Arte Moderno in Buenos Aires, the Museu de Arte Moderna in Rio de Janeiro, MACBA, the Museu d’Art Contemporani de Barcelona, OCAT Shanghai,  Shanghai Museum of Glass, etc. His selected group exhibitions include: “Ataria (Bat)”, Museo de Bellas Artes de Bilbao, Bilbao, Spain (2025); “FUORI GIOCO Sguardi d’artista sul mondo del calcio”, MAXXI – Museo nazionale delle arti del XXI secolo, Roma, Italy (2025); “Disruptions. Early Video Art in Europe”, FMAC – Fonds/Collection d’art contemporain de la Ville de Genève, Genève, Switzerland (2025); “The Citrus Project”, Galleria Continua,  San Gimignano, Italy (2024); “I la paraula es va fer carn”, Palmadotze Galería de Arte, Santa Margarida i Monjos,  Spain (2024), etc. Muntadas has been selected to participate in international events such as Documenta Kassel (1977, 1997), the 51st Venice Biennial (2005), the 16th and 17th Sao Paulo Biennal (1981, 1983), the Whitney Biennial of American Art (1991), and other international biennales in Lyon, Taipei, Gwangju, Havana, etc. His works have been collected by many institutions, including: OCAT, Shanghai, China; Shanghai Museum of Glass, Shanghai, China; Centre Pompidou, Musйe National d’Art Moderne, Paris, France; Museu d’Art Contemporani de Barcelona, Barcelona, Spain; Museu de Arte Contemporвnea da Universidade de Sгo Paulo, Sгo Paulo, Brazil; JP Morgan Chase Art Collection, New York, USA; Museum of Modern Art, New York, USA, etc.

沈瑞筠是一名艺术家和策展人，她的作品以绘画为起点，从自然中获取灵感，强调经验和过程。作品通过包括装置、动画和新媒体等多种媒介，以多维空间多重⻆度的认知方式；探索虚与实，精神和物质，日常与脱俗，个体与群体，规范和例外等矛盾双方随时转换和交织的状态。近年，她通过自留地项目实践把精神寄托于日常；在关联中保持个体独立的生活方式。

沈瑞筠1976年出生于中国广州市，现生活工作于广州和纽约。她毕业于广州美术学院油画系学士（2000）、蒙卡利州立大学艺术系硕士（2004）和芝加哥艺术学院绘画系硕士（2007）。她曾在以下机构或美术馆呈现个展：1979画廊，深圳，中国（2025）；石米空间，东莞，中国（2023）；拾萬空间，北京，中国（2021）；33当代艺术中心，广州，中国（2017）；杨画廊，北京，中国（2016）；逵园艺术馆，广州，中国（2014）；Linda Warren 画廊，芝加哥，伊利诺伊州，美国（2008）。近期群展包括：“其命惟新——广东美术百年大展”，中华艺术宫，上海，中国（2025）；“造迹”，Vanguard画廊，上海，中国（2025）；“广东南海大地艺术节”，佛山，中国（2024）；“向雨林学习——首届泛东南亚三年展序列研究项目#5”，广州美术馆学院大学城美术馆，广州，中国（2022）；“奇妙的旅行——献给孩子的艺术展”，OCAT深圳馆，深圳，中国（2021）；“沉默的叙述”，银川当代美术馆，银川，中国（2019）。她的作品参加了第八届深圳水墨双年展（2013）和2013深圳·香港城市/建筑双城双年展以及第六届广州三年展（2019）；并被意大利国立二十一世纪美术馆、卡蒂斯特、广东美术馆、澳大利亚白兔收藏、帝豪奇·德隆收藏馆收藏。沈瑞筠曾是广东时代美术馆的首席策展人（2014-2017），目前担任卡蒂斯特（旧金山和巴黎）的中国项目总监，同时是一位自由艺术家。

Shen Ruijun, artist and curator, her works take painting as a starting point and draw inspiration from nature, emphasizing experience and process. Her practice covers a variety of media, including installation, animation, and new media. Through perceptions of multi- dimensional space and multiple angles, her works explore the state of instantly shifting and intertwining contradictions such as, the virtual and the real, spirit and matter, the quotidian and the demystified, the individual and the collective, the norm and the exception, etc. In recent years, she practices a way of life that endows the spirit in the everyday through self-reserved land projects and maintains an independent lifestyle within connectivity.

Shen Ruijun was born in 1976 in Guangzhou, China, and currently lives and works in Guangzhou and New York. She graduated from the Oil Painting Department of Guangzhou Academy of Art with Bachelor of Fine Art (2000), Contemporary Art Department of Montclair State University with Master of Fine Art (2004), Art History Department of University of Chicago (2007) and Painting and Drawing, Minor- Animation of the School of the Art Institute of Chicago with Master of Fine Art (2007). Her recent solo exhibitions have presented at the following institutions and art museums: 1979 Gallery, Shenzhen, China (2025); Window of Shekmai, Shenzhen, China (2023); Hunsand Space, Beijing, China (2021); 33 Contemporary Art Center, Guangzhou, China (2017); Gallery Yang, Beijing, China (2016); Kui Yuan Gallery, Guangzhou, China (2014); Linda Warrens Gallery, Chicago, IL, USA (2008). Her selected group exhibitions include: “Reform Mission- Guangdong Art Centennial Exhibition”, Shanghai Art Museum,Shanghai, China (2025); “Trace Marks”, Vanguard Gallery, Shanghai (2025); “Art Field Nanhai Guangdong”, Fuosan, China (2024); “Learning from the Rainforest, The first Trans-Southeast Asia Triennial Research Exhibition Series Project #5”, Art Museum of Guangzhou Academy of Fine Art, Guangzhou, China (2022); A Wonderful Journey- An Art Exhibition Dedicated to Kids, OCAT, Shenzhen, China (2021); Silent Narratives, MOCA Yinchuan, Yinchuan, China (2019). Her works were included in the 8th Shenzhen Ink Biennale (2013), the 2013 Shenzhen-Hong Kong Bi-City Biennale of Urbanism/Architecture, and the 6th Guangzhou Triennial (2019). They have been collected by MAXXI, Italy, KADIST, Guangdong Museum of Fine Arts, the White Rabbit Collection, Australia, and the Teirochi Deleon Collection. Formerly the Chief Curator of Guangdong Times Art Museum (2014-2017), Shen Ruijun is currently the China program director of KADIST (San Francisco/Paris) and an independent artist.

谢爱澜（Ella Wang Olsson）是一位从古代道家哲学和数字亚文化中建构当代语言的跨学科艺术家。TA的作品作为一场关于自由的实验，通过视频、表演、绘画和声音创造出“赛博萨满”式的仪式。这些仪式架起了道家思想、狂欢文化和数字忧郁之间的桥梁。从自身的瑞典-中国双重的身份背景中汲取经验，谢爱澜绘制出自身的宇宙观，其中祖辈的精神传统与俱乐部中混沌庆典相遇交汇。在这一空间里，逃避与归属彼此碰撞，生成短暂却清醒的时刻，也孕育出美感与集体性的释放。

谢爱澜1999年出生于瑞典斯德哥尔摩，毕业于海牙皇家艺术美院和莱顿大学的纯艺术和艺术历史的双学位（2022）。TA曾在以下机构或美术馆呈现个展或双个展：Vanguard 画廊，上海，中国（2026）；Cedar Kitchen，上海，中国（2025）；Lambdlambdlambd，普里什蒂纳，科索沃（2024）；Pharmakon 画廊，布加勒斯特，罗马尼亚（2023）；马丁·戈雅，狸瑞金卮，杭州，中国（2023）；YYO Foundation，上海，中国（2023）；Spectrum，The Greyspace，海牙，荷兰（2022）。近期群展包括：“确定一场展览的基调”，中间美术馆，北京，中国（2025）；“Meta-tation cigarette packs”，TANK，上海，中国（2025）；“APOPHENIA”, Ritual Penang, 马来西亚（2025）；“驱邪糖果屋”，鹿特丹设计双年展，鹿特丹，荷兰（2025）；“出发层”，Third Street 画廊，上海，中国（2024）；“Flower by Flowers?”，ART WHY Gallery，上海，中国（2023）；“游牧的大多数”，WAS艺术中心，宁波，中国（2023）；“二次曝光”，出入艺术馆，宁波，中国 （2023）。

Ella Wang Olsson is a multidisciplinary artist who forges a contemporary language from ancient Taoist philosophy and digital subculture. Their work is an experiment in freedom, combining video, performance, painting, and sound to create cyber-shamanistic rituals. These rituals bridge Taoist thought, rave culture, and digital melancholy. Drawing on a hyphenated Swedish-Chinese identity, they map a personal cosmology where ancestral tradition meets the club's chaotic celebration. In this space, escapism and belonging collide to create pockets of awareness, beauty, and collective release.

Ella Wang Olsson was born in 1999 in Stockholm, Sweden, and graduated from The Hague and Leiden University with Double degree in Fine Arts and Art History (2022). Their recent solo/duo exhibitions have presented at the following institutions and art museums: Vanguard Gallery, Shanghai, China (2026); Cedar Kitchen, Shanghai, China (2025); LambdaLambdaLambda Gallery, Prishtina, Kosovo (2024); Pharmakon Gallery, Bucharest, Romania (2024); Martin Goya Business, Verre Liquide, Hangzhou, China (2023); YYO Foundation, Shanghai, China (2023); Spectrum, The Greyspace, The Hague, the Netherlands (2022). Their selected group exhibitions include: “Setting the Tone of the Exhibition”, Inside Out Museum, Beijing, China (2025); “Meta-tation cigarette packs”, TANK Museum, Shanghai, China (2025); “APOPHENIA”, Ritual Penang, Malaysia (2025); “Exorcise the Candy House”, Design Biennale Rotterdam, Rotterdam, the Netherlands (2024); “Departure Level”, Third Street Gallery, Shanghai, China (2024); “Flower by Flowers?”, ART WHY Gallery, Shanghai, China (2023); “The Nomadic Majority”, WAS Art Center, Ningbo, China (2023); “Double Exposure”, In & Out Art Museum, Ningbo, China (2023).

肖江的作品，总被一种浓烈的氛围感所包围，似是无声却有声，在沉默中传递着力量。其描绘的场景大多取材于日常生活的片段。这些场景往往因人们的习以为常而被忽略，但在艺术家独特的视角之下，他们被截取和再组合。灵感虽来自于现实，但构建的是绝对的想象，让观众仿佛游走在虚实变换的错愕感中。

肖江1977年出生于中国江西省，现生活工作于上海。他毕业于中国美术学院油画系（2003）。他的近期个展包括：“在窗边”，Karma 画廊，洛杉矶，美国（2025）；“看风景的人”，上海油罐艺术中心，上海，中国（2025）；“平常的日子”，洛佩斯·徳拉塞尔纳当代艺术中心，马德里，西班牙（2023）；“清风拂山岗”，Vanguard画廊，上海，中国（2023）；“绵延”，Karma画廊，纽约，美国（2022）；“山外山”，站台中国当代艺术机构，北京，中国（2021）；“室内风景”，联华公寓，上海，中国（2021）；“开门见山”，Vanguard 画廊，上海，中国（2021）。近期群展包括：“Vanguard Onwards” ，Vanguard画廊，上海，中国（2024）；“言不由衷”，世界画廊，香港，中国（2023）；“捕捉”，站台中国当代艺术机构，北京，中国（2023）；“世界感”， 广东省当代艺术中心，广州，中国（2023）；“楼上的城市”，ASE空间，上海，中国（2023）；“红”， 油罐艺术中心， 上海，中国（2021）。他的作品被诸多重要机构收藏，其中包括：弗兰克·苏斯机构收藏、乔志兵私人收藏、达拉斯艺术博物馆、柏林EMDASH基金会、黎巴嫩艾什提基金会、迪拜艺术俱乐部。

At the first glance at Xiao Jiang’s works, one would be encompassed with the sharp atmosphere. Something is left unsaid by his works, expressing the power in silence. Xiao Jiang’s works have drawn materials from daily lives which are so familiar to people that are easily ignored. Under the artist’s unique perspective, they are cut out and recombined. Xiao takes inspiration from reality but structures them into an absolute fantasy world, leading the audience to dislocated visionary feelings.

Xiao Jiang was born in 1977 in Jiangxi, China, and currently lives and works in Shanghai. He graduated from the Oil Painting Department of China Academy of Art (2003). His recent solo exhibitions include: “By the Window”, Karma Gallery, Los Angeles, USA (2025); “Looking Out”, Tank Shanghai, Shanghai, China (2025); “Ordinary Days”, Lopez de la Serna CAC, Madrid, Spain (2023); “Hills Beyond a Breeze”, Vanguard Gallery, Shanghai, China (2023);  “Continuous Passage”, Karma, New York, USA (2022); “The Distant Mountains”, Platform China Contemporary Art Institute, Beijing, China (2021); “An Inward Odyssey”, 7-314, 314 Tongren Rd, Shanghai, China (2021); “Mountains Aside”, Vanguard Gallery, Shanghai, China (2021), etc. His selected group exhibitions include: “Vanguard Onwards”, Vanguard Gallery, Shanghai, China (2024); “Lost in Translation”, Galerie du Monde, Hong Kong, China (2023); “Capture”, Platform China Contemporary Art Institute, Beijing, China (2023); “Weltanschauung”, Guangdong Contemporary Art Center, Guangzhou, China (2023);  “Upstairs Cities”, ASE Art Space, Shanghai, China (2023); “Red”, Tank Shanghai, Shanghai, China (2021), etc.. His works have been collected by many institutions, including: The Franks-Suss Collection, UK; Qiao Zhibing Collection, China; Dallas Museum of Art, USA; The EMDASH Foundation, Berlin, Germany; Aïshti Foundation, Beirut, Lebanon; The Arts Club Dubai Dimorestudio.

宰鹏飞1994年⽣于中国扬州。现居上海。2019年毕业于奥斯陆Rønningen folkehøgskoley艺术专业，2017年毕业于云南⼤学艺术与设计学院绘画系第⼆⼯作室。在过去四年的实践中，使⽤铅笔、炭笔和纸作为材料，创作了“晕⻋药”系列作品，聚焦空间的⽆序、灵魂在时间洪流中的迷失，以及被困于梦境中的真实⾃我等主题。

他的近期部分个展/双个展包括：“虚空行驶”，Vanguard 画廊，上海，中国（2026）；“平均律”，百空间，上海（2024）；“时间织体”，仚東堂，北京（2024）；“从‘崩溃开始‘到‘晕车药’”，HEYAN'ER GALLRY，上海（2023）；“无物”，TCG诺地卡，昆明无物，TCG诺地卡，昆明（2020）。部分群展包括：“轻功”，Vanguard Gallery，上海，中国（2025）；“幻醒”，宁波美术馆，宁波（2025）；“大断裂:末世未来考古学”，杭州中心美术馆，杭州（2025）；“相似游戏”，DOSE画廊，上海（2024）；“离析”，一起画廊，合肥（2024）；“出发层”，Third Street Gallery，上海（2024）；“即兴判断”，木曦画廊，上海（2024）；“动态刷新”，四川美术学院美术馆，重庆（2023）；“浮于海”，ATTN关注画廊，广州（2023）；“风景后”，CGK昆明当代美术馆，昆明（2023）；“破冰艺术计划”，红梅文创园发酵艺术中心，沈阳（2022）；“对白-驻留艺术家双个展”，泰艺术中心，上海（2022）；“一隅三生-2022草场地青年艺术家群展”，北京草场地，北京（2022）；“朋满箔满-黄盒子开放展”， 上海喜马拉雅美术馆，上海（2021）；“创造”，Røna，奥斯陆（2019）；“11+1艺术展”，TCG诺地卡，昆明（2017）；“南亚东南亚国际美术展”， 云南省美术馆，昆明（2016）。

Zai Pengfei was born in 1994 in Yangzhou, China, and currently lives in Shanghai. He graduated in 2019 from Rønningen Folkehøgskole in Oslo, and in 2017 from the Second Studio of the Painting Department at the School of Art and Design, Yunnan University.In the past four years, he has been using pencils, charcoal, and paper as his materials to create a series of works called Motion Sickness Medicine . This series delves into the chaos of space and the drifting of lost souls through the currents of time, exploring themes such as one’s true self being trapped in a dreamscape.

His recent selected solo/duo exhibitions include: "Driving in the Void", Vanguard Gallery, Shanghai, China (2026); "Equal Temperament", Baiwork, Shanghai (2024); “The Texture of Time”, SANTO HALL, Beijing (2024); " When The Crash Happened & Motion Sickness Pills", HEYAN'ER GALLERY, Shanghai (2023); "Empty World", TCG Nordica, Kunming (2020). His selected group exhibitions include: "Kungfu Lightness", Vanguard Gallery, Shanghai, (2025); "A False Awakening", Ningbo Museum of Art, Ningbo (2025); "Archaeologist", Central Art Museum, Hangzhou (2025); "Resemblance Game", DOSE Gallery, Shanghai (2024); "Dissociation-analysis", Together Gallery, Hefei (2024); "Departure Level", Third Street Gallery, Shanghai (2024); "INTUITION", MOODSEA Gallery, Shanghai (2024); "DYNAMIC REFRESH", Art Museum of Sichuan Fine Arts Institute, Chongqing (2023); "ADTIFT", ATTN Gallery, Guangzhou (2023); "After Land-scape", CGK Kunming Contemporary Art Museum, Kunming (2023); "ICE BREAKING ART PROJECT", HONGMEI PARK, Shenyang (2022); "Dialogue Art-in-Residence Double Solo Exhibition", Tai Art Center, Shanghai (2022); "A Corner Garden With Light”, Cao Chang Di International Art village, Beijing (2022); "The More The Merrier 2021", Himalayas Museum, Shanghai (2021); "Create", Røna, Oslo (2019); "11+1 Art Exhibition", TCG Nordica, Kunming (2017); "China.South Asia.Southeast Asia International Art Festival", Yunnan Fine Art Museum, Kunming (2016).