亚当·博伊德、李依宸：
两种断层（现开放预约）
展期：2026.3.6-4.6（周二-周六10：30-17：30，小程序预约，见文章末尾）
地址：上海市静安区延安中路830号西栋101
艺外EY PROJECTS 将于2026年3月6日呈现英国艺术家亚当·博伊德（Adam Boyd）与中国艺术家李依宸（Yichen Li）的并置对话。两位艺术家在媒介、传统与时间节奏上形成鲜明差异：一位以即时与摄影、布料与缝纫捕捉都市的瞬时与消费景观；一位以精细木雕继承并转化非遗技艺，积累缓慢的时间感与仪式性。并置之下，作品之间产生裂缝与摩擦，进而显现当代创作中关于物质、记忆与误读的共同张力。
EY PROJECTS is pleased to present the duo exhibition "Two Kinds of Fracture", featuring a dialogical presentation of works by British artist Adam Boyd and Chinese artist Yichen Li. The two artists present striking contrasts in terms of medium, tradition, and temporal rhythm: one captures the immediacy and consumer landscape of the urban experience through photography, fabric, and sewing; the other inherits and transforms intangible cultural heritage techniques through meticulous wood carving, accumulating a sense of slow time and ritual. Juxtaposed, the works generate fissures and friction, revealing a shared tension concerning materiality, memory, and misreading within contemporary creation.
两种断层展览现场
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亚当·博伊德，《脉络》 2025
绗缝刺绣真丝缎、手工染色聚酯提花织物及白棉布、宝丽来照片、塑料盒及卡扣、绳带、绳扣、钥匙圈配件、金属珠链、三角形 D 形环、填充物、线189 x 64.5 cm
Adam Boyd, Kekkan 2025
quilted and embroidered silk satin, hand dyed polyester jacquard and calico, Polaroid, plastic case and clips, cord, cord stops, keyring attachments, metal bead chains, triangular d-rings, wadding and thread 189 x 64.5 cm
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亚当·博伊德，《赭色针迹》 2026
绗缝和刺绣毛毡、塔夫绸、羊毛棉混纺面料、聚酯提花织物、缎子、棉花、手工缝制的聚氯乙烯、宝丽来照片、塑料盒、防盗标签、钥匙圈配件、金属珠链、三角形 D 形环、填充物和线140 x 93 cm
Adam Boyd, Ochre Stitch 2026
quilted and embroidered felt, taffeta, wool-cotton blend, polyester jacquard, sateen, cotton, hand-stitched PVC, Polaroid, plastic case, security tags, keyring attachments, metal bead chains, triangular d-rings, wadding and thread140 x 93 cm
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李依宸，《庭院池水凝新碧· 漪》2025
俄罗斯榆木、丙烯 177 × 77 × 12 cm 版数：3
Yichen Li, At Rippling, Fresh Emerald Stillness in the Courtyard Pool 2025Siberian Elm, Acrylic 177 × 77 × 12 cm Edition: 3
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李依宸，《游园惊梦·山海经木马·云息伏木鞍》2026
北美白蜡木、古木、丙烯 130 × 110 × 40 cm 版数：1
Yichen Li,Wandering in the Garden, Waking from a Dream ·Rocking Horse of Classic Mountain and Sea·Where Cloud-Breath Rests Upon the Wooden Saddle 2026North American Ash Wood, Antique Wood, Acrylic, 24K Gold Leaf130 × 110 × 40 cm Edition: 1
亚当·博伊德（1993—，英国）于伦敦斯莱德美术学院获得艺术硕士学位，2016年毕业于格拉斯哥艺术学院。他曾入选2022年彭博新当代艺术奖（Bloomberg New Contmporaries）。
博伊德将影像进行多重转化，重释源自现实的诗意景观。他使用诸如 LiDAR 扫描等数字成像手段——这些设备能记录超出人眼视觉范围的信息——来捕捉自然与城市环境的场景，并将所得数据印制在薄布上。艺术家沿着接缝把印有图像的布片缝合在一起，作品在具象与抽象之间悬置。他以拼接与被子缝制的手工语汇，唤起通过不规则接缝联结多重世界的构成原则。
他的个人展览包括: “Eclectic”, ThisWeekendRoom, 首尔 (2025); “Collider”, ThisWeekendRoom, 首尔(2024); “Protubs”, Commonage Projects, 伦敦 (2023); “Synchronisations”, Coleman Projects, 伦敦 (2023)
他的部分群展包括：: “Even on the day when waiting ends”, 韩国京畿道现代艺术博物馆, 安山市 (2025); “Harrow, March 31st 2005…”, Krupa Gallery, 伦敦 (2025); “Saruya Open Atelier”, SARUYA Artist Residency, 富士吉田 (2025); “Field of Difference”, Palmer Gallery, 伦敦 (2024); “To the Edge of Scenery”, ThisWeekendRoom, 首尔 (2024); “A consciousness harnessed to flesh”, D Contemporary, 伦敦 (2023).
Adam Boyd (b. 1993, UK) completed an MFA at The Slade School of Fine Art, London and holds a Bachelor’s from Glasgow School of Art (2016). He was selected for Bloomberg New Contemporaries 2022.
Boyd subjects images to multiple transformations, reinterpreting poetic landscapes drawn from reality. Using digital lenses such as LiDAR scanners—which capture information beyond human visual capacity—he records scenes of nature and the urban environment, printing them onto thin fabric. Along the seams, he joins fabrics with the printed images, producing works suspended between figuration and abstraction. His artisanal language of patchwork and quilting evokes a principle of composing multiple worlds connected through irregular seams.
His selected solo exhibitions include: “Eclectic”, ThisWeekendRoom, Seoul (2025); “Collider”, ThisWeekendRoom, Seoul (2024); “Protubs”, Commonage Projects, London (2023); “Synchronisations”, Coleman Projects, London (2023)
His selected group exhibitions include: “Even on the day when waiting ends”, Gyeongghi Museum of Modern Art, South Korea (2025); “Harrow, March 31st 2005…”, Krupa Gallery, London (2025); “Saruya Open Atelier”, SARUYA Artist Residency, Fujiyoshida (2025); “Field of Difference”, Palmer Gallery, London (2024); “To the Edge of Scenery”, ThisWeekendRoom, Seoul (2024); “A consciousness harnessed to flesh”, D Contemporary, London (2023).
李依宸（1996—，中国）硕士毕业于英国皇家艺术学院雕塑专业。她曾获“CHANEL香奈儿法国总部”颁发的“NEXT Prize”雕塑设计银奖、Heritage Crafts Foundation“英国遗产工艺基金会”颁发的“遗产手工艺奖Heritage Crafts Awards”。其作品被LVMH 集团、FENDI芬迪、CINDY CHAO、X美术馆、罗中立美术馆、风语筑大楼等机构收藏。
她的创作围绕雕塑的“屏障”概念展开，通过对东亚传统语境的再读，将屏风作为空间分割与意象载体的传统功能，与当代材料语言的研究相结合，形成一种兼具仪式性与物质性思考的工作方法。在雕刻过程中，木材的纹理、温度与香气成为她敏锐感知与回应的对象；自然的物质属性与手工劳作相互渗透，成为作品内在结构的一部分。她将细节雕琢为观念的载体，使光线与负形介入作品的生成，在空间中形成兼具视觉张力与精神深度的空间装置。
她的个展/双个展包括：“屏 园 迷 楼”，阳 澄 湖 悦 榕 庄，苏州（2026）；“李依宸 屏之园”她的房间，頌艺术中心，北京（2025）；“云隐：传家之美的当代觉醒”，养云安缦 ，上海（2025）
她的部分群展包括：“成都双年展”，成都美术馆，成都（2026）；“惊奇的房间”，X美术馆，上海（2025）；“梁匠築藝：天地有大美”，Pillars Gallery 皮勒画廊，上海（2025）；“微光河”，Bluerider ART 蓝骑士画廊，上海（2025）；“芝兰都市园林一隅”，X 美术馆，上海（2024）；“Unseen Wounds”, The Crypt Gallery London，伦敦（2023）；“I Object ”，Freud Museum London 英国弗洛伊德博物馆 , 伦敦（2021）
Yichen Li (b. 1996, China) received her MA in Sculpture from the Royal College of Art, London. She has been awarded Runner-up for Sculpture Design at the Chanel NEXT Award, Chanel Headquarters, France, and Finalist for the Woodworking Award of the Year, Heritage Crafts Awards, UK, Heritage Crafts Foundation.Her work has been included in the public collections of LVMH, FENDI, CINDY CHAO, X Museum, Luo Zhongli Art Museum and Fengyuzhu Building.
Her practice explores the notion of the "barrier/screen" in sculpture, re-examining East Asian traditions by integrating the screen's historical function as spatial divider and image-bearer with contemporary material research. This approach yields a methodology marked by both ritual and material enquiry. In her carving process, the grain, temperature, and scent of wood become subjects of close attention, as natural properties and manual labour intertwine to inform the work's internal structure. Through meticulous detail, she deploys light and negative space as operative elements, creating spatial installations that resonate both visually and psychologically.
Her solo/duo exhibitions include: “Screen, Garden, Layrinth, Pavilion”, Yangcheng Lake Banyan Tree, Suzhou (2026); “The Garden of Screens”, Soul Art Centre, Beijing (2025); “Cloud Veil: Contemporary Awakening of Heirloom Elegance”, AMAN Yangyun, Shanghai (2025)
Her selected group exhibitions include: Chengdu Biennale, Chengdu Art Museum, Chengdu (2026); “The Cabinet of Wonder”, X Museum, Shanghai (2025); “Dongliang Craft Atelier”, Pillars Gallery, Shanghai (2025); “The Aura River”, Bluerider ART Gallery, Shanghai (2025); “Zhilan – A Glance in Urban Garden”, X Museum, Shanghai (2024); Unseen Wounds, The Crypt Gallery, London(2023); I Object, Freud Museum London, London (2021)
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