虚空行驶
Driving in the Void
艺术家 Artists:李家庆 Li Jiaqing、宰鹏飞 Zai Pengfei
展期 Duration: 2026.03.12—2026.04.28
开幕 Vernissage: 2026.03.12, 15:00—19:00
Vanguard 画廊将于3月12日呈现李家庆与宰鹏飞的双人项目“虚空行驶”。此次展览聚焦两位艺术家近期的绘画与3D打印作品，传统与新兴的两种材质并置于空间中，迥异的颜色和质感被一种隐而未显的运行机制所联结。在这套机制中，形式与物质并非终点，而是持续处于校准与偏移的过程中，如同在未知之中持续前行的行驶。
Vanguard Gallery is pleased to present “Driving in the Void”, a duo solo project by Li Jiaqing and Zai Pengfei, opening on 12 March. The exhibition brings together recent paintings and 3D-printed works by the two artists, juxtaposing traditional and emerging materials in the exhibition space. Divergent colors and textures are bound by an underlying operative logic. Within this system, form and material do not function as endpoints but remain in a continuous process of calibration and deviation, as if driving through the unknown.
宰鹏飞 Zai Pengfei
《晕车药 43.0》
Motion Sickness Medicine 43.0
布面宣纸、木浆纸、木炭、水性笔、丙烯
Rice paper, wood pulp paper, charcoal, water-based pen and acrylic on canvas
80 × 80cm | 2025
宰鹏飞的“晕车药”系列来自艺术家在冥想与做梦时的幻觉，由身体与意识缔造的迷宫延伸到画面之中持续生成，重复出现的拱顶，台阶，箭头和曲面并非具有定位意义的明确指引，艺术家一遍遍描画记录使之转为身体体验，并介入与影响着观者对空间和运动的感知。
Zai Pengfei’s “Motion Sickness Medicine” series originates from hallucinations he experienced during meditation and dreaming. Mazes forged by body and consciousness extend into the pictorial field, continuously generating and unfolding. Recurrent vaults, steps, arrows, and curving surfaces appear to promise orientation, yet ultimately refuse to resolve into clear guidance. Through repeated acts of drawing and recording, the artist transforms them into embodied experience, intervening in and reshaping the viewer’s perception of space and movement.
李家庆 Li Jiaqing
《Cargo 1/2 #005》
高精度3D打印 (PLA PETG)
High-precision 3D printing (PLA PETG)
145 × 185 × 12cm｜2026
《Cargo 1/2 #005》局部
Detail of Cargo 1/2 #005
李家庆的3D打印作品中，模块化的每一单元皆规整且精确，呈现出精妙控制下的高完成度质感。他的创作并不介入叙事，不同的单元模块代表着逻辑的起点与转折，艺术家通过自身判断将其构建为等待进一步诠释的媒介，将观者卷入秩序的持续生成、积累与转译的演算现场。
In Li Jiaqing’s 3D-printed works, each modular unit is meticulously ordered and precise, bearing the refined finish of exacting control. His practice does not engage narrative directly, instead, through acts of judgment, he constructs units—each functioning as a point of departure or inflection within distinct logical sequences—into carriers awaiting further interpretation. Thereby, he draws the viewer into a computational field in which order is continuously generated, accumulated, and translated.
宰鹏飞 Zai Pengfei
《晕车药 34.7》
Motion Sickness Medicine 34.7
纸本、木炭、水性笔、丙烯
Charcoal, water-based pen and acrylic on paper
100 × 70 cm｜2024
驾驶作为一种在规则中不断运行推演的行为，融合了逻辑、直觉、经验和情景感知。而李家庆与宰鹏飞二者的实践驶领我们越过作为表象的世界，进入属于创物前的虚空中，在此，推演失去既定的规则与线索，当意义的生成取决于意识的赋予时，作为驾驶者如何重新搭建秩序体系，自我的处境应当依赖自身的体感还是借助外界的因素判断？
Driving, understood as an ongoing negotiation of rules through logic, intuition, experience, and situational awareness, offers a lens through which the practices of Li Jiaqing and Zai Pengfei move us beyond the world as representation, into a void that exists before form takes shape. Here, inference loses its predetermined rules and coordinates; meaning arises only through the agency of consciousness. As drivers, how might we reconstruct systems of order? Should our orientation rely on embodied perception, or on judgments derived from external conditions?
关于艺术家 ABOUT THE ARTISTS
李家庆 Li Jiaqing
李家庆，1995年生于中国，现生活工作于法兰克福与深圳。李家庆的艺术实践聚焦于形式结构、语言系统与逻辑生成之间的关系。他通过数字建模与材料转译构建视觉模块，将作品视为语言系统中的节点，而非孤立的图像或事件。他的创作方法源于结构主义与符号学传统，强调形式的逻辑演化与历史承担，试图在判断沉默与机制主导的当代语境中，重建艺术语言的系统性与批判性。不同于以情绪表达或社会叙事为主导的创作路径，李家庆强调作品的语言一致性与逻辑自治， 主张结构可继承、误解可吸纳，判断可生成。他将艺术视为对认知结构的实践性回应，而非观看机制的表面参与。
部分个展/双个展：“虚空行驶”，Vanguard 画廊，上海，中国（2026）；“推理性对话”，倒几手空间，广州（2025）；“Motherboard & Process”，Apotheke，德国美因茨（2022）。
部分群展：“托物”，凯旋画廊，北京（2025）；“Common Ground”，K-Lab，德国美因茨（2025）；“潜行剧场”，ISM Art Space，深圳（2025）；“德国交响”，科纳艺术中心，深圳（2025）；“45 Jahre Galerie Van der Koelen”，美因茨艺术中心，德国美因茨（2024）；“Keep Running”，弗莱堡具体艺术基金会，德国弗莱（2024）；“Experimente V – Spuren”，美因茨艺术中心，德国美因茨（2023）；“Temporary Solids”，KWR40，德国美因茨（2022）；“The Grass Is Always Greener”，Kunstquartier Bethanien，Studio 1，德国柏林（2022）；“Schwarzer Nebel – Weißer Rauch”，Kokerei Hansa，德国多特蒙德（2019）；“Karussell（Prof. Jochen Stenschke 工作室）”，Level One，德国汉堡（2018）。
Li Jiaqing was born in 1995 in China and currently lives and works in Frankfurt and Shenzhen. His practice focus on the relationships between formal structures, linguistic systems, and the generation of logic. Through digital modeling and material translation, he constructs visual modules, conceiving of each work as a node within a broader language system rather than as an isolated image or event. Rooted in the traditions of structuralism and semiotics, his methodology emphasizes the logical evolution of form and its historical responsibility. Within a contemporary context shaped by suspended judgment and mechanism-driven systems, he seeks to reconstruct the systematic and critical dimensions of artistic language. In contrast to practices driven primarily by emotional expression or social narrative, Li underscores the linguistic coherence and logical autonomy of the work, proposing that structures can be inherited, misreadings absorbed, and judgment generated. He regards art as a practical response to cognitive structures, rather than a superficial participation in the mechanisms of visuality.
Selected solo/duo exhibitions: "Driving in the Void", Vanguard Gallery, Shanghai, China (2026); “Begründeter Dialog”, DODGERS GALLERY, Guangzhou(2025); “Motherboard & Process”, Apotheke, Mainz, Germany(2022).
Selected group exhibitions: “Placeholder”, Triumph Gallery, Beijing(2025); “Common Ground”, K-Lab, Mainz, Germany(2025); “I Did It My Way”, ISM Art Space, Shenzhen(2025); “German Symphony”, KCCA, Shenzhen(2025); “45 Jahre Galerie Van der Koelen”, Kunsthalle Mainz, Mainz, Germany(2024); “Keep Running”, Stiftung für Konkrete Kunst Freiburg (Foundation for Concrete Art), Freiburg, Germany(2024); “Experimente V–Spuren”, Kunsthalle Mainz, Mainz, Germany(2023); “Temporary Solids”, KWR40, Mainz, Germany, 2022; “The Grass Is Always Greener”, Kunstquartier Bethanien, Studio 1, Berlin, Germany(2022); “Schwarzer Nebel – Weißer Rauch”, Kokerei Hansa, Dortmund, Germany(2019); “Karussell (Class of Prof. Jochen Stenschke)”, Level One, Hamburg, Germany(2018).
宰鹏飞 Zai Pengfei
宰鹏⻜1994年⽣于中国扬州。现居上海。2019年毕业于奥斯陆Rønningen folkehøgskoley艺术专业，2017年毕业于云南⼤学艺术与设计学院绘画系第⼆⼯作室。在过去四年的实践中，他使⽤铅笔、炭笔和纸作为材料，创作了“晕⻋药”系列作品，聚焦空间的⽆序、灵魂在时间洪流中的迷失， 以及被困于梦境中的真实⾃我等主题。
部分个展/双个展：“虚空行驶”，Vanguard 画廊，上海，中国（2026）；“平均律”，百空间，上海（2024）；“时间织体”，仚東堂，北京（2024）；“从‘崩溃开始‘到‘晕车药’”，HEYAN'ER GALLRY，上海（2023）；“无物”，TCG诺地卡，昆明无物，TCG诺地卡，昆明（2020）。
部分群展："轻功"，Vanguard 画廊，上海，中国（2025）；“幻醒”，宁波美术馆，宁波（2025）；“大断裂:末世未来考古学”，杭州中心美术馆，杭州（2025）；“相似游戏”，DOSE画廊，上海（2024）；“离析”，一起画廊，合肥（2024）；“出发层”，Third Street Gallery，上海（2024）；“即兴判断”，木曦画廊，上海（2024）；“动态刷新”，四川美术学院美术馆，重庆（2023）；“浮于海”，ATTN关注画廊，广州（2023）；“风景后”，CGK昆明当代美术馆，昆明（2023）；“破冰艺术计划”，红梅文创园发酵艺术中心，沈阳（2022）；“对白-驻留艺术家双个展”，泰艺术中心，上海（2022）；“一隅三生-2022草场地青年艺术家群展”，北京草场地，北京（2022）；“朋满箔满-黄盒子开放展”， 上海喜马拉雅美术馆，上海（2021）；“创造”，Røna，奥斯陆（2019)。
Zai Pengfei was born in 1994 in Yangzhou, China, and currently lives in Shanghai. He graduated in 2019 from Rønningen Folkehøgskole in Oslo, and in 2017 from the Second Studio of the Painting Department at the School of Art and Design, Yunnan University.In the past four years, he has been using pencils, charcoal, and paper as his materials to create a series of works called Motion Sickness Medicine . This series delves into the chaos of space and the drifting of lost souls through the currents of time, exploring themes such as one’s true self being trapped in a dreamscape.
Selected solo/duo exhibitions:"Driving in the Void", Vanguard Gallery, Shanghai, China (2026); "Equal Temperament", Baiwork, Shanghai (2024); “The Texture of Time”, SANTO HALL, Beijing (2024); "When The Crash Happened & Motion Sickness Pills", HEYAN'ER GALLERY, Shanghai (2023); "Empty World", TCG Nordica, Kunming (2020).
Selected group exhibitions: "Kungfu Lightness", Vanguard Gallery, Shanghai, (2025); "A False Awakening", Ningbo Museum of Art, Ningbo (2025); "Archaeologist", Central Art Museum, Hangzhou (2025); "Resemblance Game", DOSE Gallery, Shanghai (2024); "Dissociation-analysis", Together Gallery, Hefei (2024); "Departure Level", Third Street Gallery, Shanghai (2024); "INTUITION", MOODSEA Gallery, Shanghai (2024); "DYNAMIC REFRESH", Art Museum of Sichuan Fine Arts Institute, Chongqing (2023); "ADTIFT", ATTN Gallery, Guangzhou (2023); "After Land-scape", CGK Kunming Contemporary Art Museum, Kunming (2023); "ICE BREAKING ART PROJECT", HONGMEI PARK, Shenyang (2022); "Dialogue Art-in-Residence Double Solo Exhibition", Tai Art Center, Shanghai (2022); "A Corner Garden With Light”, Cao Chang Di International Art village, Beijing (2022); "The More The Merrier 2021", Himalayas Museum, Shanghai (2021); "Create", Røna, Oslo (2019).
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