世界起伏的呼吸
The World’s Heaving Breath
March 5th 2026 – May 17th 2026
Fishead Lab, Via Eugenio Camerini 2, Milan
策展人：印帅 & Khemerin Vismara
艺术家：
Marie Cool Fabio Balducci
Bart Houwers
Liu Ding
Juan Pablo Macias
Margherita Moscardini
「 Breath, you, invisible poem! Always about individual. Being, pure exchange of space. 」
------Rainer Maria Rilke, Sonnets to Orpheus
在Fishead Lab「流水席」2026艺术项目之下，我们很高兴推出此次展览——《世界起伏的呼吸》，展期：2026年3月5日 – 5月17日。
由Naba美院视觉艺术与策展教授印帅（Yin Shuai）以及青年藏家 Khemerin Vismara 共同策划。本次展览标题源自里克尔（Rainer Maria Rilke）1922年的诗集《致奥尔弗斯的十四行诗》（Sonnets to Orpheus），将“呼吸”所具的生命律动作为连接媒介，回应当代处境。展览以五个彼此对话的“行动”展开，每个行动持续十天。 五组艺术家来自不同背景：
Marie Cool & Fabio Balducci（法国, 1961；意大利, 1964）、Bart Houwers（荷兰, 1997）、刘鼎（中国, 1976）、Juan Pablo Macias（墨西哥, 1974）以及 Margherita Moscardini（意大利, 1981）。
他们的创作如同呼吸的运动：在保持各自主性的同时又不可分割地彼此关联，共同塑造出一场关于感知现象动态以及通过艺术生产工具建构意义的集体讨论。 从艺术家们的批判性视角出发，邀请观者以经验性的方式，重新尊重那些被遗弃的联结，并在预感世界持续不稳定的前提下，重新发现栖居于世界秩序中的可能性。
策展人话：
「在全球化时代走过三十年之际，我们似乎拥有了与“世界”建立联系的无限可能。然而，一个日益被权力高度集中所定义的社会现实却鲜明地提醒我们：这些联系既不平等，也并非完全真实；它们在事实上往往促成了一种无形的分离。
本次展览项目《世界的起伏的呼吸》灵感源自 Rainer Maria Rilke 于1922年创作的杰作《Sonnets to Orpheus》。里尔克将呼吸的节律性生命力视为诗歌的灵魂。通过呼吸这一行为，作为主体的“我”得以与“另一个我”交流，并与世界达成一种深刻的相互联结。这一观念促使我们重新思考自身的连接方式以及我们的“观看之道”。
展览以五个彼此区分的“行动”展开，每个“行动”为期十天（并以一位艺术家的创作为核心）。尽管这些艺术家来自不同的背景，但他们共享一种对现实的共同视野。正如呼吸的起伏，他们的创作各自独立地呈现，却又彼此紧密交织，共同构成关于艺术媒介与感知机制的集体论述。在一个权力高度集中、联结支离破碎的时代，唯有回归最基本的“呼吸”与“观看”之举——并重新尊重每一个个体的“劳动”与“处境”——我们或许才能重新发现与世界之间真实而本质的联系。」
展览时间安排
•3月5日 – 3月15日：Margherita Moscardini
•3月19日 – 3月29日：Bart Houwers
•4月9日 – 4月19日：Juan Pablo Macias
•4月23日 – 5月3日：刘鼎（Liu Ding）
•5月7日 – 5月17日：Marie Cool & Fabio Balducci
艺术家介绍：
Marie Cool & Fabio Balducci
由Marie Cool（1961年生于法国）与Fabio Balducci（1964年生于意大利）组成的艺术家组合自1995年起在巴黎合作创作，是活跃于欧洲当代艺术语境中的重要实践者。他们通过对日常物品和材料进行“行动”（actions）创作，以回应并与贫穷艺术（Arte Povera）形成批判性的关系。两位艺术家关注工业与技术时代的劳动条件，使用普通且易于获取的消费性物件或材料进行创作。他们对“动作”的运用通常与简单行为和重复有关，使艺术呈现出一种普遍而日常的语言。两位艺术家曾在蓬皮杜中心、巴黎市立现代艺术博物馆、里昂双年展及巴塞罗那当代艺术博物馆等机构展出，作品亦被法国国家公共艺术收藏等公共机构收藏，在当代关于物质性、动作与感知政治的讨论中占据独特位置。
Bart Houwers
Bart Houwers出生于荷兰，现生活和工作于荷兰阿姆斯特丹，是一位视觉艺术家与空间设计师。他的创作反思过去数十年至今乡村环境的变迁。通过场域特定的装置、介入和雕塑，他探索（空间）记忆、微观历史、地方性、工业、尺度、传统与失落等概念。
刘鼎（Liu Ding）
艺术家、策展人刘鼎（Liu Ding）出生于1976年，现生活和工作于中国北京。刘鼎是一位艺术家与策展人。他基于对中国近现代艺术、文化与政治互动关系的研究，运用文本、摄影、装置、绘画、行为等多种媒介进行创作。他曾参加多个双年展，包括釜山双年展（2018）、银川双年展（2018）、伊斯坦布尔双年展（2015）、亚太三年展（2015）、新奥尔良Prospect 3（2014）、上海双年展（2014）、台北双年展（2012）、第53届威尼斯双年展中国馆（2009）、首尔媒体城市双年展（2008）及广州三年展（2005）。
Juan Pablo Macias
墨西哥艺术家Juan Pablo Macias出生于1974年，现生活和工作于意大利利沃诺。他的创作探讨表征系统与情感之间的关系，并以类比方式延伸至权力—知识与起义性知识之间的关系。通过行动、介入及档案实践，他试图在机构、艺术实践与社会领域之间制造张力，通过直接作用于生物、社会与经济身体的项目，打破单一平面的语义结构。他曾参与多个国际展览与机构项目，包括Venice Biennale平行展项目、欧洲与拉丁美洲多家当代艺术机构个展及研究型展览，并长期与独立出版与档案平台合作。Juan Pablo Macias 的创作以研究为导向，将艺术视为一种能够激活历史记忆与社会行动的知识实践，在当代艺术关于制度批判、档案政治与激进思想传统的讨论中占据重要位置。
Margherita Moscardini
意大利艺术家Margherita Moscardini出生于1981年。她的创作关注特定地理情境中城市、社会与自然秩序的转变过程。她常聚焦被遗弃或面临拆除的场所，将拆除废弃物系统视为地方复杂性的隐喻。其艺术实践强调过程与长期项目，并将“语境”视为一种媒介：包括既有建筑、景观（地貌特征）、物质环境的设计方式，以及城市规划如何影响当地社区的行为。具体情境往往决定作品的问题意识、材料与方法，她通过大型介入、绘图、写作、模型与影像文献等形式展开创作。
Moscardini 曾在意大利和国际多个重要展览或机构展出作品，包括 Fondazione Pastificio Cerere（罗马）、Collezione Maramotti（雷焦艾米利亚）、MAXXI 当代艺术博物馆（罗马）、MMCA Changdong（首尔）、Palazzo delle Esposizioni（罗马）、MAMbo（博洛尼亚）等机构展览或项目。
策展人介绍：
印帅 Yin Shuai
策展人印帅，出生于中国，现生活和工作于意大利米兰。自2015年起与FM当代艺术中心（米兰）合作，并于2018年成为NABA（米兰新美术学院）讲师。2019年，他创立了AP Project。其文章与展评发表于《Segno》、《Mousse Magazine》、《Public Art》、《L@ft》、《The Art Newspaper》等艺术媒体。他的项目“Death-Ray on the Coral Island”入选上海当代艺术博物馆2021年“新兴策展人项目”，“Infancy and History”入围OCAT研究型展览2019年决选。
Khemerin Vismara
青年藏家Khemerin Vismara出生于柬埔寨，现生活和工作于意大利米兰。他的实践将艺术过程视为探究历史感知与伦理转变的场域，关注文化如何被传递、流通与争议。在跨学科与批判性方法的影响下，他的工作以研究与资料收集为核心，并在合作情境中展开。他追踪遗产建构的关系框架，质疑其权威性以及事件如何通过特定机制变得可理解，并在当代不确定性条件下成为理解与可视化变化的结构性元素。
联系方式：
网站：www.fisheadlab.art
邮箱：fisheadmilan@gmail.com
Via Eugenio Camerini 2, 20131，Milano
The World’s Heaving Breath
March 5th 2026 – May 17th 2026
Fishead Lab, Via Eugenio Camerini 2, Milan
A project by Yin Shuai and Khemerin Vismara
Artists：
Marie Cool Fabio Balducci
Bart Houwers
Liu Ding
Juan Pablo Macias
Margherita Moscardini
「 Breath, you, invisible poem! Always about individual. Being, pure exchange of space. 」
------Rainer Maria Rilke, Sonnets to Orpheus
Under the Fishead Lab “Flowing Banquet” 2026 art program, We are happy to announce the first exhibition project from Flowing Banquet Project:
「 THE WORLD’S HEAVING BREATH 」 March 5th - May 17th
A project by Yin Shuaiand Khemerin Vismara，The title ofexhibition is inspired by Rainer Maria Rilke’s 1922 masterpiece Sonnets to Orpheus, explores the rhythmic vitality of breath as a medium for connection responding the contemporary situation.
The exhibition is a dialogue across five distinct "actions," each lasting ten days. Five groups of artists: Marie Cool & Fabio Balducci (FR, 1961; IT, 1964) , Bart Houwers (NL, 1997) , Liu Ding (CN, 1976) , Juan Pablo Macias (MX, 1974) and Margherita Moscardini (IT, 1981) from diverse backgrounds, interwoven like the rise and fall of a breath.
Their contributions, analogous to the movement of inhalation and exhalation, arise autonomously while remaining indissolubly intertwined, shaping a collective discourse on the dynamics of the perceptual phenomenon and on the establishment of meaning through the tools embedded in artistic production.Their critical gaze is an invitation to empirically attempt to respect the nature of our abandoned bonds and to rediscover possibilities of inhabiting the order of the world despite the anticipation of its progressive instability.
Curators’ Statement：
「Thirty years into the era of globalization, we appear to possess infinite possibilities for establishing a connection with the "world." However, a social reality increasingly defined by the extreme concentration of power serves as a stark reminder that these connections are neither equitable nor entirely authentic; indeed, they often facilitate a form of invisible separation.
The exhibition project, 「The World’s Heaving Breath」, draws its inspiration from Rainer Maria Rilke’s 1922 masterpiece, Sonnets to Orpheus. Rilke perceived the rhythmic vitality of breath as the very soul of poetry.
Through the act of breathing, the "I" as a subject is enabled to communicate with the "other I," achieving a profound interconnectedness with the world. This notion compels us to reconsider the nature of our links and our "ways of seeing."
The exhibition unfolds across five distinct "actions," each lasting ten days (and centering on the work of a single artist). Though these artists originate from diverse backgrounds, they share a common vision of reality. Like the rise and fall of a breath, their contributions emerge independently yet remain inextricably interwoven, forming a collective discourse on artistic media and the dynamics of perception. In an era of concentrated power and fractured connectivity, it is only by returning to the most fundamental acts of 'breathing' and 'seeing'—and by reclaiming a respect for the 'labor' and 'circumstance' of every individual—that we may rediscover an authentic connection with the world.」
Schedule of Exhibition:
March 5th - 15th Margherita Moscardini
March 19th - 29th Bart Houwers
April 9th - 19th Juan Pablo Macias
April 23th - May 3rd Liu Ding
May 7th - 17th Marie Cool & Fabio Balducci
Artists：
Marie Cool & Fabio Balducci
The artist duo Marie Cool (born 1961 in France) and Fabio Balducci (born 1964 in Italy) have been collaborating in Paris since 1995 and are recognized as significant practitioners within the European contemporary art context. They create “actions” using everyday objects and materials in critical dialogue with the Arte Povera movement. Concerned with the labor conditions of the industrial and technical eras, they work with ordinary, easily accessible consumer materials. Their use of gesture is often associated with simple acts and repetition, giving their art a universal and quotidian language. Their works have been exhibited at institutions including the Centre Pompidou, Musée d’Art Moderne de Paris, Biennale de Lyon, and MACBA Barcelona, and are included in public collections such as the French National Public Art Collection, situating their practice uniquely within contemporary discussions of materiality, action, and the politics of perception.
Bart Houwers
Born in the Netherlands and currently living and working in Amsterdam, Bart Houwers is a visual artist and spatial designer. His work reflects on the transformations of rural environments over the past decades. Through site-specific installations, interventions, and sculptures, he explores concepts such as spatial memory, micro-histories, place, industry, scale, tradition, and loss.
Liu Ding
Chinese artist and curator Liu Ding (born 1976) lives and works in Beijing. Based on his research into the interplay between art, culture, and politics in modern and contemporary Chinese history, he creates works using text, photography, installation, painting, and performance. He has participated in major biennales, including the Busan Biennale (2018), Yinchuan Biennale (2018), Istanbul Biennial (2015), Asia Pacific Triennial (2015), Prospect 3, New Orleans (2014), Shanghai Biennale (2014), Taipei Biennial (2012), the Chinese Pavilion at the 53rd Venice Biennale (2009), Media City Seoul (2008), and the Guangzhou Triennale (2005).
Juan Pablo Macias
Mexican artist Juan Pablo Macias (born 1974) lives and works in Livorno, Italy. His practice explores the relationship between systems of representation and affectivity, and analogically, between power knowledge and insurrectional knowledge. Through actions, interventions, and archival work, he creates tensions between institutions, artistic practice, and the social field, producing programs that operate directly on biological, social, and economic bodies. He has participated in international exhibitions and institutional projects, including parallel projects at the Venice Biennale, solo exhibitions at contemporary art institutions across Europe and Latin America, and collaborations with independent publishing and archival platforms. His research-driven practice positions art as a knowledge-based activity capable of activating historical memory and social action, contributing significantly to contemporary discussions of institutional critique, archival politics, and radical thought.
Margherita Moscardini
Italian artist Margherita Moscardini (born 1981) lives and works in Livorno, Italy. Her work investigates the transformation processes of urban, social, and natural orders within specific geographies, often focusing on abandoned or demolition sites, using the waste system of demolition as a paradigm of local complexities. Her practice emphasizes process and long-term projects, treating context as a medium—including existing architecture, landscape (geo-morphological features), material environment, and how urban plans shape local community behavior. The context often suggests the issues, materials, and methods she employs, realized through large-scale interventions, drawings, writings, scale models, and video documentation. Moscardini has exhibited in major national and international institutions and projects, including Fondazione Pastificio Cerere (Rome), Collezione Maramotti (Reggio Emilia), MAXXI Museum of Contemporary Art (Rome), MMCA Changdong (Seoul), Palazzo delle Esposizioni (Rome), and MAMbo (Bologna).
Curator:
Yin Shuai
Curator Yin Shuai was born in China and currently lives and works in Milan, Italy. He has collaborated with FM Centre for Art Contemporary (Milan) since 2015 and became a lecturer at NABA (Nuova Accademia di Belle Arti) in 2018. In 2019, he founded the AP Project. His articles and exhibition reviews are published in Segno, Mousse Magazine, Public Art, L@ ft, The Art Newspaper, and other art magazines. His project “Death-Ray on the Coral Island” is selected as Emerging Curators Projects 2021(Powerstation of Art, Shanghai, 2021), “Infancy and History” is selected as finalist of research-based exhibition 2019 (OCAT Institute, Beijing).
Khemerin Vismara
Young collector Khemerin Vismara was born in Cambodia and currently lives and works in Milan, Italy. His practice approaches artistic processes as sites of inquiry into historical perception and ethical transformation, focusing on the ways culture is transmitted, circulated, and contested. Informed by an interdisciplinary and critical orientation, his work is conceived as an activity of research and data collection, developed within collaborative contexts. He traces the relational frameworks through which legacies are constructed, interrogating their authority and the devices through which events become legible and structuring elements in the understanding and visualization of change within contemporary conditions of uncertainty.
Contact with：
Website：www.fisheadlab.art
Email：fisheadmilan@gmail.com
Via Eugenio Camerini 2, 20131，Milano
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