展会信息

【艺博会】麦勒画廊@日内瓦艺术博览会(Art Genève) | A31 展位

 作者：本站编辑  2026-01-29 23:17:52  0

日内瓦艺术博览会展览现场，图片：Oliver Kuemmerli

Exhibition view of Art Genève 2026, Photo: Oliver Kuemmerli

麦勒画廊荣幸地宣布将参加Art Genève 2026并呈现一系列精选作品。本次博览会聚焦于画廊代理的瑞士艺术家，包括：米尔科·巴泽吉亚，克洛丁·埃尔布，托比亚斯·卡斯帕，乌尔斯·吕蒂，高嫣（Rebekka Steiger）和魏德曼/梅特勒。与此同时共同展出的还有一系列国际艺术家的作品，包括雷娜·裴，胡庆雁，苗妙以及罗瑟林德·纳沙希比，由此构建跨地域与代际的动态对话。

At Art Genève 2026, Galerie Urs Meile is pleased to present a curated selection of works with a focus on Swiss artists from the gallery's program, including Mirko Baselgia, Klodin Erb, Tobias Kaspar, Urs Lüthi, Rebekka Steiger, and Wiedemann/Mettler. The presentation is complemented by international positions such as Lêna Bùi, Hu Qingyan, Miao Miao, and Rosalind Nashashibi, creating a dynamic dialogue across regions and generations.

参观指南

Visitor Guide

展览日期：2026年1月29日 - 2月1日

地点：日内瓦展览中心

Exhibition Dates: January 29 -February 1, 2026

Venue: Palexpo, Geneva

部分参展作品

Selected Works

米尔科·巴泽吉亚（1982年生于瑞士伦茨）的作品强调了人类与自然界之间本质的相互依存关系。他从自然形态中汲取灵感，将其转化为全新的美学形式。他近期为巴塞尔罗氏（Roche Basel）创作的特定场域雕塑作品，深刻探索了人类的存在、生物间的相互联系，以及皮肤作为内外空间边界的概念。

Mirko Baselgia's (1982, Lenz, Switzerland) work highlights the essential interdependence between human beings and the natural world. Inspired by natural formations, he translates them into new aesthetic forms. His recent site-specific sculptural work—realized for Roche Basel—offers a profound exploration of human existence, the interconnectedness of living beings, and the concept of skin as the boundary between inner and outer space.

米尔科·巴泽吉亚｜Mirko Baselgia

Shedding the Body - Arising, 2025

苹果木树干（炭化、油浸）配苹果木木瓦；云杉树干配瑞士石松木瓦；云杉胶合板基座配苹果木木瓦｜Apple-wood trunk (charred, oiled) with apple-wood shingles; spruce trunk with Swiss stone pine shingles; spruce plywood base with apple-wood shingles

305 × 110 × 110 cm

克洛丁·埃尔布（1963年生于瑞士温特图尔）是瑞士最具声望的当代艺术家之一。2022年，她荣获享有盛誉的梅雷特·奥本海姆奖（Prix Meret Oppenheim）。她当前在阿劳美术馆（Aargauer Kunsthaus）与勒洛克勒美术博物馆（Musée des Beaux-Arts Le Locle）举办的个展，凸显了她生动且极具实验性的创作实践。埃尔布植根于绘画，同时拓展至电影、装置和拼贴领域，不断重塑图像创作的可能性。通过借鉴艺术史、神话故事、流行文化和数字影像作为灵感，她跨越三十年的创作不仅捕捉了当代生活的情感脉搏，更是开启了跨越不同时间维度的全新视角。

Klodin Erb (1963, Winterthur, Switzerland), is one of Switzerland's leading contemporary artists and the recipient of the 2022 Prix Meret Oppenheim. Current solo exhibitions at the Aargauer Kunsthaus and the Musée des Beaux-Arts Le Locle highlight her vivid and experimental practice. Rooted in painting yet expanding into film, installation, and collage, Erb continually redefines the possibilities of image-making. Drawing on art history, mythology, pop culture, and digital imagery, her three-decade oeuvre captures the emotional pulse of contemporary life while opening new perspectives across time.

克洛丁·埃尔布｜Klodin Erb

Nude #10, 2025

画布与连裤袜｜tights on canvas

44 × 32 cm

托比亚斯·卡斯帕（1984年生于瑞士巴塞尔）致力于探索艺术与时尚产业中价值生产、品味与欲望的运作机制。其创作横跨摄影、现成物体和装置领域，审视文化意涵、风格及谬论（如关于艺术家工作室的传言和谬论）如何被生产与传播。卡斯帕以微妙的讽刺手法，运用消费与美学的逻辑揭示市场力量、身份认同与艺术光环之间的纠缠关系。麦勒画廊于苏黎世（安克街）空间呈现其个展“Atelier”，展览持续至1月24日。

Tobias Kaspar (1984, Basel, Switzerland) explores the mechanisms of value production, taste, and desire within the art and fashion industries. His practice—spanning photography, object, and installation—examines how cultural meanings, styles, and myths, such as that of the artist's studio, are produced and circulated. With subtle irony, Kaspar employs the logics of consumption and aesthetics to expose the entanglements of market forces, identity, and artistic aura. Galerie Urs Meile presents his exhibition Atelier at the Zurich gallery, on view through January 24.

乌尔斯·吕蒂（1947年生于瑞士克里恩斯）的创作探索身份认同、性与人类境遇等主题。其作品通过反复出现的意象深化情感张力，如对幸福与爱情的追寻、对艺术史的深度对话、对身体生理变化的接纳，以及对当代社会禁忌、性话题中的陈词滥调与被规范化的性别角色的展现。2027年，卢塞恩美术馆（Kunstmuseum Luzern）将举办吕蒂作品的大型回顾展。

Urs Lüthi (1947, Kriens, Switzerland) explores themes of identity, sexuality, and the human condition. His work amplifies the emotions tied to recurring motifs such as the pursuit of happiness and love, a deep engagement with art history, an acceptance of the body's physical changes, and the exposure of contemporary society's taboos, sexual clichés, and normative gender roles. In 2027, the Kunstmuseum Luzern will present a major retrospective of Lüthi's oeuvre.

高嫣（Rebekka Steiger，1993年生于瑞士苏黎世）的绘画将抽象与具象融合于充满活力且极具情感共鸣的构图中。通过汲取动物、风景和神话人物等元素，她的画作深入探讨了本能、转化与潜意识等主题。受在北京和胡志明市的驻地经历影响，她将东亚美学融入其创作实践。高嫣在欧洲和亚洲广泛举办展览，其最近的机构个展于2025年在图恩美术馆（Kunstmuseum Thun）举行。

Rebekka Steiger's (1993, Zurich, Switzerland) paintings merge abstraction and figuration in vibrant, emotionally resonant compositions. Drawing on animals, landscapes, and mythological figures, her paintings delve into themes of instinct, transformation, and the subconscious. Influenced by residencies in Beijing and Ho Chi Minh City, she weaves East Asian aesthetics into her practice. Steiger has exhibited widely across Europe and Asia, her most recent institutional exhibition took place in 2025 at the Kunstmuseum Thun.

高嫣｜Rebekka Steiger

untitled, 2025

布面蛋彩丙烯水墨｜tempera and acrylic ink on canvas

200 × 150 cm

魏德曼/梅特勒是瑞士艺术家组合，由帕斯卡尔·魏德曼（1966年生于瑞士）与丹尼尔·梅特勒（1965年生于瑞士）组成，现居苏黎世。自2002年起，他们融合产品设计、舞台设计及建筑领域的专业背景，创作跨学科作品以探索情感与理性的互动关系。其创作涵盖摄影、雕塑、织物艺术及装置。2026年1月22日起，麦勒画廊在苏黎世（拉米街）空间呈现其个展“narratief”。

Wiedemann/Mettler is a Swiss artist duo comprising Pascale Wiedemann (1966) and Daniel Mettler (1965), based in Zurich. Since 2002, they have merged their backgrounds in product and set design as well as architecture to create interdisciplinary works that explore the interplay between emotion and rationality. Their practice spans photography, sculpture, textile art, and installation. From January 22, 2026, Galerie Urs Meile will present narratief, a solo exhibition of their work at its Zurich gallery.

安东尼奥·巴莱斯特·莫雷诺（1977年生于西班牙马德里）以自然为灵感，通过简洁的元素形态构建象征性视觉语言——圆形意味着日月及其运行的天体周期，三角形代表树木与山脉，黄色代表光线，蓝色则寓意流动的水。他的创作根植于抽象艺术，同时从手工艺，挂毯，设计中提取丰富素材，也糅合了非洲与伊斯兰文化的元素。他的创作领域横跨绘画、陶瓷和沉浸式装置。2026年他将在马德里2月2日艺术中心”（Centro de Arte Dos de Mayo）举办重要个展。

Antonio Ballester Moreno (1977, Madrid, Spain) creates a symbolic visual language through simple, elemental forms inspired by nature—circles for celestial cycles, triangles for trees and mountains, yellow for light, blue for water. Rooted in abstraction yet informed by craft, tapestry, design, and African and Islamic art, his work spans painting, ceramics, and immersive installations. In 2026, the Centro de Arte Dos de Mayo in Madrid will present a major solo exhibition by the artist.

安东尼奥·巴莱斯特·莫雷诺｜Antonio Ballester Moreno

Red Pink Blue, 2025

黄麻布上丙烯｜acrylic on jute

145 × 200 cm, 149 × 204 cm (带框｜framed)

雷娜·裴（1985年生于越南岘港）是一位跨学科艺术家，创作媒介涵盖绘画、影像和装置。凭借东亚研究的学术背景，她的创作将人类学考察与诗性反思相结合，探索社会的快速发展对人类与自然及周遭环境关系的影响。她的作品在国际上广泛展出，包括今年在巴塞尔电子艺术馆（House of Electronic Arts Basel）以及正在进行中的上海双年展。

Lêna Bùi(1985, Da Nang, Vietnam) is a multidisciplinary artist working in painting,videoand installation. With a background in East Asian Studies, her practice combines anthropological research with poetic reflection, exploring the impact of the rapid development on people's relationship with nature and their surroundings. Her works been shown internationally, including this year at the House of Electronic Arts in Basel and the ongoing Shanghai Biennial.

作为观念雕塑艺术家，胡庆雁（1982年出生于中国山东）多年来对雕塑的理解一直在发展、深入。他对于再现和空间的想法是基于对雕塑媒介的扩展定义，他用自己的自主概念挑战观众。艺术家选择大理石作为媒介对周遭之物进行原比例的转化与再现，将观者视线引向雕塑的内在与本质，进而展开对社会、哲学与政治的多维度探索，最终引发人们对艺术与生活之间复杂关系的思考。

Hu Qingyan's (1982, Shandong Province, China) understanding of sculpture, whilst using a conceptual approach, is ever developing. His ideas on representation and space are based on an expanded definition of the medium of sculpture, and he challenges his viewers with his autonomous concepts. Hu Qingyan chooses marble as a medium to transform and reproduce the original proportions of surrounding objects, leading our attention to the sculpture's interior and essence, as well as the multidimensional exploration of society, philosophy, and politics, finally ushering the thinking about the complex relationship between art and life.

英国巴勒斯坦裔艺术家罗瑟林德·纳沙希比（1973年生于英国伦敦）兼具画家与电影制作人双重身份。在两种媒介的创作中，她始终执着于对“凝视”的探索——这种凝视甚至能令她置身于被摄主体的立场，其视角既令人不安，又饱含共情。她于2017年获特纳奖提名，并代表苏格兰参加第52届威尼斯双年展。她的作品被泰特美术馆（Tate）、现代艺术博物馆（MoMA）和大都会艺术博物馆等重要的公共机构收藏。

Rosalind Nashashibi (1973, London, UK) is a British-Palestinian painter and filmmaker. In both media she is preoccupied with looking, to the extent of passing over onto the side of the subject in a way that can be disconcerting and yet deeply empathetic. She represented Scotland at the 52nd Venice Biennale and was shortlisted for the Turner Prize in 2017. Her works are included in major public collections such as Tate, MoMA, and the Metropolitan Museum of Art.

苗妙（1986年生于中国河南）是中国年轻一代画家中的杰出代表。她大胆且独特的艺术手法，不拘泥于传统的绘画规范和视觉惯例。她的作品围绕日常生活的内外空间展开，痴迷于对色彩和形状的探索，并融入文学性，试图以此去描绘和表达混沌。

Miao Miao(1986, Henan Province, China) is a leading voice of the young generation of Chinese painters. She has a bold and unique approach that defies traditional norms and visual conventions of painting. Her works unfold around the interior and exterior of everyday life as they obsess over colour and shape, mingling with the literary in attempts to articulate chaos.