German Animation and China
By Rolf Giesen
本文围绕中德在动画领域的跨文化交流展开。
早期德国女动画师罗特·雷尼格受影子戏启发创作的《艾哈迈德王子历险记》是双方动画交流的早期雏形。此后，曼弗雷德・杜尼约克与上海美术电影制片厂合作推出《天书奇谭》等多部经典作品，开启了中德动画联合制作的重要阶段。21 世纪后，《劳拉的星星》标志着中德首部3D动画合作制作的实现，《动物总动员》等德国影片在华发行丰富了交流形式。
作者最后总结中德动画交流涵盖联合制作、跨文化叙事与影片互映等多元模式，既推动了技术与创意的双向流动，也搭建了文化沟通的桥梁，未来有望持续深化合作。
The article explores the cross-cultural exchange between Germany and China in animation.
Lotte Reiniger’s work is the foundation for later collaboration, while Manfred Durniok’s partnership with the Shanghai Animation Film Studio marks a key phase in coproductions. In the 21st century, ?????’? ???? became the first Sino-German 3D animation, and films like ??????? ?????? enriched the exchange.
The author concludes that Sino-German animation cooperation, through cross-cultural storytelling, has facilitated a two-way flow of creativity and technology, building a cultural bridge that is likely to deepen in the future.
英文原文请参阅ACAS.World
#动画研究 #文化交流
By Rolf Giesen
本文围绕中德在动画领域的跨文化交流展开。
早期德国女动画师罗特·雷尼格受影子戏启发创作的《艾哈迈德王子历险记》是双方动画交流的早期雏形。此后，曼弗雷德・杜尼约克与上海美术电影制片厂合作推出《天书奇谭》等多部经典作品，开启了中德动画联合制作的重要阶段。21 世纪后，《劳拉的星星》标志着中德首部3D动画合作制作的实现，《动物总动员》等德国影片在华发行丰富了交流形式。
作者最后总结中德动画交流涵盖联合制作、跨文化叙事与影片互映等多元模式，既推动了技术与创意的双向流动，也搭建了文化沟通的桥梁，未来有望持续深化合作。
The article explores the cross-cultural exchange between Germany and China in animation.
Lotte Reiniger’s work is the foundation for later collaboration, while Manfred Durniok’s partnership with the Shanghai Animation Film Studio marks a key phase in coproductions. In the 21st century, ?????’? ???? became the first Sino-German 3D animation, and films like ??????? ?????? enriched the exchange.
The author concludes that Sino-German animation cooperation, through cross-cultural storytelling, has facilitated a two-way flow of creativity and technology, building a cultural bridge that is likely to deepen in the future.
英文原文请参阅ACAS.World
#动画研究 #文化交流
